7^/ \# AUSCULTATION AND PERCUSSION. AUSCULTATION PERCUSSION, ( BY -S- v:f; PHILADELPHIA: LINDSAY AND BLAKISTON. 1854. Fr-n ^STM, i).5 PREFACE TO THE FOURTH EDITION. This edition is essentially the same as the third. A few unimportant observations have been added to the chapter on Percussion, and an alteration has been made in the division of the thoracic voice, loud bronchophony having been divided into clear and dull. I have examined most of the new theories which have been propounded since 1844, respecting the causes of the impulse, the sounds, and the mur- murs of the heart, but the present edition of this work was printed before I received Professor von Kiwisch's " New Researches into the Causes of the Sounds produced in the circulating Organs;" I must, therefore, here make a few remarks on the views therein contained. Professor von Kiwisch found, that if water was forced through a caoutchouc tube, murmurs were not produced, unless the tube was of unequal bore at different parts. The murmur invariably oc- curred at the wider part, immediately beyond the narrow, and never at the narrow part itself; and it disappeared, whenever an obstruction was of- fered to the passage of the water through the wider part. Considerable prominences on the inner surface of the tube gave rise to a murmur, iv PREFACE. but a merely roughened surface was never ob- served to do so. These facts are explained by Professor von Ki- wisch in the following manner: Water flowing out from a pipe, preserves to a certain distance the form of the pipe's outlet; in this way the stream, flowing from the narrow into the wider part of the tube, retains to a certain distance the form of the narrow part, provided it has met with no particu- lar obstruction. Now, in consequence of the pres- sure of the air, the walls of the wider part of the tube have a tendency to adapt themselves to the narrow stream of water, but their elasticity offers a continual resistance to the pressure of the air, and accordingly an expansion of the stream takes place. Under these conditions, the tube, alter- nately compressed by the atmosphere, and ex- panded by its own elasticity, is made to vibrate, and by its vibrations a murmur is produced. From these experiments and their interpreta- tion, as well as from known related physiological and pathological phenomena observable in the living body, the following conclusions may, ac- cording to Professor von Kiwisch, be drawn re- specting the formation of sounds in the circulating organs of man: " The first sound of the heart is produced by the expansion of the auriculo-ventricular valves; the second sound, by the expansion of the semilunar valves. No second sound arises in the heart itself, and no first sound in the arteries. The sound which is occasionally heard accompanying the pulse in the carotid and femoral arteries, does PREFACE. V not proceed from these vessels, but is caused by the vibrations excited in the air of the stetho- scope, and of the ear, by the beat of the arteries. " Murmurs arising in consequence of defect of the valves of the heart, are produced in part by the vibrations of the rigid valves, but more par- ticularly after the manner described in the experi- ments with caoutchouc tubes. Thus, through de- fective closure of the valves, several narrow open- ings are formed, and through these a stream of blood is forced, with a diminished diameter, into a wide cavity: the more forcible the stream, and the less perfectly the cavity be filled—i. e. the less the opposition to the entrance of the blood—the more powerful and the more extensive will be the vi- brations excited in that cavity. "Murmurs are produced in arteries after the manner described in the caoutchouc tubes, and never in consequence of the presence of any rough- nesses on their inner surface. Pressure upon an artery causes a murmur just beyond the spot com- pressed, never at that spot; and the murmur is more prolonged, in proportion as the muscular fibre of the individual examined is lax, and his blood poor. The so-called Nun's murmur—bruit de diable—is invariably formed in the carotid ar- tery, and not in the cervical veins; it is caused, in fact, by the compression of the carotid by the omo- hyoideus muscle. Muscular, or any other kind of pressure, will in like manner produce this murmur in other arteries, of persons whose blood is impo- verished; but it never arises in veins." 1* vi PREFACE. It is possible that this explanation of the mode of the production of murmurs in caoutchouc tubes may be correct; still, I do not consider it applica- ble to the murmurs heard in the heart and arteries. If the diameter of an artery be diminished by external pressure, the artery does not on that ac- count lose its contractility; and that portion of the artery which lies beyond the spot compressed will scarcely fail to contract, its contraction being in some degree solicited by the narrowed stream of blood, now flowing into it in consequence of the pressure upon the part above. But the in-pressing stream of blood, even though it were smaller than the arterial tube, cannot make this emptier: on the contrary, every artery is in- variably widened by the pressure of the blood flowing into it; for its diameter is proportioned to the resistance which is to be overcome, in the dis- tant parts of the arterial system, in the capillary vessels, and the veins, and this resistance will of necessity be increased by the in-pressure of a new quantity of blood. That, when the mitral valves are defective, the left auricle does not become emptier at each sys- tole, but is more fully distended, and filled by the regurgitating blood; and that, when the aortic valves are defective, the blood regurgitating into the left ventricle does not tend to contract, but rather to dilate that ventricle—are facts so well known, as not to require any comment. THE AUTHOR. Vienna, March, 1850. TRANSLATOR'S PREFACE. The author of the following treatise has long held a high position as a clinical teacher in Germany. The no- velty of the opinions which he professes on many points connected with auscultation and percussion, has excited the attention and evoked the criticisms of late writers on thoracic diseases, both here and in France; and his name has in consequence become familiar to the student of me- dicine in this country. His doctrines, as well as those of the modern German school, upon the same subjects, have been prominently brought before the profession, through the excellent work of Dr. Davies. I have undertaken this translation of Skoda's work, from a conviction that a more general diffusion of its con- tents can scarcely fail to contribute to the advancement of the special methods of diagnosis of which he treats. I have certainly formed a very high opinion of its merits; I would almost venture to assert, that it is the most valuable treatise on auscultation which has appeared since the time of Laennec; it contains a philosophic investigation of many of the leading facts connected with the study of auscultation and percussion, and is something more than a mere manual. The reader feels that he is in the hands of a deep and an original thinker, and of a most cautious viii translator's preface. and a clear-seeing observer—of one, indeed, who has had vast experience, and who manifests the rare quality of a will and a power to subject theory to the results of prac- tice and experiment. Skoda will not be found to offer vague opinions, or to indulge in flights of fancy; he comes before us "les pieces a la main;" the grounds on which his doctrines rest are plainly exposed, so that there is op- portunity for those who reject them to show, either that his experiments or his data are faulty, or that his deduc- tions are not warranted by his premises; happily, his ex- periments are generally of such a character as to permit of being readily repeated by any one possessed of an or- dinary degree of skill. It is certainly no slight testimony in favour of the value of Skoda's opinions, that they should, after having been overlooked, or ignored as theoretical and imaginative, during the long period which has elapsed since the publi- cation of the first edition of his treatise, have quietly worked their way, and, as