﻿WEBVTT

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[This tape was transfered from a 16mm film original by Colorlab

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for the National Library of Medicine, January 2006, NLM call number HF 1414]

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[Distributed by the International Film Bureau, Inc., Chicago, Illinois]

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[The Mental Health Film Board Professional Education Series]

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[Man to Man, An Affiliated Film Production, Copyright MCMLIV by M.H.F.B.]

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[Sponsored by the Mental Health Authorities of Michigan, New Jersey, Alaska]

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[Mental Health Film Board: K. Appeal, M.D., L. Baumgartner, M.D., C. Binger, M.D.,

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J. M. Bobbitt, Ph.D., M. R. Kaufman, M.D., R. T. Morse, M.D.,

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T. A. C. Rennie, M.D., H. P. Rome, M.D., L. Saul, M.D.,

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E. D. Swann, H. I. Weinstock, M.D., Alberta Jacoby, Exec. Sec.]

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[Written by Irving Jacoby and Jack Neher

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Photographed by Richard Leacock

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Edited by Aram Boyajian

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Consultants T.A.C. Rennie, M.D., William F. Green, M.D.]

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[Directed by Irving Jacoby]

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[Music]

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[Narrator:] Sanctuary, refuge, hospital.

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This is no snake pit.

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The doors are locked, but it's not a prison that we enter.

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For these locks are meant to protect patients.

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They open as though by magic,

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when the sick no longer need the safeguards of hospital care.

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In the meantime, those who carry the keys are not guards.

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Joe Fuller, psychiatric aide, is no man's keeper but his own.

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This is his job.

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His living.

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This ward is his work world.

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It's a strange world, to us.

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[Men mumbling and speaking incoherently]

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[Joe Fuller:] What's this, Mr. Jordan?

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[Mr. Jordan:] I made a notee.

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[Joe Fuller:] Very nice.

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[Mr. Jordan:] Do ya want one?

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[Joe Fuller:] Fine. Thanks a lot.

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[Mr. Jordan:] That's right, throw away those chains.

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We don't like chains around here.

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Do we boys?

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[Other men:] Nah, no.

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[Joe Fuller:] Well, thanks a lot, Mr. Jordan.

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[Mr. Jordan:] You're welcome, I gotta go now.

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I got one of these for the night man and Frank.

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[Mumbling in the background.]

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[Mr. Mills:] Hey, Jordan is a lot easier to take

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since he started occupational therapy.

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[Joe Fuller:] Yeah, it gives him a chance to work off a lot of steam.

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[Mr. Mills:] Nice cord, ain't it?

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[Joe Fuller:] Yeah.

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[Fuller lights Mr. Mills' cigarette]

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[Joe Fuller:] I hear you're going home this weekend, Mr. Mills.

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[Mr. Mills:] Yep, and maybe for longer than that.

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[Joe Fuller:] Good.

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[Mr. Mills:] I'll be glad to go home.

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It's been almost a year now.

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And you know Joe, I was as bad as that guy over there

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when I first came here.

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[Mills points out man sitting in chair leaning forward with hands hanging between his legs]

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[Joe Fuller:] Yeah, I remember.

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[Mr. Mills:] Now that reminds me.

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I found a pipe in his locker.

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I wonder if he'd like to smoke it?

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[Joe Fuller:] Maybe he would.

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[Joe Fuller moves towards man in the chair.]

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Sit up, Mr. Rusk.

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Come on.

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[Joe pulls Mr. Rusk to the upright position.]

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How'd you like to smoke?

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This is your old pipe.

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[He places it in Mr. Rusk's hands. It clatters to the floor.]

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[Joe picks it up and places it to the side of Mr. Rusk's chair and walks away.]

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[Narrator:] Perhaps later.

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Perhaps next time.

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Of all the tools in Joe's work kit, time is the most useful.

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The ability to accept time as an ally is usually called patience.

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Joe has learned to be patient.

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Patient as a mother.

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Patient as a nurse.

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At times it must seem to him, as patient as Job himself.

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[Someone knocks on the class window.]

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For Joe's charges, like children, have many conflicting needs

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according to their personalities.

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Their states of illness,

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their physical conditions,

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their momentary whims.

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The aide is the only constant human being

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in an environment marked by inconstancy.

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When one man delights in harmless mischief,

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another must be protected from his antics.

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Sometimes one can help another,

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a sign of his own improvement.

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But more often it's Joe's personal attention that's wanted.

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His word, his touch.

