WEBVTT

00:00.000 --> 00:30.000 position:50% align:top line:0%
*This machine-generated transcript may have errors. If remediation or a manually-generated transcript is needed, please contact NLM Support at https://support.nlm.nih.gov.*

00:23.120 --> 00:25.550
The human ear is a complex and wonderful

00:25.550 --> 00:28.510
instrument to say though that all it does is

00:28.510 --> 00:31.370
to enable us to hear is to really understate the things

00:31.370 --> 00:32.500
that is capable of.

00:34.640 --> 00:35.990
It is first of all,

00:35.990 --> 00:37.710
a collector of sound waves,

00:38.230 --> 00:40.990
it catches the sound waves and directs them down into the

00:40.990 --> 00:43.860
external canal so that they can find their way on

00:43.860 --> 00:46.380
further into the inner ear where they can be received and

00:46.380 --> 00:46.950
interpreted.

00:48.220 --> 00:51.140
It is also an energy transducer that is,

00:51.140 --> 00:53.580
it changes the acoustic energy of the airborne

00:53.580 --> 00:56.080
signal to mechanical energy to

00:56.080 --> 00:59.020
hydraulic energy and finally to electrical energy.

00:59.970 --> 01:02.850
It is also a sound amplifier that

01:02.850 --> 01:03.030
is,

01:03.030 --> 01:05.670
it actually increases the loudness of the sound

01:05.750 --> 01:07.350
after it reaches the ear.

01:08.120 --> 01:11.120
It's also a sound analyzer that is,

01:11.120 --> 01:13.910
it allows us to be able to interpret the

01:13.910 --> 01:16.190
complex noise that we call speech.

01:16.760 --> 01:17.840
And finally,

01:17.880 --> 01:20.430
it contains the mechanism that

01:20.440 --> 01:23.230
enables us to be able to maintain our balance

01:23.240 --> 01:25.330
and to stay in an upright position.

01:26.070 --> 01:26.210
Now,

01:26.210 --> 01:28.610
I'd like to tell you some things about the ear.

01:28.620 --> 01:30.160
But before we do that,

01:30.200 --> 01:33.180
I'd like to review with you some of the basic notions

01:33.190 --> 01:34.610
of sound and sound.

01:34.610 --> 01:35.140
Waves,

01:35.150 --> 01:37.870
how they're generated where they come from

01:37.880 --> 01:39.690
and how they travel through the air

01:40.980 --> 01:43.420
sound sources can be of varying kinds.

01:43.980 --> 01:46.170
Some examples are the reed of the clarinet,

01:46.480 --> 01:47.060
the bell,

01:47.590 --> 01:49.500
the human voice and a tuning fork.

01:49.730 --> 01:52.370
All of them produce sound in the same basic

01:52.370 --> 01:52.920
way.

01:53.870 --> 01:56.820
Let's review then the four essentials that we need for a sound to be

01:56.820 --> 01:58.080
created and to be heard.

01:58.900 --> 01:59.460
First of all,

01:59.460 --> 02:01.640
we need a vibrator such as a tuning fork.

02:02.310 --> 02:02.930
Secondly,

02:02.930 --> 02:05.480
we need some force to set the vibrator in motion.

02:06.400 --> 02:06.870
Thirdly,

02:06.870 --> 02:09.640
we need a medium such as the air to convey the

02:09.640 --> 02:11.670
wave motion created by the vibrator.

02:12.440 --> 02:13.110
And finally,

02:13.110 --> 02:16.000
we need the hearing mechanism itself which can receive

02:16.000 --> 02:17.200
and interpret the sound.

02:18.410 --> 02:21.290
I think the best example to explain how a sound

02:21.290 --> 02:23.420
wave is generated is the tuning fork.

02:24.380 --> 02:27.350
If you were to squeeze the tides of the tuning fork together

02:27.360 --> 02:28.890
and then let them snap apart,

02:29.360 --> 02:31.530
you would of course generate a pure tone.

02:32.260 --> 02:35.120
The reason why the tone is generated is

02:35.120 --> 02:37.770
because as the time springs back

02:37.780 --> 02:39.880
past its original resting position,

02:40.710 --> 02:43.330
it pushes the molecules of the air together and

02:43.340 --> 02:44.990
causes them to bunch up,

02:45.300 --> 02:46.490
it condenses them.

02:47.080 --> 02:48.660
Then as it springs back again,

02:48.660 --> 02:49.930
in the opposite direction,

02:49.940 --> 02:52.860
it creates a vacuum or a rare faction

02:52.920 --> 02:55.720
where there are fewer molecules than there should be.

02:56.260 --> 02:59.060
This constant repetition of condensation

02:59.070 --> 03:02.060
and rare faction increase in pressure,

03:02.110 --> 03:04.770
decrease in pressure is the basis for the sound

03:04.770 --> 03:05.280
wave.