it were, forced themselves upon the attention of medical observers; in this respect, at least, his work offers a marked contrast to many modern ephe- meride.1 I might also add, that those who are best ac- quainted with his labours, appear also to be his warmest admirers. No one, I should imagine, can have paid much atten- tion to the subject of physical examination of diseases of the thorax, without feeling that a vast deal of difficulty and obscurity is still attached to it (more, indeed, than our pride willingly permits us to confess,) and that we 1 "Was glanzt, ist fur den Augenblich geboren, Das Aechte bleibt der Nachwelt unverloren." Goethe. translator's preface. IX have much to learn, and perhaps much to unlearn, before we can hope for anything like perfection, in our diagnosis of these diseases. How often has the most skilful and practised observer to do penance for his errors, before facts revealed by the knife of the anatomist! Is it not reason- able to suppose, that our principia must be somewhere faulty ? Skoda would seem to have felt these doubts and diffi- culties, and to have therefore entered into a critical ex- amination of some of those leading doctrines of ausculta- tion, which have hitherto, since Laennec wrote, received almost universal assent. Laennec's vast authority would naturally tend to immortalize even error, when it proceed- ed from himself. From certain of the doctrines of this great man, Skoda dissents; he gives his reason for so doing: and I can scarcely believe that it is possible for any un- prejudiced person to peruse the following pages, without arriving at the conviction, that many of Laennec's opi- nions, and therefore, generally speaking, the opinions of the present day, require modification, and that some of them must be rejected altogether; even those who refuse the theories offered by Skoda in their place, must admit this much. If our author has done no more than clear away errors which encumber progress, he has surely done much—no superstructure can be secure, whilst its basis rests on untruth. I do not intend to enter here into any examination of the particular doctrines which Skoda holds; they must be studied in extenso, before they can be fairly appreciated. I am sure that a partial consideration of them has led more than one of his critics, and consequently those readers who gain their knowledge of them through such critics, into an erroneous interpretation of their real meaning. If obscurity attaches itself to isolated portions of an au- X TRANSLATORS PREFACE. thor's reasonings on any particular subject (and, in some rare instances, this fault may perhaps be objected to Skoda,) it is evident that the reader should endeavour to seek his real meaning in a fair consideration of the whole of the argument, and not by partial views of it. In making this remark, I would particularly refer to Skoda's explanation of bronchophony by the theory of consonance—a subject in connexion with which his name is most generally associated in this country. I will here give a short sketch of this theory, and of the arguments by which Skoda supports it: for its full comprehension, I must beg the reader to study the author's own account of it. .... The voice passes into the parenchyma of the lungs through the medium of the air in the trachea and the bronchial tubes, and is not propagated along their walls; it traverses healthy, as readily as it does hepatized lung, and even somewhat more readily: consequently, broncho- phony does not depend upon an increase of the sound-con- ducting power of consolidated pulmonary tissue; moreover, when the lung is consolidated, the thoracic voice increases and diminishes in force, without any concurrent change taking place in the condition of the lung: this variation in its strength evidently results from the circumstance of the bronchial tubes being at one moment blocked up by mucus, etc., and at another freed therefrom by the cough and expectoration, etc.: if the bronchophony depended upon conduction of sound, it would be a matter of indif- ference whether the tubes contained air or fluids. It must not be forgotten, that, according to the ordinary laws of reflection of sound, the more solid the parenchyma the more difficult does the passage of the sound from the air into it become. translator's preface. xi That the air in the mouth and nasal cavities consonates with sounds formed in the larynx, is proved by the fact of the changes which the voice undergoes through opening and closing the mouth and nose, whilst the condition of the larynx remains unaltered; just in the same way does the air in the trachea and bronchial tubes consonate with the laryngeal sounds. Now, air consonates only in a con- fined space, and the force of the consonance depends upon the form and size of the space, and upon the nature of the walls forming it: the more solid the walls, the more com- pletely will the sound be reflected, and the more forcible the consonance. The cause of the loud voice produced by a speaking-trumpet is well-known. But the air will consonate with certain sounds only; in the trachea and bronchial tubes, it becomes consonant with the laryngeal voice, in so far as their walls have a like or an analogous character to the walls of the larynx, of the mouth, and of the nose. Within the cartilaginous walls of the trachea and the bronchial trunks, the voice consonates nearly as forcibly as in the larynx; but as the bronchial tubes divide in the lungs, they lose their cartilaginous character, becoming at last merely membranous in structure, and therefore very ill-adapted for consonance; when, therefore, the consonance is increased in these latter tubes, we may be sure, either that the membrane forming them has be- come very dense or cartilaginous, or that the tissue around them is condensed and deprived of air, whereby the sound- reflecting power of the tubes is increased. Of course the communication between the air in the tubes and the air in the larynx must be uninterrupted. The walls of a confined space frequently vibrate in unison with sounds excited within it, as do those of an organ- pipe, or of a speaking-trumpet. The larynx vibrates with every sound, and its vibrations are perceptible at a consi- Xll translator's preface. derable distance from their point of origin; so, also, must the walls of the bronchial tubes, which are distributed through the parenchyma of the lungs, vibrate when the voice consonates within them; and the vibrations thus ex- cited will extend to the surface of the thorax, passing through several inches of thick fleshy parts, or of fluids, and manifest themselves there as the consonating sounds of the bronchial tubes..... Such is a general account of Skoda's theory of the cause of the bronchophonic voice. The critical manner in which it has been brought before the profession, has certainly not much aided in its propagation; and I suppose, with the great majority of physicians amongst us the theory in question is looked upon as little more than a piece of Ger- man mysticism: the reason of this, in my opinion, is, that the subject has come before them in partibus, and not as a whole. Whatever may be the ultimate fate of this theory, one thing may be fairly predicted to result from Skoda's enunciation of it, and from a consideration of the experiments and reasonings on which he bases it, and that is, a recognition of the fact, that Laennec's explana- tion of bronchophony, by the increased sound-conducting power of consolidated pulmonary tissue, is not true, at least, in every case. It is scarcely possible, moreover, that the remarkable results which have in other respects rewarded Skoda's labours, so completely opposed as they often are to the opinions which men, since the time of Laennec, have held as undeniable, should fail in other hands to produce fresh additions to our knowledge; what, for instance, is more opposed to our preconceived notions respecting the con- ducting power of pulmonary tissue, than the statement that sound passes more readily, and is heard to a greater translator's preface. xiii distance, through healthy than through hepatized tissue ? What, again, can appear more contradictory than an as- sertion of this kind: that a cavity, such