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Sometimes a bemused patient merely requires a little prodding,

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a gentle reminder of where he is,

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while others seem to have lost all memory of the simple tasks

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they learned as children.

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No longer able to take care of themselves,

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they depend on others to help them live from day to day.

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Joe helps.

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Without resentment.

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Without contempt.

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This is his work.

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[Nurse:] Dr. Brand, this is Mr. Harve, a new psychiatric aide.

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I'm bringing him up on this ward because you're so short-handed.

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[Dr. Brand:] We sure can use him.

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Glad to meet you.

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This is Miss O'Malley.

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She is the nurse in charge in this ward.

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And this is Mr. Fuller.

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He's a psychiatric aide like yourself.

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Have you ever worked in a mental hospital before?

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[Mr. Harve:]  Oh sure.

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I know all about looney bins.

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[Dr. Brand:] We prefer to think of this as a hospital

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where we treat sick people.

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[Mr. Harve:] Well, I didn't mean nothing.

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[Dr. Brand:] No, I realize you didn't.

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You see these are all special patients

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who are getting the best that the hospital can offer them.

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There's electroshock,

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there's recreational therapy,

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there's occupational therapy...

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and the companionship of other men.

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[Mr. Harve:] I usually work on a back ward, where they don't have that.

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[Dr. Brand:] Yes, I know,

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but for the time being I'd like you to work here with Mr. Fuller.

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He has more than he can handle.

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[Mr. Harve:] Anything you say.

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[Dr. Brand:] Well, Mr. Fuller will explain your duties to you.

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[Joe Fuller:] Well, like the doctor said.

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On our ward, we try to give a lot of time to each patient.

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It's kind of a new idea.

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The more treatment they get,

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the better chance they have of going home.

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[Mr. Harve:] I don't go for stuff like that.

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I like a ward where the doctor comes through once a day and spends five minutes.

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How did you get into this racket in the first place?

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[Joe Fuller:] My wife.

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This was Helen's hometown.

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She used to work over in the administration building

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before we were married.

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Then I opened a small radio repair shop downtown.

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Only it didn't pan out.

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Then she got her old job back, and I took this job.

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How about you?

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[Mr. Harve:] I guess I just needed a job too.

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But I ain't doing this kind of work for fun.

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And if the doctors and nurses ride me too much,

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well, I'll just move on.

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[Joe Fuller:] Sometimes I think of moving on myself.

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Might not be a bad idea.

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[Narrator:] On a job like this,

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you learn not to consider yourself judge and jury.

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Joe usually takes people as they come.

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On the other hand, he doesn't have to like everything he sees.

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[Bill holds a music session with a group of men singing "Sweet Adeline."]

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[Mr. Harve:] Cut that out!

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[Mr. Mack:] Try and make me!

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[Mr. Harve is scuffling with a patient.]

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[Joe Fuller:] What's your trouble, Mack?

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[Mack:] I don't want to sing.

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[Joe Fuller:]  Okay then, don't sing.

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Go ahead, Bill.

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[Bill:] All right, men. I've been working on the railroad.

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[Choir starts singing "I've been working on the railroad, all the live-long day."]

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[Fuller beckons Mr. Harve over]

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[Joe Fuller:] Take it easy.

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[Mr. Harve:] What that guy needs is a good beating-up.

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[Joe Fuller:] Look Frank, that stuff doesn't go around here.

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[Mr. Harve:] And I thought you were a right guy.

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[Joe Fuller:] I'm okay,

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but you can't go around hitting guys.

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McGarrick wouldn't hurt anybody.

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Besides, he's in here because he's seriously sick.

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[Men sing "Dinah won't you blow your horn...someone's in the kitchen with Dinah."]

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[Mr. Rusk is holding his pipe, running it through his fingers, while singing continues.]

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[Narrator:] Dr. Brand usually confers with the nurse

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and the aide after his morning visit with the patients.

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[Dr. Brand:] I'm afraid I'm going to have to transfer

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some of your men off the ward.

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How about some of those who haven't responded to treatment?

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[Nurse O'Malley:] Well, doctor, there's old Mr. Noven.

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He has had over 50 electric shock treatments

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and there's no change at all.

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[Dr. Brand:] Well, all right, we'll transfer him.

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How about Rusk?

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He hasn't improved much.

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[Nurse O'Malley:] Well, you were telling me about him this morning,

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 weren't you, Mr. Fuller?

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[Joe Fuller:] No, it was just a little thing.