03:06.030 --> 03:06.300
Now,

03:06.300 --> 03:09.200
it's important to remember that it's not the molecules in

03:09.200 --> 03:10.800
the air themselves that travel.

03:11.120 --> 03:13.790
But rather the pressure changes that travel through the

03:13.790 --> 03:15.040
air to the ear.

03:17.280 --> 03:20.110
There are two basic characteristics of a sound wave that I

03:20.110 --> 03:21.920
think you should be familiar with.

03:22.090 --> 03:23.490
The first is frequency,

03:24.290 --> 03:26.880
frequency is analogous to pitch.

03:27.840 --> 03:30.510
And it's defined as being the

03:30.510 --> 03:32.740
number of times the

03:32.750 --> 03:35.500
repetition of condensation and

03:35.500 --> 03:38.280
rare faction occurs in some unit time.

03:38.290 --> 03:39.070
For example,

03:39.070 --> 03:40.260
in 1 2nd,

03:42.320 --> 03:44.880
the fewer number of times in a second

03:45.130 --> 03:47.680
that the conversation and rare faction cycle

03:47.870 --> 03:48.640
goes on.

03:48.650 --> 03:50.040
Then the lower the pitch,

03:51.040 --> 03:53.890
the greater the number of times that this condensation

03:53.890 --> 03:55.970
rare faction cycle goes on.

03:56.140 --> 03:58.190
Then the higher the perceived pitch,

03:58.950 --> 04:00.540
if you will look at the screen,

04:00.540 --> 04:03.160
you will be able to see a representation of

04:03.540 --> 04:06.150
a pure tone that's been created by an

04:06.150 --> 04:07.200
oscilloscope.

04:14.420 --> 04:16.930
The uppermost portion of the sound wave is that

04:17.180 --> 04:19.670
represents the condensation portion.

04:19.700 --> 04:22.480
The lower most portion represents the rare

04:22.480 --> 04:23.600
faction portion.

04:24.140 --> 04:26.980
You can see that these waves are some

04:26.980 --> 04:29.360
distance apart and probably

04:29.360 --> 04:32.300
represent a tone with a frequency of about

04:32.310 --> 04:34.960
250 cycles per second

04:34.970 --> 04:37.540
as we increase the tone so that the

04:37.540 --> 04:39.730
frequency is close to 1000 cycles per

04:39.730 --> 04:40.690
second,

04:40.700 --> 04:42.720
the waves come closer together.

04:42.740 --> 04:45.390
And we see more a greater number of

04:45.390 --> 04:48.090
repetitions of condensation and rare faction.

04:48.160 --> 04:49.190
In a second.

04:50.300 --> 04:53.260
The other aspect of a sound wave that I would want you to be

04:53.260 --> 04:54.780
familiar with is amplitude.

04:55.430 --> 04:58.300
Amplitude simply relates to the fact that

04:58.310 --> 05:01.210
the strength of the particle or molecular energy

05:01.210 --> 05:01.990
is greater.

05:02.000 --> 05:04.050
And so we have a louder sound.

05:04.690 --> 05:07.400
This is represented on the screen by the

05:07.400 --> 05:10.250
sound wave increasing in amplitude,

05:10.360 --> 05:13.190
you can see that the envelope becomes wider as the sound

05:13.190 --> 05:14.100
becomes louder.

05:14.860 --> 05:16.720
Then as the sound becomes softer,

05:17.080 --> 05:19.550
the envelope of the sound wave decreases and

05:19.550 --> 05:20.750
becomes smaller.

05:22.680 --> 05:23.000
Now,

05:23.000 --> 05:23.900
this example,

05:23.900 --> 05:26.800
from the tuning fork is a fairly simple

05:26.810 --> 05:29.450
representation of a sound wave and it's

05:29.450 --> 05:32.030
normally not one that we run into every day.

05:32.950 --> 05:35.890
I better a different example which I would like

05:35.900 --> 05:38.530
to show you is what the human voice would look

05:38.530 --> 05:41.060
like if you were to put it on a

05:41.060 --> 05:43.640
screen as I'm talking.

05:43.640 --> 05:43.920
Now,

05:43.920 --> 05:46.510
you can see the jumble of lines and angles on the

05:46.510 --> 05:49.430
screen representing my voice as it comes

05:49.430 --> 05:49.980
to you.

05:50.840 --> 05:51.190
It's,

05:51.200 --> 05:54.090
it's really a wonderful thing to consider the human ear that it

05:54.090 --> 05:57.090
can take such a jumble of noise and

05:57.090 --> 05:58.040
make sense out of it.

05:58.730 --> 05:59.040
Now,

05:59.040 --> 06:01.980
let's take a look at the year just how it's made and just

06:01.980 --> 06:02.780
how it works.