as the stomach or the thorax, when its walls are tensely inflated with air, yields a dull, non-tympanitic percussion-sound, but that when its walls are lax, the sound becomes distinctly tym- panitic ? The work is throughout of a suggestive character, and in such a point of view cannot, I believe, fail to be of ser- vice to the thoughtful student; it certainly is not to be regarded merely as a hand-book of details: in this respect, it might perhaps be considered as somewhat defective, for there are certain subjects in it which have been but lightly touched upon, and are meager in description. I might in- stance the chapter on percussion of the abdominal organs, and the account of aneurisms. I once had an idea of at- tempting to fill up what I believed was wanting, with the hope of rendering the book more complete for the hands of the student; but upon reflection, I have thought it better that the work should retain its original form; its defi- ciencies may be readily supplied from numerous other sources, and further additions of the kind referred to, might perhaps only detract from the character and peculiar value of it. Neither have I thought it advisable to omit any of the controversial portions of the work; these may here and there seem over long, perhaps even wearisome, but to have passed them over would have hardly been doing justice to their author. The general tenour of them is undoubtedly excellent: Skoda's argument is straightforward and good, logical, consequent, and to the point, and he has on more than one occasion left the battle field strewn with the dis- jecta membra of many of those authorities whose opinions he has assailed. 2 XIV translator's preface. Skoda has also done excellent service by attempting to reduce to their real practical value, the results of ausculta- tion and percussion, affixing to each sign its true signifi- cation, and by drawing distinction between those signs which have, and those which have not, special indications; in truth, throughout, this seems to have been one of the main objects which he keeps constantly before him. He certainly cannot be accused of drawing pale and sickly conclusions from his observations: whatever is not clear and manifest on the face of it, is at once classed by him as indeterminate and as incapable of service in the field of medical observation, and as such to be rejected from our catalogue of signs and symptoms; that is, in so far as drawing practical conclusions from them is concerned. The crime of endless subdivision, which is often charged to the account" of the German school, cannot be laid at his door; rather, I fear, will he be accused of a certain skep- ticism, of a barrenness of faith, which has brought him to give too little credence to the value of those minutiae of detail, in which men now-a-days are wont so frequently to indulge. It is really strange to find an observer, an acknowledged master of his subject, unrivalled in powers of diagnosis, as they who have witnessed his skill tell us that he is; it is strange, I say, to find such a man on almost every occasion warning his readers, when they have in any particular case obtained all the information which auscultation can afford them, still, before they con- clude their diagnosis, to pause, and to lay hand upon every other aid which other sources can supply; as if he thought and felt that the observer may be falling into error, even then when he thinks himself most secure. Surely the inference from this is manifest, viz.: that men are wont to force from the physical examination of diseases of the thorax, consequences which are not legitimately produced by it. translator's preface. XV The truth of the inference I most thoroughly believe, and if I might venture, out of my own experience, to offer advice to those commencing the study of auscultation, I would strongly warn them from putting their confidence in that kind of teaching which boasts that auscultation can demonstrate the hidden workings of the thoracic organs, with something of the same degree of certainty as if they were the direct objects of the vision. I would rather say, approach the subject with a caution somewhat akin to fear and trembling; fix your faith as clearly as you please on clear, broad, and manifest positions, whenever you are certain that you have gained them, but play the skeptic's part with doubtful signs; assign them what- ever legitimate value may fairly attach them, but never let them rule your judgment, for you will find them only too apt to do so when the diagnosis is difficult. I would not venture to offer such advice, if it had been drawn from the experience of my own errors; but I take for the grounds of my warning the mistakes of far more skilful observers than myself. I cannot refrain from noticing the subject, when I see the unhesitating manner in which conclusions are so frequently drawn from these indefinite signs, and the practical applications which men found upon them and teach others to found upon them. If I am asked to what I refer when speaking of doubt- ful signs, I answer, every sign which does not present itself clearly and manifestly to the sense, as the acknow- ledged exponent among ordinarily skilled observers, of certain special conditions of the internal organs. The recognition of pathognomonic signs in auscultation by authors, especially of the French school, has been, I believe, one great source of the mischief I refer to. The classification of auscultatory sounds according to the stages and processes of diseases which produce them, is xvi translator's preface. manifestly erroneous, and cannot fail to leave faulty im- pressions on the minds of those who put their trust in it; as an example of what I mean, I would point to the flatu- lent nosological vocabularies of writers like M. Fournet: this author wishes his readers to believe, that every dis- eased condition of the lungs has its appropriate sign, and every part of the lungs its peculiar rale, and he tells with the most perfect gravity of rales such as these: "Rale humide a bulles continues de la congestion san- guine. "Rale sous-crepitant de l'oedenie pulmonaire. "Rale sous-crepitant du catarrhe pulmonaire aigu ca- pillaire. "Rale sous-crepitant ou crepitant de retour de la pneu- monic "Rale crepitant primitif de la pneumonic" Now, all this is evidently a misconception; for, as Skoda justly observes, there is assuredly no distinct rale peculiar to any of these morbid states of the lungs to which Fournet alludes. That the varieties of rales de- scribed by him may have a real existence, Skoda does not deny; he says, indeed, that many more might be added to them; but as external manifestations of the special pathological conditions of the lungs which they pretend to indicate, he utterly rejects them. Perhaps no one thing has more tended to impede the progress of auscultation, than the vagueness and diver- sity, I might say the repulsiveness, of the terms employed by different authors to indicate its phenomena: such is the confusion thereby introduced into medical literature, that I feel convinced that the idea conveyed to the mind of the reader, is frequently different from that intended by the writer How can it be otherwise so long as authors use translator's preface. xvii the same term in different senses ? Ask a dozen physi- cians what they mean by muco-crepitant rale, and I very much doubt whether any two will give the same account of it. The introduction into our language of a plain practical nomenclature of auscultation is much required, and would be a great boon conferred upon the science. Skoda's nomenclature is eminently plain and to the purpose, but unfortunately it is in part based upon his theory of con- sonance: he speaks, for instance, of consonating rales: so that its adoption can, I fear, hardly be hoped for until such time, at least, as his theory has met with more ge- neral approbation. I cannot, however, refrain from calling attention to the simplicity and practical value of his method, based as it is on strictly philosophical principles. The respiratory murmurs and the rales, according to his division of them, fall into two distinct categories, viz., rales and murmurs which are the indicators of certain conditions