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[Dr. Brand:] Well, tell us anyway, Mr. Fuller.

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[Joe Fuller:] Well, I had been trying to get Mr. Rusk to smoke his pipe,

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but he's never shown much interest in it.

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And the other day I saw him holding it.

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Today when I offered him a light, he accepted it.

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[Dr. Brand:] Well, let's keep him around a little while longer

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and see what develops.

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I'm glad you persisted with that pipe, Mr. Fuller.

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You know we depend on you for the little things.

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They can be mighty important.

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That just shows you what you could do with more help around here.

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How does that list look now?

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[Therapist:] Underhand!

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[Narrator:] In mental hospitals nowadays,

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exercise is a prescribed activity.

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For not only does it keep bodies in good shape,

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it involves the patients with each other.

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and provides a normal, familiar outlet for feelings.

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The leader is usually a trained recreational therapist.

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[Therapist:] Strike one!

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[Narrator:] Not all of the patients are capable of taking part.

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Some of them can't coordinate sufficiently to throw a ball.

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Others are unable to maintain interest in anything outside themselves.

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But the games bring the men out of the wards and into the sunshine.

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There's something relaxing in just the sounds

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of people enjoying themselves.

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[Ball rolls over to the bench where Mr. Rusk sits with Joe Fuller.]

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[Joe Fuller picks up the ball and gives it to Mr. Rusk.]

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[Mr. Rusk:] Thank you, Harry.

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[Joe Fuller:] Harry?

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[Narrator:] Mr. Rusk had talked.

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Joe was so surprised and perplexed that he never

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knew who won the game that afternoon.

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A few days later,

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he was attending one of the classes that are part of an aide's training

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in the care of the mentally ill.

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Dr. Brand was discussing the dynamics of identification.

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[Dr. Brand:] Even our rules for living are designed to reach the patient

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with what for him is an unbelievable idea:

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that he can trust us.

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Common sense suggests you begin by always behaving

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in a way that makes you his friend, not his enemy.

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Even when you think he is incapable of understanding what you're doing.

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You can also try to know the patient as a human being.

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Liking what is likable about him.

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Understanding what is not likable about him.

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If we remind him of someone who made him suffer,

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he'll mistrust us.

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And if we remind him of someone he liked,

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he may come around to trust us.

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Yes, Mr. Fuller.

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[Joe Fuller:] The other day one of my patients,

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a Mr. Rusk down in recreational therapy, he fumbled a ball.

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And when I picked it up for him,

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he thanked me and he called me Harry.

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I was wondering who Harry was?

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[Dr. Brand:] Does anyone have any ideas?

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Mr. Jackson?

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[Mr. Jackson:] It's possible that this Harry is someone

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that Mr. Rusk had played ball with in his younger days.

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[Joe Fuller:] But he's in his 50s.

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That would have been a long time ago.

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Although maybe he was thinking back on happier times.

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Sometimes they do that.

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[Dr. Brand:] They do indeed.

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You can check with one of the social workers, Mr. Fuller.

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Find out if there's a Harry in the family.

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But no matter what you find out,

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I suggest you spend a little more time with him.

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[Social Worker:] Mr. Rusk has a son named Harry.

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An only child.

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Wait a minute, the boy was killed in action in the Pacific.

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[Joe Fuller:] That's it.

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[Joe Fuller and Mr. Rusk sit at a table with a checkerboard.]

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[Narrator:] Now that Joe knew something about the pain

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that Mr. Rusk had been unable to bear,

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the patient became a real person for him.

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Waiting for still more to emerge would be easier now.

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[Joe Fuller:] How about a game, Mr. Rusk?

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[Narrator:] For Joe often found it difficult

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to live and work among the masks that the

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mentally ill use to protect themselves from pressures they can't stand.

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They like the formal relationships of card-playing or checkers

00:16:06.520 --> 00:16:09.510
because the rules don't change.

00:16:09.510 --> 00:16:18.440
Each act does not become a problem involving feelings.

00:16:18.440 --> 00:16:24.020
Yet Joe is aware of suppressed feelings.

00:16:24.020 --> 00:16:26.560
How else could one explain the fits of odd behavior

00:16:26.560 --> 00:16:41.550
that seem to have nothing to do with the game?

00:16:41.550 --> 00:16:46.340
[Joe Fuller:] It's your move, Mr. Rusk.

00:16:46.340 --> 00:16:48.910
[Narrator:] Feelings that have been pushed down so deep

00:16:48.910 --> 00:16:50.310
may take a long time to come

00:16:50.310 --> 00:16:52.110
to the surface.