06:03.240 --> 06:06.160
The year is first of all located in the petrus

06:06.160 --> 06:09.080
portion of the temporal bone and this is

06:09.080 --> 06:12.040
the hardest bone in the body and nature designed

06:12.040 --> 06:14.300
it that way to be sure and protect the inner ear from

06:14.300 --> 06:15.050
damage.

06:16.320 --> 06:17.110
As a matter of fact,

06:17.110 --> 06:19.690
the word petrus derives from the Latin word

06:19.690 --> 06:20.170
petrus,

06:20.170 --> 06:21.300
which means rock,

06:22.210 --> 06:25.050
the outer ear is connected to the skull by a

06:25.050 --> 06:27.870
series of muscles ligaments and other

06:27.870 --> 06:28.440
tissue.

06:28.950 --> 06:29.100
Now,

06:29.100 --> 06:31.670
most of the muscles that attach the outer

06:31.670 --> 06:34.300
ear to the skull

06:34.470 --> 06:35.930
are vestigial.

06:36.010 --> 06:37.090
That is at one time,

06:37.090 --> 06:39.980
we used to use them the same way an animal uses

06:39.980 --> 06:42.480
them now to turn his ears to localize

06:42.480 --> 06:43.120
sound.

06:43.330 --> 06:46.330
But uh they are no longer of any

06:46.330 --> 06:48.240
real use to us at this time.

06:49.870 --> 06:52.690
The outer ear is the first thing that

06:52.690 --> 06:54.000
receives the sound.

06:54.710 --> 06:57.340
It's ovoid in shape and contains a

06:57.340 --> 06:59.950
number of depressions and humps.

07:00.030 --> 07:02.640
Its function is to collect the

07:02.640 --> 07:05.270
sound waves as they hit it and direct them

07:05.270 --> 07:07.790
down and into the external canal.

07:13.080 --> 07:15.910
It provides us with about 10 decib of

07:15.910 --> 07:16.990
amplification.

07:17.100 --> 07:17.300
Now,

07:17.300 --> 07:19.580
this amount of amplification is really not

07:19.580 --> 07:20.430
significant.

07:20.820 --> 07:21.840
As a matter of fact,

07:21.840 --> 07:23.790
if we were to lose the outer ear,

07:24.130 --> 07:26.910
it would not cause any real loss of

07:26.910 --> 07:27.880
hearing for us.

07:28.190 --> 07:31.100
So even the outer ear itself is not that useful

07:31.100 --> 07:33.510
to us today and serves primarily a

07:33.510 --> 07:34.770
cosmetic function.

07:36.440 --> 07:36.700
Now,

07:36.700 --> 07:39.430
as we move from the outer ear

07:39.430 --> 07:41.010
into the external canal,

07:41.140 --> 07:44.020
remember now that the sound waves coming through

07:44.020 --> 07:46.890
the air are collected by the outer ear

07:46.900 --> 07:49.800
and directed down into the canal where they

07:49.800 --> 07:51.940
finally will hit the ear drum.

07:53.930 --> 07:56.860
The external canal is about an inch long and

07:56.860 --> 07:59.850
it's about a quarter to a half inch in diameter.

08:01.010 --> 08:03.920
The tissue that uh is made that makes

08:03.920 --> 08:06.670
up the wall of the external canal is the same

08:06.670 --> 08:09.540
tissue that is connected with the tissue

08:09.550 --> 08:12.500
that makes that up that tissue of the ear,

08:12.540 --> 08:13.340
the hand,

08:13.370 --> 08:14.840
the back and so forth.

08:15.680 --> 08:18.560
There are two things about the external canal that I think you should be

08:18.560 --> 08:19.400
familiar with.

08:20.280 --> 08:22.970
One is that it contains a number of hairs

08:22.980 --> 08:24.710
along this portion here.

08:26.030 --> 08:28.820
And the function of those hairs is to protect it

08:28.820 --> 08:31.320
from insects intruding into the external

08:31.320 --> 08:32.200
canal.

08:32.360 --> 08:33.490
In addition to that,

08:33.490 --> 08:34.810
there are also in here,

08:34.820 --> 08:37.310
a number of glands which are called saruman.

08:37.310 --> 08:39.680
It's glands and they will

08:39.850 --> 08:42.650
produce saruman or what's more

08:42.650 --> 08:44.970
popularly known as earwax.

08:45.470 --> 08:45.630
Now,

08:45.630 --> 08:48.210
this earwax or saruman is very bitter

08:48.210 --> 08:50.450
tasting and repugnant material.

08:50.540 --> 08:53.480
And it also serves the function of protecting the

08:53.480 --> 08:56.100
ear from the intrusion of insects.

08:57.690 --> 08:58.080
Now,

08:58.090 --> 09:00.950
the sound wave comes down

09:00.960 --> 09:03.910
from the article into the external

09:03.910 --> 09:05.140
canal and finally,

09:05.150 --> 09:07.430
it comes up to the middle ear,

09:08.260 --> 09:10.740
the middle ear is made up of the ear

09:10.740 --> 09:11.310
drum,

09:12.470 --> 09:15.090
The articular chain which is made up of three

09:15.090 --> 09:16.320
tiny bones called the,

09:16.710 --> 09:17.050
asse.