of the organs of respiration, and rales and murmurs which indicate no- thing special; the latter he calls indeterminate, and for practical purposes sets them aside, as being valueless in a diagnostic point of view. The rales he divides as fol- lows : Vesicular rales. Consonating rales. Dry crepitating rale with large bubbles. Rales accompanied by metallic tinkling and amphoric echo. Indeterminate rales. I have already mentioned the value to be attached to the latter sort, the indeterminate. The vesicular rale arises in the finer bronchial tubea and air-cells, and indicates the presence there of mucus, 2* xviii translator's preface. blood, serum, etc., and the passage of air into them, ex- cluding therefore all those diseased conditions, by which the entrance of air is prevented; but it indicates nothing more than this. Consonating rales occur when that condition of the lung is present which gives rise to bronchial breathing and bronchophony, and they have therefore the same indica- tions. The dry crepitating rale of Laennec, Skoda retains, but he looks upon it as of little value. He attributes its cause to the distention of the walls of the air-cells, bronchial tubes, and cavities during inspiration, when they have lost their natural contractility, and simply collapse during expiration. The nature of the rales accompanied by metallic tink- ling and amphoric echo is sufficiently indicated by their title. All these rales have more or less a character of moist- ness. The dry sounds heard during respiration, etc., are placed apart from them, and are designated by Skoda as hissings, whistlings, and snorings; they arise for the most part as follows: the snorings in the large bronchial tubes, the whistling in tubes of a lesser diameter, and the hiss- ings in the finest portions of the air-passages; they are produced by the passage of the air through the tubes when narrowed, etc. For their value as diagnostic signs, I refer the reader to Skoda's account of them. Equally simple and philosophic, is his division of the murmurs heard during respiration :— Vesicular breathing. Bronchial breathing. Amphoric echo and metallic tinkling. Indeterminate respiratory murmurs. His division of the thoracic voice is founded on the translator's preface. xix same principles; it is carried only so far as it has a prac- tical bearing. Laennec's bronchophony and pectoriloquy are rejected because they represent one and the same phe- nomenon, and I believe justly so. Is there one man of experience in fifty who can deny that the sign called pec- toriloquy has not been at some time or other a stumbling- block and a source of error to him; that it has not, in fact, been the cause of his diagnosing the existence of a pul- monary cavity, when none existed ?1 iEgophony is also excluded as being a sign of no espe- cial value, it is occasionally heard in connexion with the consonating voice, but has no necessary relation with the existence of fluid in the pleura. I have dwelt somewhat long upon this subject; but I have done so from conviction that an adoption of Skoda's simple and philosophic method of dealing with it, or of some similar method, would be a great source of relief to the perplexed mind of the student, and would introduce something of order into the endless confusion of terms, which hovers like an incubus over the study of ausculta- tion. How is it possible that precise ideas of the value of a particular sign can fix themselves in the student's mind, when the sign is represented to him by different authors under such a variety of terms ? Here, for instance, 1 Skoda tells us, that percussion and auscultation afford very few certain signs of the presence of a cavity, viz., amphoric echo and metallic tinkling, and the cracked-pot sound, and that these signs are not frequently met with, because the conditions neces- sary for their production occur exceptionally, and not as the rule; so that in the majority of cases of phthisis, it is by infer- ence only that we can foretell the presence of a cavity; experi- ence teaching us, that tubercular masses rarely exist for any length of time without producing cavities. XX translator's preface. are a few of those by which the "rale crepitant humide" of Laennec is known amongst us: moist crepitous rhon- chus, crepitation, crepitating rale, crepitant rhonchus* crepitant rale, minute crepitations, crackling of pneu- monia, small crepitations, vesicular rale, rale sous-cre- pitant du catarrhe pulmonaire aigu capillaire. In the present state of our nomenclature, again, how can the reader, when he meets with expressions like the follow- ing, be sure that he is interpreting them according to the writer's meaning? large crepitating rale, mucous rale, bubbling rale, sub-crepitant rhonchus, muco-crepitant rale, sub-mucous rhonchus, dry mucous rhonchus, cavern- ous rhonchus,—for what standard have we by which to measure their true signification?1 It surely is unnecessary to waste the time of the reader by any further illustrations of the confusion which per- vades this subject of nomenclature, and which taints the whole study of auscultation. The portion of Skoda's work devoted to the phenomena presented by the organs of circulation, will be found not 1 I cannot leave this subject without referring to the earliest of Dr. Latham's admirable little volumes on "Subjects connected with Clinical Medicine." He is the first English author, so far as I am aware, who has endeavoured to throw a little Saxon sim- plicity into the study of auscultation, and to divest it of some of its Gallic exuberances. « Auscultation," he writes in his preface ''is capable, I have thought, of being greatly simplified for prac- tical purposes. At all events, unless it be'so, it can never be successfully taught; the knowledge derived from it must be con fined to a few physicians of hospitals, and the profession at large can never expect much benefit from it." Further on, he tells the student to «guard himself ^ over-refinement," in studying the facts of auscultation. translator's preface. xxi less valuable than his account of the phenomenon pre- sented by the organs of respiration. Dr. Davies bears testimony to its excellence in terms of the highest praise. The same caution is here displayed in drawing conclu- sions, and the same endeavour to reduce to their just value the signs which offer themselves to the observer; and the whole subject is treated of in a precise and me- thodical manner. The following is a short summary of some of Skoda's opinions respecting the sounds, the murmurs, and the im- pulse of the heart. The impulse of the heart depends upon a variety of causes; the force which moves Segner's wheel (better known in this country as Barker's mill) is one: this is the theory as it is called of Gutbrod;1 but another cause is the lengthening of the aorta and pulmonary artery, which takes place when the blood is forced into them at each systole of the heart; something of the impulse may also be attributed to the change of form, and the rigidity which the heart undergoes during its contraction. The contraction of the papillary muscles takes no part in its production. All the causes of the impulse are not yet known. No exact conclusion as to the condition of the heart can be drawn from the force of its impulse, so many are the disturbing causes by which it is modified: for instance, a ventricle hypertrophied and dilated is peculiarly fitted to produce a strong impulse, but it will not do so unless the heart's action be rapid and complete; and so again, the beat of an hypertrophied heart may at one moment cause i Some of Skoda's critics have led their readers to believe, that he adopts this theory, as the only cause of the heart's im- pulse. xxii translator's preface. violent concussion of the thoracic walls, and at another be almost imperceptible. It is difficult to determine the direction which the heart takes during its systole. The contractions of the right and left ventricles tend to force the heart in different direc- tions; its actual motion is in the diagonal of the two forces. The abnormal positions of neighbouring organs also tend to give the heart either a horizontal or a verti- cal position. The statement made by Laennec and