00:16:52.110 --> 00:16:58.730
It was taking Mr. Rusk months.

00:16:58.730 --> 00:17:02.830
Communicating is apt to be frightening.

00:17:02.830 --> 00:17:07.590
It must be tenderly encouraged.

00:17:07.590 --> 00:17:11.260
The feelings may give rise to thoughts that are so confused,

00:17:11.260 --> 00:17:12.930
they must be reshifted,

00:17:12.930 --> 00:17:13.890
straightened out,

00:17:13.890 --> 00:17:15.030
reordered,

00:17:15.030 --> 00:17:15.790
constantly,

00:17:15.790 --> 00:17:19.640
continuously.

00:17:19.640 --> 00:17:23.480
There is no time for anything but endless rearranging

00:17:23.480 --> 00:17:24.770
in the vain hope of finding a

00:17:24.770 --> 00:17:31.220
sequence that's satisfying.

00:17:31.220 --> 00:17:36.770
There are many ways to talk without using words.

00:17:36.770 --> 00:17:40.980
There are many ways to connect with another human being.

00:17:40.980 --> 00:17:42.310
We use our manner.

00:17:42.310 --> 00:17:43.610
Our eyes.

00:17:43.610 --> 00:17:44.670
Our smile.

00:17:44.670 --> 00:17:48.660
Long before we learn to use words.

00:17:48.660 --> 00:17:51.920
Joe, like a person working with children,

00:17:51.920 --> 00:17:55.090
has come to understand the wordless language.

00:17:55.090 --> 00:18:00.960
[Joe reaches over to light Mr. Rusk's pipe.]

00:18:00.960 --> 00:18:06.240
Many of his patients never talk, but they will express feeling.

00:18:06.240 --> 00:18:09.670
Many of his patients seem not to understand,

00:18:09.670 --> 00:18:11.770
yet Joe must find a way of getting them to do

00:18:11.770 --> 00:18:18.110
what is necessary for their health and welfare.

00:18:18.110 --> 00:18:21.680
Patients can be handled physically without violence.

00:18:21.680 --> 00:18:24.060
The kind word, the explanation,

00:18:24.060 --> 00:18:28.230
may be understood hours or weeks after it's been given,

00:18:28.230 --> 00:18:33.080
for no one knows what such patients hear and remember.

00:18:33.080 --> 00:18:37.010
Mr. Rusk took three months to make his first move.

00:18:37.010 --> 00:18:38.950
Another three was spent in getting up the courage

00:18:38.950 --> 00:18:48.560
to play hard enough to win.

00:18:48.560 --> 00:18:50.930
By now Joe doesn't find the games

00:18:50.930 --> 00:19:01.330
as one-sided as they used to be.

00:19:01.330 --> 00:19:04.910
The miracle of a man coming to life is slow,

00:19:04.910 --> 00:19:09.750
but no less wonderful for that reason.

00:19:09.750 --> 00:19:11.980
One by one he regains the little skills

00:19:11.980 --> 00:19:16.380
by which a human being moves towards relative independence.

00:19:16.380 --> 00:19:19.330
It can be a delicate, difficult process.

00:19:19.330 --> 00:19:26.580
We can only follow it from the outside.

00:19:26.580 --> 00:19:30.560
We learn to notice small changes,

00:19:30.560 --> 00:19:34.810
but their why and how remain a secret.

00:19:34.810 --> 00:19:39.520
Growth is always wonderful.

00:19:39.520 --> 00:19:41.770
[Joe Fuller:] Mr. Rusk, this is our clothes room.

00:19:41.770 --> 00:19:44.970
This is where you'll be working, if you like it.

00:19:44.970 --> 00:19:47.010
Now this will be your job,

00:19:47.010 --> 00:19:48.960
folding trousers.

00:19:48.960 --> 00:19:54.530
Just let the legs hang down like that and fold it over on itself.

00:19:54.530 --> 00:19:56.130
And each one is marked.

00:19:56.130 --> 00:19:59.070
There's a size 34.

00:19:59.070 --> 00:20:03.620
Over here, it's all marked off, 32, 34, 36

00:20:03.620 --> 00:20:06.060
Now, this would go in there.

00:20:06.060 --> 00:20:08.390
Do you think you can do that?

00:20:08.390 --> 00:20:11.370
Does that look easy?

00:20:11.370 --> 00:20:12.210
[Mr. Rusk:] 34.