09:17.800 --> 09:20.580
the Incas and the stay

09:20.580 --> 09:21.120
peas.

09:25.010 --> 09:27.640
The function of the middle ear

09:27.650 --> 09:30.070
is to transform the

09:30.070 --> 09:32.590
acoustic energy into mechanical

09:32.590 --> 09:35.450
energy and also to increase or

09:35.450 --> 09:38.340
amplify the amount of sound that that

09:38.350 --> 09:39.560
is reaching the ear.

09:40.250 --> 09:43.000
And it does this by means of what is

09:43.000 --> 09:45.830
called the a real ratio.

09:45.900 --> 09:48.570
That is if we take the ratio of

09:48.570 --> 09:51.080
the area of the Eardrum to the

09:51.080 --> 09:53.280
ratio of the area of this foot plate.

09:53.280 --> 09:54.050
Here,

09:54.110 --> 09:57.110
we find that the increase in sound is

09:57.110 --> 09:58.790
about 18 times.

09:59.600 --> 10:00.060
Now,

10:00.260 --> 10:03.130
it's necessary for this to occur because

10:03.380 --> 10:04.750
the sound after it leaves,

10:04.750 --> 10:06.710
the middle ear will go into the inner ear,

10:06.710 --> 10:07.920
which is filled with fluid.

10:08.880 --> 10:11.880
And it's necessary to overcome the impedance which

10:11.880 --> 10:13.870
is offered by the fluid,

10:14.040 --> 10:16.200
the fluid in the inner ear.

10:22.040 --> 10:24.730
There are two muscles in the middle ear,

10:24.790 --> 10:26.970
which we should be familiar with.

10:27.070 --> 10:29.400
And those are called the tensor tympani.

10:29.560 --> 10:31.110
And the step PDS muscle,

10:31.260 --> 10:34.220
the tensor tympani originates here and comes

10:34.220 --> 10:37.140
across the middle ear space to the handle of

10:37.140 --> 10:37.940
the malas.

10:38.630 --> 10:41.080
The step pds muscle originates on the

10:41.080 --> 10:43.590
posterior wall behind these bones

10:43.840 --> 10:46.710
and it inserts right here in the head of the stay peas.

10:47.430 --> 10:50.230
These two muscles serve a protective function

10:50.840 --> 10:53.820
that is whenever a sound which is loud enough to

10:53.820 --> 10:56.080
cause damage to the ear occurs,

10:56.090 --> 10:58.880
they contract very quickly and they

10:58.880 --> 11:01.810
pull the articular

11:01.810 --> 11:03.960
chain off its normal course of action.

11:03.970 --> 11:06.870
And so it protects the inner ear from uh

11:06.880 --> 11:07.820
from damage.

11:09.020 --> 11:09.200
Now,

11:09.200 --> 11:12.180
when the sound wave it comes

11:12.180 --> 11:14.800
down into the external canal and it hits the

11:14.800 --> 11:15.300
eardrum,

11:16.210 --> 11:18.650
it causes the eardrum to vibrate at the same

11:18.650 --> 11:21.590
frequency and amplitude as the sound as the

11:21.590 --> 11:22.540
original sound.

11:23.800 --> 11:26.350
The articular chain is connected to the eardrum.

11:26.350 --> 11:29.180
And so that also vibrates at the

11:29.180 --> 11:31.070
same frequency and amplitude.

11:31.550 --> 11:34.320
And so the sound wave is now conducted across this

11:34.320 --> 11:37.080
middle ear space up to the inner

11:37.080 --> 11:39.970
ear as as of yet

11:39.970 --> 11:40.700
though no,

11:40.710 --> 11:42.590
no hearing has taken place.

11:42.600 --> 11:45.390
The only thing that's really happened is that the sound

11:45.390 --> 11:48.150
wave has been conducted up to the inner

11:48.150 --> 11:48.650
ear.

11:50.280 --> 11:53.050
The other part of the inner ear that you should be familiar

11:53.050 --> 11:55.630
with is something called the U station

11:55.630 --> 11:56.640
tube.

11:56.670 --> 11:58.730
And this is located in the

11:58.730 --> 12:01.460
anterior inferior portion

12:01.480 --> 12:02.980
of the middle ear space.

12:04.060 --> 12:06.850
The station tube runs from the middle

12:06.850 --> 12:09.270
airspace down to the nasal firing.

12:09.270 --> 12:11.880
So to the back of your throat And it

12:11.880 --> 12:13.860
serves two functions.

12:14.290 --> 12:15.220
First of all,

12:15.230 --> 12:18.100
it provides a constant source of oxygen

12:19.060 --> 12:20.450
to the middle ear space.