others, that the impulse is felt on the left side when the left ven- tricle is hypertrophied, and behind the sternum when the right ventricle is hypertrophied, is incorrect. The impulse of the heart offers three different degrees of force: viz., first, when it does not shake the head of the auscultator; secondly, when it imparts a concussion to the head, but does not raise the thoracic walls; and thirdly, when it both imparts a concussion and raises the walls. The first degree, as a sign, is of little value, for its exist- ence is compatible as well with an hypertrophied and dilated as with a normal heart; the second degree is also indefinite, for it may be occasioned by a healthy heart, or may indicate hypertrophy of one or both sides of the heart; the third degree requires for its production hyper- trophy and dilatation of both ventricles. The impulse of a healthy heart is not felt over more than one, or at most, two intercostal spaces. The aorta, when enlarged, will communicate an impulse to the thorax, where it comes in contact with its walls • the pulsations of the pulmonary artery may be felt when a consolidated portion of the lung (either from tubercle or pneumonia) intervenes between it and the thorax The character of the heart's sounds varies much- the variation depends upon many different circumstances In the production of the sounds of the heart the ven- translator's preface. xxiii tricles, the aorta, and the pulmonary artery, severally con- tribute a share. The first sound of the ventricles is, for the most part, produced by the sudden impulse of the blood against the mitral and tricuspid valves, when they are distended and oppose its reflux into the auricles; by the state of tension into which the valves are thrown; and by the impulse of the heart against the walls of the thorax. But these causes are insufficient to explain the cause in every in- stance. Greater difficulties surround the explanation of the second sound of the ventricles; we cannot be sure that it is always formed in the ventricles, although it is often louder at the apex than at the base of the heart; it seems pretty certain that it sometimes arises in the arteries. It may occasionally be caused by the impulse of the blood against the ventricles during the diastole. The sounds accompanying the pulsations of the arteries may be explained by the sudden tension of their coats. The second sound heard over the aorta and pulmonary artery, is produced by the impulse of the regurgitating blood upon the semilunar valves. The murmurs are, for the most part, associated with changes of the heart's structure; but they are sometimes observed in the course of certain diseases, chlorosis, fevers, etc., when no appreciable alteration exists. A murmur also arises, when a rapid current of blood is directed against blood that is quiescent, or moves less rapidly, or in a contrary direction. Murmurs which cannot be attri- buted to organic changes of the heart, doubtless depend chiefly upon friction between the blood and the walls of the heart. The opinion that they arise through particular conditions of the blood is hypothetical. It is not true that a watery state of the blood occasions them. xxiv translator's preface. Every kind of murmur heard over the ventricles may be heard in the aorta; and murmurs are often heard over the carotid and subclavian arteries, when their coats are perfectly healthy. The placental bruit, as it is called, arises, according to Kiwisch, in the epigastric artery. It is difficult to say whether these arterial murmurs are caused by friction of the blood against the walls of the arteries, or by vibrations excited through their distention. There is no endocardial murmur, excepting the whis- tling, which may not be imitated by a pericardial murmur, and no pericardial which may not resemble an endocar- dial ; we have no sign by which to distinguish them, ex- cepting this, that the internal murmurs correspond pretty correctly to the rhythm and natural sounds of the heart, the pericardial seeming rather to follow upon its movements. A friction-sound exactly coinciding with the heart's move- ments, and differing in no respect from a murmur formed within the pericardium, may arise from rubbing of the roughened pleural surfaces, which cover the free portion of the pericardium, either against the thoracic walls, or against the surface of the lungs. The cause of the production of the bruit de diable in the jugular veins is not very clear; it does not appear to be a sign of anaemia or of spanaemia, for it may be fre- quently observed in the young and healthy. Such are the outlines of the opinions which Skoda pro- fesses concerning the sounds and murmurs of the heart. Of his rules for the diagnosis, and for the interpretation of them, it is impossible to give any summary account; these rules have evidently been proved by, and are offered as the result of, his own great experience. The second part of his treatise contains an account of the phenomena elicited by auscultation and percussion in the different normal and abnormal conditions of the tho- racic and abdominal organs, and the application of the translator's preface. XXV principles laid down in the former part of the work. This part is itself a summary of facts. Before concluding, I must beg leave to observe, con- cerning the translation, that I believe I can venture to assure the reader that it conveys a correct interpretation of Skoda's ideas : in a literary point of view, I fear I must crave his indulgence, for the text will be often found not to run pleasantly to the ear: somewhat of this fault must be attributed to a constant desire of following our author very closely, and of never sacrificing the sense to the sound, le fond pour la forme, and somewhat perhaps to the pe- culiar style of the Viennese professor. I feel pleasure in acknowledging the advice and assist- tance which I have received from my friend and colleague, Dr. Sieveking, while engaged upon it. W. 0. Markham. 3 CONTENTS. PART I. DESCRIPTION OF THE PHENOMENA OBSERVABLE B? THE AID OF AUSCULTATION AND PERCUSSION. CHAPTER I. Percussion, ..... The percussion sound, Varieties of the percussion sound, and the conditions on which they depend, Full—Empty, .... Clear—Dull, .... Tympanitic—Non-tympanitic, High—Low, .... The metallic ringing percussion sound, . Piorry's son humorique, . The cracked-pot sound, . Piorry's hydatid sound, . The Jesistance felt in percussion, PAGE 35 38 38 42 44 46 53 54 54 54 56 57 CHAPTER II. Auscultation, 60 xxviii contents. CHAPTER III. The auscultatory phenomena of the organs of respi- ration, ...... I. Auscultation of the voice, .... The strength and clearness of the thoracic voice, Variations in the strength and clearness of the thoracic voice cannot be explained by the laws of conduction of sound, The variations in strength and clearness of the thoracic voice explained by the laws of conso- nance, ..... Diseased conditions of the respiratory organs, which, in accordance with the preceding ex- planations, will produce an increase in strength or clearness of the thoracic voice, Experiments in support of the explanations of- fered above, respecting the causes of the varia- tions which occur in the strength and clearness of the thoracic voice, . The timbre (klang) of the thoracic voice, The pitch of the consonating voice, The articulation of the consonating voice, Laennec's division of the thoracic voice Laennec's Pectoriloquy and Bronchophony Laennec's iEgophony, The author's division of the thoracic voice, Loud bronchophony, Loud clear bronchophony, Loud dull bronchophony, Weak bronchophony, Indistinct humming, with or without a perceptible concussion on the ear II. Murmurs caused by the motion of the air respiration, The respiratory murmur Determination of the differences 'in the Respira- tory murmurs, . r barely during 65 65 66 68 73 77 83 87 89 89 90 90 94 108 109 109 111 111 115 115 116 119 contents. xxix Character of the respiratory murmurs of the larynx, of the trachea, and of the large bronchi, . Character of the respiratory murmur of the air- cells and finer bronchial tubes, Changes which the respiratory murmurs undergo, when propagated to a distance, Conditions under which an increase by conso- nance