00:20:12.210 --> 00:20:13.520
[Joe Fuller:] That's right.

00:20:13.520 --> 00:20:17.310
[Mr. Rusk proceeds to place the pants on the shelf.]

00:20:17.310 --> 00:20:20.700
[Joe Fuller:] That's it.

00:20:20.700 --> 00:20:23.230
[Narrator:] It was almost a year before Mr. Rusk

00:20:23.230 --> 00:20:26.220
could venture out of his shell.

00:20:26.220 --> 00:20:29.450
[Mr. Rusk:] You know when I called you Harry the other day.

00:20:29.450 --> 00:20:31.310
[Joe Fuller:] Um hum.

00:20:31.310 --> 00:20:33.790
[Mr. Rusk:] You must have thought I was crazy.

00:20:33.790 --> 00:20:36.990
Well, I must be crazy or I wouldn't be here.

00:20:36.990 --> 00:20:38.850
[Joe Fuller:] You just mistook me for your son, that's all.

00:20:38.850 --> 00:20:40.290
I must look like him.

00:20:40.290 --> 00:20:43.450
People make mistakes like that at times.

00:20:43.450 --> 00:20:46.230
[Mr. Rusk:] Yeah, but I'm crazy.

00:20:46.230 --> 00:20:49.380
I can see now you don't look like Harry.

00:20:49.380 --> 00:20:50.720
[Joe Fuller:] Well, from what you told me about him,

00:20:50.720 --> 00:20:52.540
he must have been a fine fellow.

00:20:52.540 --> 00:20:54.590
[Mr. Rusk:] The best!

00:20:54.590 --> 00:21:03.350
I can't understand why he had to be...

00:21:03.350 --> 00:21:08.310
Nothing much mattered after that.

00:21:08.310 --> 00:21:14.240
[Joe offers the lighter to light Mr. Rusk's pipe.]

00:21:14.240 --> 00:21:17.330
[Joe Fuller:] The war took a lot of nice guys.

00:21:17.330 --> 00:21:19.600
Must have been hard on your wife, too.

00:21:19.600 --> 00:21:22.390
[Mr. Rusk nods.]

00:21:22.390 --> 00:21:25.950
She's all alone now, isn't she?

00:21:25.950 --> 00:21:27.630
[Mr. Rusk:] I guess so.

00:21:27.630 --> 00:21:29.920
[Joe Fuller:] She'll certainly be glad to have you home again.

00:21:29.920 --> 00:21:33.050
[Mr. Rusk:] Nah, I'm finished.

00:21:33.050 --> 00:21:33.800
[Joe Fuller:] What do you mean,

00:21:33.800 --> 00:21:36.330
look how you've improved in the last few months.

00:21:36.330 --> 00:21:38.720
The doctors will help you get well.

00:21:38.720 --> 00:21:40.040
[Mr. Rusk:] Not me.

00:21:40.040 --> 00:21:40.890
[Joe Fuller:] Why not?

00:21:40.890 --> 00:21:41.930
Look at Jordan.

00:21:41.930 --> 00:21:43.900
The one who used to talk so much.

00:21:43.900 --> 00:21:45.410
He has ground privileges now.

00:21:45.410 --> 00:21:48.700
He can come and go around the grounds as much as he pleases.

00:21:48.700 --> 00:21:49.990
And look at Andy Bower.

00:21:49.990 --> 00:21:53.370
He's working down on the farm.

00:21:53.370 --> 00:21:54.490
[Mr. Rusk:] Yeah, but look at Wilmer.

00:21:54.490 --> 00:21:55.910
He's as lonely as ever.

00:21:55.910 --> 00:21:58.490
[Joe Fuller:] Well, sometimes I think Wilmer

00:21:58.490 --> 00:22:00.870
would rather stay here than go home.

00:22:00.870 --> 00:22:02.330
He likes to play the clown too much.

00:22:02.330 --> 00:22:09.300
[Wilmer, with a paper bag on his head, bows, and Mr. Rusk laughs.]

00:22:09.300 --> 00:22:12.360
[Joe Fuller:] That's the first time I've heard you laugh!

00:22:12.360 --> 00:22:16.620
[Mr. Rusk:] Well, feels good to laugh.

00:22:16.620 --> 00:22:20.090
I guess I haven't had much to laugh about lately.

00:22:20.090 --> 00:22:22.830
[Joe Fuller:] Aw, you're coming along fine, Mr. Rusk.