12:21.540 --> 12:24.310
The second thing it does is to is to provide an

12:24.320 --> 12:26.800
equalization of pressure whenever there are

12:26.800 --> 12:28.260
changes in altitude.

12:29.000 --> 12:31.770
If you were to experience a

12:31.770 --> 12:33.250
severe change in altitude,

12:33.250 --> 12:34.030
for example,

12:34.870 --> 12:37.680
the pressure on the outside of your ear

12:37.880 --> 12:39.630
would be less than the pressure on your,

12:39.700 --> 12:40.940
on the inside of your ear.

12:40.940 --> 12:42.770
And it would force the ear drum outward.

12:43.640 --> 12:44.630
If you yawn,

12:46.230 --> 12:49.210
then you open the station tube and it allows the air

12:49.210 --> 12:50.540
to come up into the middle ear.

12:50.540 --> 12:52.480
And so it equalizes this pressure.

12:52.950 --> 12:54.710
I'm sure if you've flown in an airplane,

12:54.710 --> 12:57.700
you have probably experienced this and have had

12:57.700 --> 13:00.120
to equalize that pressure in order to get rid of the

13:00.130 --> 13:02.960
uncomfortable or stuffy feeling that you find in your

13:02.960 --> 13:03.420
ear.

13:12.880 --> 13:13.550
Now,

13:15.460 --> 13:16.980
once the sound wave again,

13:16.980 --> 13:18.870
has crossed the middle ear,

13:20.200 --> 13:22.430
it enters the inner ear

13:23.240 --> 13:26.180
it is in the inner ear that the essential organ of

13:26.180 --> 13:27.610
hearing is contained.

13:28.630 --> 13:31.610
The inner ear contains also the balance

13:31.610 --> 13:32.310
mechanism.

13:32.730 --> 13:35.180
And this mechanism is made up of the three

13:35.180 --> 13:36.800
semicircular canals,

13:37.590 --> 13:39.600
the sack you'll and the you trickle.

13:40.040 --> 13:41.630
And this mechanism,

13:41.640 --> 13:44.640
all of these parts working together provide

13:44.640 --> 13:47.550
us with a sense of balance to keep ourselves upright.

13:48.860 --> 13:51.500
This yellow line that you see here is the

13:51.500 --> 13:54.120
vestibular portion of the auditory nerve.

13:56.600 --> 13:59.390
The other portion of the inner ear or the labyrinth is

13:59.390 --> 14:00.890
called the cochlea.

14:01.340 --> 14:04.180
And this is a spiral or snail shaped

14:04.180 --> 14:06.860
bony labyrinth within which the

14:06.860 --> 14:09.050
essential organ of hearing is located.

14:13.180 --> 14:15.330
This portion of the inner ear is called the

14:15.360 --> 14:16.370
vestibule.

14:17.050 --> 14:19.620
And you can see that there are three channels here.

14:20.300 --> 14:23.250
This is the scale of vestibular or the

14:23.250 --> 14:24.620
vestibular channel.

14:24.720 --> 14:27.660
The scallop media or the middle channel and the

14:27.660 --> 14:30.440
skeleton pony or the tim panic channel.

14:31.950 --> 14:34.700
This area in here is filled with a fluid

14:34.710 --> 14:36.120
which is called parallel.

14:37.210 --> 14:40.170
And this middle channel floats

14:40.170 --> 14:43.020
in that parallel and it protects it from

14:43.030 --> 14:45.390
bumping up against the walls of the bony

14:45.400 --> 14:47.020
uh capsule.

14:47.600 --> 14:49.970
The fluid which is inside the scallop

14:49.970 --> 14:52.010
media is called indolent.

14:52.100 --> 14:54.150
And this is much different than the parallel

14:54.610 --> 14:57.450
and arises from somewhere near the cortex.

15:03.660 --> 15:04.150
Now,

15:04.160 --> 15:04.730
when,

15:04.890 --> 15:05.960
when we hear

15:07.250 --> 15:09.540
the acoustic signal,

15:09.540 --> 15:11.860
which has been changed to uh mechanical

15:11.860 --> 15:14.640
energy now has to come into the inner

15:14.640 --> 15:17.180
ear and be somehow changed into hydraulic

15:17.180 --> 15:20.030
energy and then into electrical energy.

15:20.710 --> 15:20.950
Now,

15:20.950 --> 15:23.660
what I would like to do is to show you a

15:23.670 --> 15:26.340
more detailed version of what the cochlea

15:26.520 --> 15:28.640
looks like and just what it's made up of.

15:31.540 --> 15:31.690
Now,

15:31.690 --> 15:34.600
this picture over here is a much

15:34.600 --> 15:37.300
more detailed version of the cochlea.

15:38.940 --> 15:39.590
Right here.