of the laryngeal, tracheal, and bronchial murmurs takes place within the lungs; and the difference between the consonating and non-consonating tracheal murmurs, as heard over the thorax, Laennec's division of the respiratory murmurs, Pulmonary—Vesicular—Respiratory murmur, Bronchial respiration, Cavernous respiration, Blowing (sovfflante) respiration, . The author's division of the respiratory murmurs, Vesicular breathing, Bronchial breathing, Indeterminate respiratory murmur, Rales, ...... Causes of the rales, and their varieties, . Moist and dry rales, Size of the bubbles, Amount of rales present, Strength of the rales, Clearness or distinctness of rales, Pitch of the rales, Laennec's division of the rales: Laennec's moist crepitating rale, Laennec's mucous rale, . Laennec's dry crepitating rale, with large bubbles (craquement,) .... Fournet's division of the rales, The author'6 division of the rales, 3* 120 120 121 123 124 124 126 128 131 134 135 142 144 147 147 149 149 150 151 152 153 155 157 158 159 164 XXX contents. Vesicular rale, .... Consonating rale, Indeterminate rale, Sonorous, whistling, and hissing sounds, ITT. The amphoric echo and metallic tinkling, IV. The simultaneous existence of the respiratory murmurs, rales, and sonorous sounds, V. Auscultation of the cough, VI. Friction sounds, produced by the roughened sur faces of the pleura during the respiratory move ments, . 164 165 165 166 167 174 176 178 CHAPTER IV. Auscultatory phenomena presented by the organs of circulation, . . . . .181 I. The impulse of the heart, . . .181 Cause of the heart's impulse, . . .181 The force and extent of the heart's impulse, . 200 The direction in which the heart moves during its systole, and the part where the impulse is felt> ••••.. 203 Different degrees of force in the heart's impulse, 205 II. The pulsation of the arteries, . . .208 III. The sounds and murmurs heard in the region of the heart, and over different arteries, conse- quent upon the heart's movements, . . 209 The sounds of the heart, . 21f) Cause of the sounds, . 2]0 The author's views respecting the cause of the sounds, • . . 216 Variations in the character of the sounds, 2q7 The murmurs of the heart, . Murmurs arising within the cavities of the heart,' 243 Murmurs arising in the arteries, . 1* Murmurs arising in the pericardium Murmurs arising in the jugular veins, 248 251 255 contents. xxxi Rules for the diagnosis and determination of the sounds and murmurs of the heart, the pericar- dium, the aorta, and pulmonary artery, . 257 Signification of the sounds and murmurs heard over the ventricles, the aorta, and pulmonary artery, ...... 262 IV. The rhythm of the heart's movements, . . 282 PART II. DESCRIPTION OF THE PHENOMENA, OBTAINABLE BY THE AID OF AUSCULTATION AND PERCUSSION, APPERTAINING TO SPECIAL CONDITIONS OF THE ORGANS OF THE THORAX AND ABDOMEN. CHAPTER I. Normal condition of the thoracic and abdominal or- gans, ...... Phenomena obtained by percussion, . Variations of the sound, as heard in different re- gions of the thorax, .... Variations of sound, as observed in different in- dividuals, ..... Percussion of the abdomen, Auscultatory phenomena, .... Auscultation of the respiratory organs, . Auscultation of the heart, of the arterial trunks, and of the veins, .... Auscultation of the gravid uterus, CHAPTER II. Abnormal conditions of the thoracic and abdominal organs, ..... Abnormal position of these organs, . Abnormal conformation of the walls of the thorax, . 285 285 285 288 289 289 289 292 294 296 296 297 XXX11 contents. Abnormal conditions of the thoracic and abdominal organs, ...••• I. Diseases of the bronchial tubes, . II. Diseases of the parenchyma of the lungs, Pneumonia, ..... Signs of pneumonia, when the lung-tissue is per- meable to air—i. e. at the commencement of pneumonia, and during its resolution, . Signs of pneumonia, when the inflamed tissue is impermeable to air—Hepatization, Phenomena attending inflammation limited to a small portion of lung, .... Phenomena attending the induration which occa- sionally remaius subsequent to an attack of pneumonia; the cavities formed therein; and the widening of the bronchial tubes, . The auscultatory signs of pneumonia, as de scribed by Laennec, Gangrene of the lungs, . Laennec's pulmonary apoplexy, (Edema of the lungs, Emphysema of the lungs, Hypertrophy of the lungs, Atrophy of the lungs, Tubercles of the lungs, . Solitary tubercles, Tubercles congregated together in masses, and tubercular infiltration, . Tubercular cavities, Fournet's signs of tuberculosis, Diseases of the pleura, . Pleuritis, Serous effusions in the pleura, not occasioned by pleuritis—Hydrothorax, Pneumothorax, . Tubercular and encephaloid diseases of the pleura, . Ill 299 299 303 303 304 307 313 313 314 323 324 326 327 330 331 332 332 335 338 341 345 345 353 353 355 contents. xxxiii 363 IV. Diseases of the pericardium, . . .355 Pericarditis, ..... 355 Effusions in the pericardium not caused by peri- carditis, ..... 359 Pneumo-pericardium, .... 359 Adhesion between the surfaces of the pericar- dium, ...... 360 Tubercular disease of the pericardium, . .361 Encephaloid disease of the pericardium, . 362 V. Abnormal conditions of the substance of the heart,......362 Hypertrophy with dilatation of both ventricles, . 362 Hypertrophy of the ventricles without dilata- tion, ...... Dilatation of the ventricles without hypertrophy, 363 Hypertrophy with dilatation of the right ventricle, the left ventricle remaining normal, . .363 Hypertrophy with dilatation of the left ventricle, the right ventricle being normal, . . 364 Diminution of the capacity of the right ventricle, its walls being hypertrophied, atrophied, or normal, ..... 364 Diminution of the capacity of the left ventricle, with hypertrophy, atrophy, or normal condition of its walls, ..... 365 Inflammation of the muscular substance of the heart, ...... 365 Softening or hardening of the substance of the heart. Calcareous concretions within its sub- stance. Ossification of the coronary arteries, 366 VI. Abnormal conditions of the endocardium, . 366 Endocarditis, ..... 366 Defect of the valves, .... 367 VII. Abnormal conditions of the aorta and pulmonary artery, etc., . . . . .371 Unevenness of the internal surface of the ascend- ing portion of the aorta, . . .371 XXXI v contents. Widening of the ascending aorta, Constriction of the ascending aorta, Widening of the descending aorta, Aneurism of the pulmonary artery, VIII. Diseased conditions of the abdominal organs Enlargement of the liver, . Diminution of the liver, . Enlargement of the spleen, Abnormal conditions of the stomach, the intes tines, and the peritoneum, The pancreas, Enlargement of the kidneys, Aneurisms of the abdominal aorta, coeliac axis etc., .... Enlargement of the uterus and ovaries, Distention of the bladder, and its enlargement from thickening of its coats, . Calculus in the bladder, . paob 371 372 372 373 375 375 375 376 376 378 378 379 379 380 380 PART I. DESCRIPTION OP THE PHENOMENA OBSERVABLE BY THE AID OF PERCUSSION AND AUSCULTATION CHAPTER I. PERCUSSION. It is well known, that percussion of the abdo- men has long been practised, for the purpose of ascertaining the presence of air in the intestines. Auenbrugger taught the use of percussion in diagnosis of diseases of the thorax, and thus laid the foundation of those beautiful discoveries, which have since enriched our diagnosis of the diseases of the thoracic and abdominal organs. Auenbrugger, Corvisart, and Laennec did not use a pleximeter, but practised percussion with the fingers only. The pleximeter was first introduced by Piorry. Piorry also pointed out, that in addition to variety of character in the percussion-sound, a resistance, sensible to the finger, was offered by the organs beneath the parts percussed: and that indi- cations, as to the condition of these organs, were derivable as well from the nature of this resistance, as from the quality of the percussion-sound. 