00:22:22.830 --> 00:22:25.130
You're getting better everyday.

00:22:25.130 --> 00:22:26.660
[Mr. Rusk:] You really think so, Joe?

00:22:26.660 --> 00:22:28.610
[Joe Fuller:] I certainly do.

00:22:28.610 --> 00:22:32.200
[Mr. Rusk:] Well, it was good talking to you this way.

00:22:32.200 --> 00:22:35.320
[Narrator:] Then Mr. Rusk went back in.

00:22:35.320 --> 00:22:39.720
He'd need time to think over, to comprehend, his big step forward.

00:22:39.720 --> 00:22:40.710
His wife.

00:22:40.710 --> 00:22:41.730
His home.

00:22:41.730 --> 00:22:44.920
He'd have to think about them.

00:22:44.920 --> 00:22:52.010
[Mr. Harve walks up to Joe Fuller in the locker area.]

00:22:52.010 --> 00:22:54.160
[Mr. Harve:] It's 5:30 Joe, going to supper?

00:22:54.160 --> 00:22:56.580
[Joe Fuller:] Not just yet Frank, I want to finish this job first.

00:22:56.580 --> 00:22:58.880
[Mr. Harve:] I guess they told you, I'm leaving next week.

00:22:58.880 --> 00:23:00.840
Got a swell job in a factory downtown.

00:23:00.840 --> 00:23:03.170
[Joe Fuller:] Well, some people get all the breaks.

00:23:03.170 --> 00:23:04.480
[Mr. Harve:] Well, I think it's about time

00:23:04.480 --> 00:23:07.060
I got away from these people.

00:23:07.060 --> 00:23:08.540
How about you?

00:23:08.540 --> 00:23:10.590
When are you moving on?

00:23:10.590 --> 00:23:13.440
[Joe Fuller:] Well...won't be this week.

00:23:13.440 --> 00:23:15.830
[Mr. Harve:] Better hurry up.You aren't getting any younger.

00:23:15.830 --> 00:23:19.310
[Joe Fuller:] Haha, you're not kidding.

00:23:19.310 --> 00:23:25.910
[Mr. Harve:] Well, I'll see you at supper.

00:23:25.910 --> 00:23:35.240
[Joe Fuller:] Mr. Rusk, what's the matter?

00:23:35.240 --> 00:23:39.170
Here, Mr. Rusk, you dropped this.

00:23:39.170 --> 00:23:42.130
Say, I didn't mean what I just said to Frank.

00:23:42.130 --> 00:23:44.840
I was only trying to be friendly.

00:23:44.840 --> 00:23:48.750
I'm not even thinking of leaving.

00:23:48.750 --> 00:23:50.540
[Mr. Rusk stops working and walks away.]

00:23:50.540 --> 00:23:55.220
Mr. Rusk?

00:23:55.220 --> 00:24:01.300
[Narrator:] Regression is the technical name for Mr. Rusk's medical condition.

00:24:01.300 --> 00:24:07.450
For Joe, no technical word could describe the situation.

00:24:07.450 --> 00:24:12.340
After a year of patient, careful work, day by day, hour by hour,

00:24:12.340 --> 00:24:14.200
he's back at the beginning.

00:24:14.200 --> 00:24:17.540
The elaborate bridge over which Rusk has been moving toward health,

00:24:17.540 --> 00:24:27.090
the bridge of which Joe himself was part, has come crashing down.

00:24:27.090 --> 00:24:31.190
All that day, he worried about Mr. Rusk.

00:24:31.190 --> 00:24:32.900
[Nurse O'Malley:] Hello Joe. What's for dinner?

00:24:32.900 --> 00:24:35.080
[Joe Fuller:] Huh! Oh, I forget.

00:24:35.080 --> 00:24:39.130
[Nurse O'Malley:] You forget! It must have been real good.

00:24:39.130 --> 00:24:42.820
By the way, Mr. Rusk seems to have had a relapse.

00:24:42.820 --> 00:24:45.030
He hasn't eaten anything all afternoon.

00:24:45.030 --> 00:24:49.770
Try and get him to take something.

00:24:49.770 --> 00:24:54.320
See you later.

00:24:54.320 --> 00:24:58.880
[Narrator:] Try to get him to take something.

00:24:58.880 --> 00:25:01.780
Try to pick up the milk you spilled.

00:25:01.780 --> 00:25:08.640
Try to remake the statue you dropped.

00:25:08.640 --> 00:25:11.480
It was even worse than it had been at the beginning.