15:39.590 --> 15:42.160
We have the auditory branch

15:42.170 --> 15:45.150
of the 8th cranial nerve coming on

15:45.160 --> 15:47.830
up into the cochlea and branching

15:47.830 --> 15:50.060
off at every level.

15:52.030 --> 15:54.930
You can see the snail shaped appearance

15:55.490 --> 15:56.440
of the cochlea.

15:56.440 --> 15:59.200
And this picture shows it as though it had been

15:59.200 --> 16:00.880
cut straight down the middle.

16:02.190 --> 16:04.460
The arrows that you see indicate the

16:04.460 --> 16:07.300
direction uh the force,

16:07.300 --> 16:09.920
the direction of the force of the

16:09.930 --> 16:12.490
energy which is created by the sound wave,

16:12.500 --> 16:15.310
it moves on up and then at the

16:15.310 --> 16:18.150
top turns around comes back down.

16:18.790 --> 16:19.420
Again.

16:21.860 --> 16:21.990
Now,

16:21.990 --> 16:24.820
here's an even more

16:24.820 --> 16:25.650
detailed

16:28.480 --> 16:31.390
picture of of the cochlea.

16:32.600 --> 16:34.870
This is just one section of it.

16:35.300 --> 16:35.760
And again,

16:35.760 --> 16:38.550
you can see a fiber from the eighth cranial

16:38.550 --> 16:41.520
nerve coming on through the spiral lamanna to

16:41.520 --> 16:43.910
connect with the essential organ of hearing.

16:44.040 --> 16:46.130
This is the scalar vestibular,

16:47.090 --> 16:49.760
the scalar tympani and the

16:49.760 --> 16:52.710
scalar media within

16:52.710 --> 16:54.310
the scalar media contains,

16:54.310 --> 16:54.820
as I said,

16:54.820 --> 16:56.490
the essential organ of hearing,

16:57.380 --> 16:59.430
the scalar media is bounded by

16:59.860 --> 17:01.810
prisoners membrane here,

17:02.870 --> 17:05.790
the base layer membrane here

17:06.610 --> 17:08.220
and the spiral ligament

17:09.370 --> 17:09.990
here

17:12.750 --> 17:15.000
within the scalar media,

17:15.490 --> 17:17.970
we find the sectorial

17:17.970 --> 17:18.700
membrane

17:20.400 --> 17:23.000
and the organ of corti,

17:23.080 --> 17:24.210
the pink area

17:25.840 --> 17:27.200
in the organ of corti.

17:27.210 --> 17:29.980
You'll see hair cells

17:29.990 --> 17:32.280
located along its whole length.

17:32.290 --> 17:34.750
Each of these hair cells is connected

17:34.750 --> 17:37.290
to the nerve of hearing

17:42.140 --> 17:43.250
when they say no

17:44.860 --> 17:47.580
comes from the middle ear into the inner ear.

17:48.300 --> 17:50.080
A number of things happen.

17:51.300 --> 17:52.130
First of all,

17:53.810 --> 17:56.500
the stay peas moves inward

17:57.510 --> 17:58.310
as it does,

17:58.320 --> 18:00.830
it compresses the fluid in the inner ear.

18:01.740 --> 18:04.540
Now that pressure has to be released somewhere.

18:05.650 --> 18:08.530
And right down here in the skeleton pony is something called a

18:08.530 --> 18:09.680
round window.

18:11.390 --> 18:14.080
The staples moves in through the over window,

18:14.920 --> 18:15.650
compresses.

18:15.650 --> 18:17.760
The fluid causes it to move.

18:17.770 --> 18:20.620
That pressure is released at the

18:20.630 --> 18:22.420
round window.

18:25.180 --> 18:27.130
So the signal again comes

18:28.180 --> 18:31.010
by way of the article to the external canal.

18:31.330 --> 18:34.290
It has changed to mechanical energy and

18:34.290 --> 18:36.910
amplified across the time panic membrane of

18:36.910 --> 18:38.370
secular change structure.

18:38.610 --> 18:41.560
And now it is causing the fluid of the inner ear

18:41.880 --> 18:42.690
to move.

18:42.690 --> 18:45.620
And so now it has been changed into hydraulic

18:45.620 --> 18:46.220
energy.

18:50.770 --> 18:52.660
You can see the dotted lines here

18:53.710 --> 18:56.600
and they indicate that as that fluid

18:56.610 --> 18:59.010
is moving through the inner ear,

19:00.070 --> 19:02.620
it causes this membrane to bulge

19:02.630 --> 19:03.160
inward.

19:04.650 --> 19:07.590
That membrane causes the fluid in here to

19:07.590 --> 19:08.200
move.

19:09.820 --> 19:12.760
That in turn causes the tech tutorial membrane to

19:12.760 --> 19:13.830
bend downward.