36 THE PHENOMENA The pleximeter renders percussion much less irk- some to the patient, and the sounds more distinct; it also facilitates investigation, for we are able, by its aid, to recognise differences in sound, which are not otherwise perceptible. It enables us, moreover, to compress the thick layers of the soft parts spread over the thorax and abdomen, and to percuss even the deep-seated regions of the abdomen, which would not be practicable without this instrument. Piorry's pleximeter is made of ivory, and there is no necessity for our using any other; it consists of a round disk, one and a half or two inches in diameter, and so thick as not to bend: to prevent its slipping, and for its more steady application, it has either a raised border two or three lines deep, or two small projecting edges of the like depth, opposite each other. When used, the pleximeter should be closely ap- plied to the part percussed, and lightly or firmly pressed, according to circumstances; it should be so fixed, as not to be displaced by the percussion stroke. The blow should fall upon its centre, and be made by the middle or fore-finger, or both these fingers together, bent in a half circle; care being taken not to strike the ivory with the nails. The motion should be communicated from the wrist- joint,—not from the shoulder, elbow, or finger-joint, —whereby the loudest sound will be produced, and the patient suffer the least inconvenience. When the motion is made from the elbow or shoulder-joint, it is much less abrupt, and therefore the sound pro- duced is not so loud, and a blow, with the whole OP PERCUSSION. 37 weight of the arm in it, falls upon the patient. The motion made from the finger-joints is seldom powerful enough to produce a clear sound. Louis uses a caoutchouc pleximeter, four to six lines in thickness, but it does not produce so clear and well-defined a sound as the ivory pleximeter. Many physicians object to the pleximeter, that it is inconvenient, and excites the patient's fears, and they therefore use the finger instead. The sound produced with the finger is very nearly as clear as that with the ivory pleximeter; but whoever prac- tises percussion extensively, will prefer the use of the pleximeter, on account of the pain occasioned by constant percussion upon the finger. The finger must be always used whenever, through unevenness of the surface, the pleximeter cannot be well applied. Dr. Winterlich, of Wiirzburg, uses an ivory disk and a small steel hammer, into the head of which a thickish layer of caoutchouc is fixed. With this instrument a louder sound is produced than by any other, and as no particular dexterity is required in managing it, any one may, without previous prac- tice, bring out a good sound with it. According to the observations which I have made, it does not ap- pear that this method of percussion conduces more to correct conclusions, than percussion with the fingers. (Schmidt's Jahrb'dcher, 1841, 3 B., 2 H.) Dr. J. Burne makes use of a disk of thick leather as his pleximeter, and a steel hammer: the head of the hammer holds a firm cylinder of leather, which projects about half an inch; the disk of leather being fixed by screws on a moveable steel ring, to which 4 38 THE PHENOMENA a handle is attached. It is unnecessary to show that such an instrument has no distinct object. The pleximeter of Br. Aldis, and the modification of Piorry's by Mailliot Leon, are still more useless. (Tide Canstatt's Jahresbericht, 1843, p. 332.) THE PERCUSSION SOUND. Sound is propagated, according to the same laws, through organic as through inorganic matter, through living as through dead bodies; but the present state of our knowledge of these laws does not enable us to explain satisfactorily all the dif- ferences of sound which we meet with in percussion of the thorax and abdomen: for this purpose fur- ther researches are necessary: we must first de- termine every possible variety of percussion-sound, and ascertain the conditions on which each variety depends, and then endeavour to reconcile our ob- servations with the well ascertained laws of sound It is evident, that for the solution of this question a vast number of experiments must be made, upon persons both in health and in disease, and on the body after death. VAKIETIES 0F THE MMUMIOH-BOUKB, AND THE CONDITIONS ON WHICH THEY DEPEND. With the exception of distended membranes and sflu'r' e,dSOffSS"eS n°tcMtoi-«gair, as well as funds, y eld, when percussed, a completely dull and scarcely audible sound, which may be exem phfied by percussing the thigh. There is no Z ference a the percussiomsound by which we can OP PERCUSSION. 39 distinguish between organs not containing air, such as the liver, the spleen, the kidneys, hepatized lung, or lung completely deprived of air by compression, and fluids: a hard liver yields the same s6und as a soft liver, a hard spleen as a soft spleen,—except when these organs contain bony or chalky mate- rials,—and blood the same sound as pus, water, etc. We may readily convince ourselves of the fact, by placing these different organs on a non-resonant support, and percussing them one after the other, either with or without a pleximeter; fluids, simi- larly supported, and in sufficient quantity, may also be percussed by aid of a pleximeter, carefully ap- plied to their surface. The sound, thus obtained from these bodies, is scarcely audible, has no tone (Klang,) no .distinct pitch, and no timbre, &c. Bones and cartilages, when immediately per- cussed, yield a peculiar sound, but when covered by soft tissues, the sound they yield is less distinct, and altogether disappears, if the tissues are tole- rably thick. Every sound, produced by percussion of the tho- rax or abdomen, which differs in character from the percussion sound of the thigh, or of bone, evi- dences the presence of air, or other gaseous bodies, in the parts beneath.1 1 Dr. C. J. B. Williams, in his Lectures on Diseases of the Chest, endeavours to prove that the percussion-sound is not pro- duced by the air within the thorax, but by the thoracic walls themselves. He explains the variations in the percussion-sound, 40 THE PHENOMENA It may be proved by experiments on the dead body, that the soft parts of the thorax and abdo- men must be made highly tense, to produce any other sound than the one peculiar to all soft parts. The sound of the ribs is rarely heard, except in thin individuals, but that of the sternum, and the collar-bone, somewhat more frequently. The liver, the spleen, the heart, the kidneys, blood, water, etc., which yield to immediate percussion a com- pletely dull sound, or, what is equivalent to it, no sound at all, likewise produce no sound when the parts, under which they lie in the thorax and ab- domen, are percussed. The walls of the stomach, and intestines, must be in a high state of tension, to yield sound when percussed, and the same re- mark is true of the parenchyma of the lungs. The different sounds which percussion produces over the regions of the liver, the spleen, the heart, the lungs, and the stomach, do not depend upon any peculiarities in these organs, but upon varia- tions in the quantity, distribution, and tension of by supposing that the vibrations of the walls of the thorax are not interfered with by the air and healthy lung-parenchyma, but that they are impeded, or altogether destroyed, by infiltra- tions into the lung-tissue, by pleuritic effusions, etc., by the heart, liver, etc., and are also altered by variations in the thickness and tension of the thoracic walls. I cannot admit these views. Different sounds are heard at different parts of the thorax, and the thorax does not sound as a whole If the thoracic walls themselves produced the sounds, they would yield the same sounds when detached; but individual parts of the thorax, when thus separated, yield the dull percussion- sound of the thigh. OP PERCUSSION. 41 the air present in the regions in which they lie, and upon the force of the percussion stroke. There is no such thing as a liver-, spleen-, heart-, lung-, or stomach-sound: the sound over the lung may, under certain circumstances, be exactly similar to the sound produced by percussion over the liver. The various percussion sounds of the thorax and abdomen cannot be arranged together in one class, comprising every degree of sound: it is necessary to distinguish four principal varieties: the extremes of these varieties,"between which there are nume- rous gradations, may be represented by the follow- ing terms:1— 1. Full—Empty. 