00:25:11.480 --> 00:25:14.270
Then Mr. Rusk had been angry at the world.

00:25:14.270 --> 00:25:17.820
Now Joe felt that the anger was all focused on him.

00:25:17.820 --> 00:25:21.190
What's more, he felt he deserved it.

00:25:21.190 --> 00:25:25.700
What to do about it?

00:25:25.700 --> 00:25:29.340
He could go home and try to forget about Mr. Rusk,

00:25:29.340 --> 00:25:33.860
or he could tell Dr. Brand the whole story.

00:25:33.860 --> 00:25:36.520
[Joe Fuller:] No, it was my fault all right.

00:25:36.520 --> 00:25:40.700
I should have known how he'd react to the idea of my leaving.

00:25:40.700 --> 00:25:43.890
[Dr. Brand:] None of us are perfect.

00:25:43.890 --> 00:25:50.600
I wouldn't blame myself too much for an accident like this.

00:25:50.600 --> 00:25:52.340
Have you been thinking about leaving?

00:25:52.340 --> 00:26:00.070
[Joe Fuller:] No! Well, I must admit that I have thought about it off and on.

00:26:00.070 --> 00:26:02.820
But you know how it is, doctor,

00:26:02.820 --> 00:26:05.480
You get to know some of these patients...

00:26:05.480 --> 00:26:06.540
you get to like them,

00:26:06.540 --> 00:26:08.360
some of them.

00:26:08.360 --> 00:26:14.860
Patients like Mr. Rusk, a few others who get better.

00:26:14.860 --> 00:26:17.290
I thought I was in on something real big for awhile,

00:26:17.290 --> 00:26:21.000
something where I was doing some good.

00:26:21.000 --> 00:26:22.960
Then I messed it all up.

00:26:22.960 --> 00:26:26.200
[Dr. Brand:] Don't worry sO'Much, Joe.

00:26:26.200 --> 00:26:27.550
This might be the most important thing

00:26:27.550 --> 00:26:31.180
that's happened on your job here.

00:26:31.180 --> 00:26:35.220
Do me a favor. Forget Mr. Rusk tonight;

00:26:35.220 --> 00:26:38.770
take your wife to the movies.

00:26:38.770 --> 00:26:46.980
Mr. Rusk will still be here tomorrow when you come on duty.

00:26:46.980 --> 00:26:48.730
[Narrator:] Joe hung around the hospital that night

00:26:48.730 --> 00:26:51.160
after his shift was over.

00:26:51.160 --> 00:26:54.020
Something had happened to him, too.

00:26:54.020 --> 00:26:58.860
Something that needed to be thought over, to be talked out.

00:26:58.860 --> 00:27:02.040
Kate O'Malley was the kind of girl you could talk to.

00:27:02.040 --> 00:27:04.930
Besides, this sort of thing was her profession.

00:27:04.930 --> 00:27:07.450
[Joe Fuller:] What did he mean,

00:27:07.450 --> 00:27:09.800
the most important thing that ever happened to me?

00:27:09.800 --> 00:27:11.270
[Nurse O'Malley:] I don't know...

00:27:11.270 --> 00:27:14.090
but when I first started in mental hospital work,

00:27:14.090 --> 00:27:18.480
I used to get pretty discouraged when a patient become upset.

00:27:18.480 --> 00:27:20.610
I used to feel like giving it all up

00:27:20.610 --> 00:27:25.490
and going in for surgery, or pediatrics, or something else.

00:27:25.490 --> 00:27:31.950
But now I realize that every serious illness has its ups and downs.

00:27:31.950 --> 00:27:34.250
[Joe Fuller:] Mostly downs, it seems to me.

00:27:34.250 --> 00:27:38.060
[Nurse O'Malley:] Listen Joe, you have a lot to give these patients.

00:27:38.060 --> 00:27:41.490
I probably know more about Rusk's illness than you do,

00:27:41.490 --> 00:27:46.620
but you probably know more about Rusk.

00:27:46.620 --> 00:27:49.560
[Joe Fuller:] That's what makes me feel so bad about all this.

00:27:49.560 --> 00:27:52.300
Rusk was the one I was counting on to come through.

00:27:52.300 --> 00:27:54.800
[Nurse O'Malley:] You had a man-to-man relationship

00:27:54.800 --> 00:27:57.650
that was the right medicine for him.

00:27:57.650 --> 00:27:59.860
You have a knack for doing that.