19:14.550 --> 19:17.240
And now you see the hair cells here which are connected

19:17.240 --> 19:19.940
between the organ of corti and the tech

19:19.940 --> 19:20.870
tutorial membrane.

19:21.280 --> 19:23.730
When the tech tutorial membrane bends downward,

19:24.480 --> 19:27.220
it distorts or bends these hair

19:27.220 --> 19:29.760
cells out of shape as soon as it does

19:29.760 --> 19:30.510
that,

19:30.630 --> 19:33.260
that triggers off an electrical

19:33.360 --> 19:34.040
signal,

19:34.760 --> 19:37.650
Which is then picked up by the fibers

19:37.650 --> 19:40.620
of the 8th cranial nerve and

19:40.620 --> 19:43.550
carried on up through the central nervous system to

19:43.550 --> 19:44.340
the cortex.

19:45.670 --> 19:46.880
The movement of the fluid,

19:46.890 --> 19:47.480
of course,

19:47.640 --> 19:50.560
being pressure continues on.

19:50.560 --> 19:53.170
And you can see the basilar membrane has

19:53.170 --> 19:54.500
bent down also

19:55.560 --> 19:58.430
that causes this fluid to continue

19:58.430 --> 19:58.930
moving.

20:00.130 --> 20:02.390
And if we can go back over here again for a minute,

20:03.620 --> 20:06.170
it would be released here at the oval

20:06.170 --> 20:06.710
window.

20:09.000 --> 20:10.210
Let's take a look at

20:12.280 --> 20:15.200
schema ties version of

20:15.200 --> 20:16.500
the inner ear.

20:17.400 --> 20:20.220
Remember the inner ear is coiled

20:20.230 --> 20:22.630
snail shaped of 2.5 turns.

20:24.390 --> 20:27.090
And so we've schema ties it a little bit here in order to

20:27.090 --> 20:28.870
show you in some detail,

20:28.870 --> 20:30.070
just how it works.

20:32.060 --> 20:34.950
The sound comes down through the the external

20:34.950 --> 20:37.500
canal hits the

20:37.500 --> 20:40.390
eardrum that is connected to the articular

20:40.390 --> 20:40.900
chain.

20:41.620 --> 20:42.730
Now,

20:42.840 --> 20:45.310
the foot plate of the stay peas moves into

20:45.310 --> 20:48.270
the the vestibule and

20:48.270 --> 20:50.350
it compresses this fluid in here.

20:51.920 --> 20:52.440
Now,

20:53.580 --> 20:55.930
you can see that at this point,

20:57.210 --> 21:00.200
this continuation or movement of fluid

21:00.200 --> 21:02.690
through the inner ears taking place,

21:03.340 --> 21:05.590
risers membrane is bending downward.

21:05.600 --> 21:07.470
The fluid continues to compress

21:08.320 --> 21:10.900
it causes the basal membrane to bend

21:11.030 --> 21:13.760
and comes right on down through and finds its release

21:13.760 --> 21:16.590
here at the round window.

21:17.770 --> 21:19.750
These arrows here indicate

21:19.840 --> 21:22.620
the pressure which is not

21:22.650 --> 21:24.810
necessary here or not,

21:24.820 --> 21:27.510
uh which is not necessary at this

21:27.510 --> 21:30.400
point going on up around through the

21:30.400 --> 21:33.400
whole system and eventually coming out through the round

21:33.400 --> 21:33.830
window.

21:39.220 --> 21:41.990
The basil er end of the

21:42.000 --> 21:44.260
inner ear contains those

21:44.270 --> 21:47.070
uh hair cells and fibers

21:47.080 --> 21:49.340
which are responsible for low pitched

21:49.340 --> 21:50.110
sounds.

21:50.210 --> 21:52.340
I beg your pardon for high pitched sounds.

21:52.910 --> 21:55.890
The a pickle end up here is responsible

21:55.890 --> 21:58.550
for those uh hair cells and

21:58.550 --> 22:01.350
fibers which are responsible for low

22:01.350 --> 22:02.440
pitched sounds.

22:04.240 --> 22:06.520
Once the the

22:07.060 --> 22:09.910
hair cells have been excited and trigger off this

22:09.910 --> 22:11.300
electrical response,

22:11.340 --> 22:14.180
they will excite the fibers of the eighth

22:14.180 --> 22:16.710
cranial nerve And they all come

22:16.710 --> 22:19.210
together in a bunch

22:19.220 --> 22:19.730
of,

22:19.740 --> 22:20.730
of nerve fibers,

22:20.730 --> 22:23.340
which is called the spiral ganglion.

22:23.360 --> 22:26.340
And then they find their way on up through the

22:26.340 --> 22:29.060
central nervous system to the cortex where the

22:29.060 --> 22:30.810
sound is interpreted.

22:31.850 --> 22:32.060
Now,

22:32.060 --> 22:34.840
what we've been discussing so far is the way we hear

22:34.840 --> 22:36.740
by what is called air conduction.