00:27:59.860 --> 00:28:03.180
That's why you were able to help him more.

00:28:03.180 --> 00:28:05.430
[Joe Fuller:] I guess I didn't think of it that way.

00:28:05.430 --> 00:28:08.100
[Nurse O'Malley:] Someday Rusk will come to realize you're a man

00:28:08.100 --> 00:28:10.620
he'll have to give up,

00:28:10.620 --> 00:28:13.370
and he'll accept that too.

00:28:13.370 --> 00:28:18.060
You deserve a lot of credit for reaching Rusk when the rest of us failed.

00:28:18.060 --> 00:28:20.980
It's no easy job.

00:28:20.980 --> 00:28:23.570
[Joe Fuller:] No, and it's not a bad one either.

00:28:23.570 --> 00:28:31.420
[Nurse O'Malley:] Depends on who's doing it.

00:28:31.420 --> 00:28:32.670
[Narrator:] The world of the mentally ill

00:28:32.670 --> 00:28:35.560
is not very unlike the world we know.

00:28:35.560 --> 00:28:38.420
The things in it may appear distorted to us

00:28:38.420 --> 00:28:42.320
because of the special point of view from which they are seen.

00:28:42.320 --> 00:28:44.180
What makes the point of view special

00:28:44.180 --> 00:28:47.900
is the particular pattern of feelings of a particular person.

00:28:47.900 --> 00:28:51.680
Each pattern is different, as each person is different,

00:28:51.680 --> 00:28:57.770
depending on what he was and what happened to him.

00:28:57.770 --> 00:29:05.240
Joe has come to recognize these differences and live with them.

00:29:05.240 --> 00:29:09.080
He has learned to accept surprising or even silly behavior,

00:29:09.080 --> 00:29:16.930
as long as it's not destructive.

00:29:16.930 --> 00:29:19.350
He has really come to like what is likable.

00:29:19.350 --> 00:29:22.480
And to try to understand what is not likable.

00:29:22.480 --> 00:29:26.960
He doesn't feel threatened by patients who express their needs directly.

00:29:26.960 --> 00:29:28.940
He doesn't feel contempt for grown men

00:29:28.940 --> 00:29:32.190
who act with the exuberance of children.

00:29:32.190 --> 00:29:35.150
He takes them as they are.

00:29:35.150 --> 00:29:37.950
And this acceptance, this liking,

00:29:37.950 --> 00:29:41.940
is what Joe can contribute to the process of therapy.

00:29:41.940 --> 00:29:46.190
For hospitals like this one are places where sick people

00:29:46.190 --> 00:29:48.320
are being helped to recover from serious illness.

00:29:48.320 --> 00:29:51.820
Joe is part of a team, headed by a psychiatrist,

00:29:51.820 --> 00:29:54.470
that is constantly trying to speed this recovery,

00:29:54.470 --> 00:29:59.690
which might otherwise take a lifetime, or might never occur at all.

00:29:59.690 --> 00:30:03.790
Along with some psychotherapy and physical therapy,

00:30:03.790 --> 00:30:07.980
along with the occupational, recreational, and industrial therapy,

00:30:07.980 --> 00:30:11.850
there is also the simple therapy of being treated with respect,

00:30:11.850 --> 00:30:19.180
day in and day out, by the one sane person in the ward.

00:30:19.180 --> 00:30:21.860
Time and patience.

00:30:21.860 --> 00:30:27.790
Joe has them to give.

00:30:27.790 --> 00:30:35.810
The bridge is beginning to be rebuilt on an even firmer base.

00:30:35.810 --> 00:30:40.760
It may be easier for Mr. Rusk to move over the second time.

00:30:40.760 --> 00:30:44.880
But he cannot be pushed.

00:30:44.880 --> 00:30:46.670
[Joe Fuller:] It's your move, Mr. Rusk.

00:30:46.670 --> 00:30:53.650
[Climactic music playing]

00:30:53.650 --> 00:30:55.600
[This picture was made possible through the cooperation

00:30:55.600 --> 00:30:57.940
of the professional staff of the Fairfield State Hospital,

00:30:57.940 --> 00:31:00.030
Newtown, Connecticut, who played their own roles

00:31:00.030 --> 00:31:01.990
as well as those of their patients.

00:31:01.990 --> 00:31:02.910
The understanding which they brought to these performances

00:31:02.910 --> 00:31:14.490
bespeaks the sympathy and respect that they feel for the mentally ill.]

00:31:14.490 --> 00:31:24.020
The End