22:37.390 --> 22:40.160
That is the signal travels from the air

22:40.170 --> 22:42.760
directly into the ear canal into the inner

22:42.760 --> 22:43.220
ear.

22:43.840 --> 22:46.610
This is the way that we normally hear in most everyday

22:46.610 --> 22:47.440
situations.

22:48.000 --> 22:50.950
There is another way though that we can hear and it's called hearing by

22:50.950 --> 22:51.870
bone conduction.

22:52.440 --> 22:52.610
Now,

22:52.610 --> 22:55.130
if we can take a look at this chart,

22:55.130 --> 22:55.620
again,

22:57.470 --> 22:59.930
recall that the inner ear is

22:59.930 --> 23:02.800
encased in a capsule of bone and that bone is

23:02.800 --> 23:03.800
part of the skull.

23:04.760 --> 23:07.730
When a sound wave is strong enough to cause the

23:07.730 --> 23:09.530
bones of the skull to vibrate,

23:10.750 --> 23:13.140
those vibrations can cause the

23:13.140 --> 23:15.180
fluid in the inner ear to

23:15.180 --> 23:18.130
move and to carry out the

23:18.130 --> 23:20.910
same essential process as

23:20.920 --> 23:22.830
happens by air conduction.

23:24.200 --> 23:24.390
Now,

23:24.390 --> 23:27.200
this is normally not important for us as long as

23:27.200 --> 23:29.850
the outer ear and the middle ear are intact.

23:30.650 --> 23:32.590
But for those persons who have some

23:32.810 --> 23:35.810
pathology of the outer and middle ear,

23:35.820 --> 23:38.080
who may perhaps need a hearing aid,

23:38.450 --> 23:40.730
we can provide a hearing aid that would put a

23:40.730 --> 23:43.630
vibrator right here on the skull and

23:43.630 --> 23:46.270
that would cause the bones of the skull to vibrate

23:46.790 --> 23:48.870
at an in an amplified way,

23:49.020 --> 23:50.500
excite the inner ear.

23:50.600 --> 23:52.800
And so allow him to be able to hear

23:52.940 --> 23:53.780
normally.

23:55.380 --> 23:55.540
Now,

23:55.540 --> 23:58.410
let's just take a look again at the

23:58.410 --> 24:01.090
whole process of hearing by air conduction.

24:02.340 --> 24:05.300
Remember that we have a signal which is generated,

24:05.310 --> 24:05.930
for example,

24:05.930 --> 24:08.140
by a tuning fork,

24:09.650 --> 24:12.640
it generates a number of compensations and

24:12.640 --> 24:15.150
rare factions changes in

24:15.150 --> 24:15.870
pressure.

24:16.200 --> 24:18.940
Those pressure changes find their way through the

24:18.940 --> 24:21.720
air are collected by the external

24:21.720 --> 24:24.370
ear and forced down into the ear canal.

24:25.600 --> 24:28.560
They reached the eardrum secular

24:28.560 --> 24:31.430
change structure where they are changed to mechanical

24:31.430 --> 24:32.680
energy and amplified.

24:35.230 --> 24:38.020
They then find their way into the inner ear when the

24:38.020 --> 24:40.790
foot plate of the staples moves in and out in

24:40.790 --> 24:43.130
time to the signal that came into the year

24:43.130 --> 24:43.810
originally.

24:44.200 --> 24:46.410
And that causes the fluid to move,

24:46.970 --> 24:49.640
causes the membrane structure to move.

24:49.640 --> 24:52.640
And so excites the nerves of hearing from

24:52.640 --> 24:52.890
there.

24:52.890 --> 24:55.680
They then find their way on up through the central nervous system

24:55.830 --> 24:58.190
to the cortex where they're received

24:58.200 --> 24:59.580
analyzed and interpreted.

25:01.660 --> 25:01.820
Now,

25:01.820 --> 25:03.910
that's essentially how the ear works.

25:05.730 --> 25:08.700
Uh it's come a long way since the time when it

25:08.700 --> 25:11.210
was a simple system for that in a

25:11.210 --> 25:13.640
fish millions of years ago.

25:13.640 --> 25:16.580
So that the fish could detect the pressure changes in the

25:16.580 --> 25:19.130
water and maintain an upright and balanced

25:19.130 --> 25:19.760
position.

25:20.490 --> 25:23.430
We've learned a lot about it since the early days of,

25:23.440 --> 25:24.600
since 1950,

25:24.600 --> 25:24.810
with,

25:24.820 --> 25:27.110
with the invention of the electron microscope,

25:27.140 --> 25:29.830
but we still have a lot more to learn and I'm

25:29.830 --> 25:31.860
sure that in the next few years we'll,

25:31.950 --> 25:34.690
we'll see a lot more being added to our store of knowledge

25:34.690 --> 25:36.820
about the year and how we hear.