1 Laennec and Piorry divided the sounds of percussion into two classes, the clear and the dull. The latter, however, intro- duced numerous gradations of these divisions, and termed them: thigh-sound, liver-sound, spleen-sound, kidney-sound, intestine- sound, stomach-sound; and besides these, he describes a bone- sound, a water-sound, an hydatid-sound, and a broken-pot- sound. As we have already said, the thigh, the liver, the heart, the spleen, the kidneys, etc., all yield a similar sound, so that we cannot speak of degrees of sound in them. The lungs, as a rule, give a different sound from the stomach; but the stomach-sound may exactly resemble that of the lungs. The sound of the lungs, of the intestines, and of the stomach, is very different, and, as we have already shown, the difference depends upon the air contained in them, and is never produced by the parenchyma of the lungs, or the coats of the stomach and intestines. Piorry's division of sound is therefore not practical, and altogether unfounded in fact: it has caused many physicians, who have not had an opportunity of investi- gating the principles of percussion, to mistake his views- en- tirely. 4* 42 THE PHENOMENA 2. Clear—Dull. 3. Tympanitic—Xon-tympanitic. 4. High—Low. A full percussion-sound may be clear or dull, tym- panitic or non-tympanitic, high or low; and the same is true, as regards an empty sound. First Class :—Percussion-sounds. Full—Empty. —We do not judge of the size of a resonant body by the strength of the sound which strikes upon the ear; the slightest vibration of a large bell tells of its magnitude; the loudest ring of a little bell misleads no one as to its smalln.ess: neither do we judge of the dimensions of bodies from the pitch of their sounds. There is no good general term to designate that quality of sounds which characterizes the size of bodies. I believe that in singing, and instrumental music, the word full, or full-toned, or sonorous, is used: I shall therefore borrow the expression, in speaking of the percussion-sound. When any one percusses, with equal force, different parts of the thorax and abdomen, he will find that in some places the sound appears more persistent, and, as it were, spread over a larger surface, than it does in others: the first kind of sound, I call the full; the second, the less full, or empty percussion-sound. A cavity, superficially situated in the lungs, of moderate size, and surrounded by thickened paren- chyma, yields a very distinct percussion-sound, but of an empty character. The stomach distended with air gives a full—the small intestines, an empty sound. We do not, however, obtain siuii- OP PERCUSSION. 43 lar full sounds in different individuals, even though the superficial extent of their lungs, and the amount of air contained in them, be exactly alike; for the sounds are modified by the state of the walls of the thorax. The more yielding the walls, the greater is the effect of the stroke upon the contained air, and the more extensive the vibrations of the air thereby produced; but when the walls of the tho- rax are unyielding, it is difficult to obtain any sound, even from the parts which lie most super- ficially beneath them. Let any one percuss portions of lung or intes- tines, when taken out of the body, and he will soon convince himself that it is impossible to determine with accuracy the size of the lungs, or the width of the intestines, by the aid of the varying full sound. It is only when the most marked differences exist, between the full and the empty sound, that any certain conclusions can be drawn; and the same re- mark must be true of these organs, when percussed within the body. A full sound, produced by per- cussion of the thorax or abdomen, indicates the existence of air beneath, through a space of at least several inches in extent, in every direction. A thoroughly empty sound, resembling the percus- sion-sound of the thigh, shows that there is neither air, nor any other gaseous body, beneath the per- cussed spot, but that solid fleshy bodies, or fluids, are present there. The quantity of fluid, etc., necessary to make the percussion-sound, of any particular part of the tho- rax or abdomen, resemble the percussion sound of the thigh, depends upon the elasticity of the walls 44 the phenomena of the thorax and the abdomen, at the point per- cussed, and upon the condition of the parts in the space behind the fluid, etc. The more elastic the walls are, the more readily will vibrations spread through the subjacent fluid, etc., into any space con- taining air, behind or around the fluid, etc.; the greater this space is, the louder will the sound be. The completely empty percussion-sound — the thigh-percussion-sound—heard at any yielding part of the walls of the thorax, or the abdomen, indi- cates that no air is present in that part, for a space several inches in depth, and one inch or more in circumference. Of this fact we may obtain the proof, by placing a portion of lung, or intestine, which contains air, under water, and then percussing its surface by the aid of the pleximeter: it will be found that the lung, or the intestine, yields its proper sound, even though it be sunk several inches deep; but the nearer it is brought up to the surface, the more distinct the sound becomes. Second Class :—Percussion-sounds. Clear—Dull. —The words clear and dull, or muffled, will be taken in their usual significations. The sound of a drum becomes duller when covered by cloth; in the same way, we find the percussion-sound of the . walls of the thorax and abdomen clear, in propor- tion as they are thin and elastic. When air is present beneath a thin and elastic portion of the thoracic walls, through a space about an inch in breadth, and not more than a few lines deep, and the remainder of the thoracic cavity is filled with OF PERCUSSION. 45 fluid, or consolidated lung-parenchyma, the percus- sion-sound over that portion will be perfectly clear, but very empty. On the other hand, any portion of the lung, situated immediately beneath the thoracic walls, which has a surface not less in circumference than a pleximeter, and half an inch of thickness, will yield a full but quickly muffled percussion-sound, if it be deprived of air, whilst the rest of the tho- rax is filled with the normally distended lung. A small portion of intestine, lying against the abdominal walls, and filled with air (the air having been expelled from the remainder of the intestines by peritoneal effusion,) yields a very clear but empty sound. A portion of intestine, containing air, which lies in part beneath the liver, and in part in contact with the abdominal walls, yields, when percussion is practised over the border of the liver, a muffled sound; but when the pleximeter is placed beneath the border of the liver, the sound becomes perfectly clear. The truth of the above statements may be readily shown by experiments on the dead .body. A hepa- tized lung taken out of the body, yields the thigh- percussion-sound; but if only a small part of it con- tain air, and this part be percussed, it gives a clear, but very abrupt sound, having little resonance, and which, according to my views, must be called empty. Percussion of a superficially infiltrated portion of lung, if it be equal in size to a pleximeter, and the lung otherwise healthy, yields a duller sound than the rest of the surface; and the thicker the portion deprived of air, the duller is the sound. The hepa- 46 THE PHENOMENA tized part of the lung may be as much as six inches thick, before the sound of the portion of lung be- neath it, which contains air, is altogether oblite- rated, and before the sound becomes as dull as the thigh-percussion-sound. A portion of intestine con- taining air, and placed under water, so as to remain partially exposed to the air at the surface, yields, when percussed there, as clear a sound as though no part of it were covered by water; the sound of the intestine immersed in the water, and percussed through the water, is muffled, and becomes more^o, in proportion as the intestine is sunk deeper. From all this it is evident that the expressions, full and clear, dull and empty, have different signi- fications. A percussion-sound may be full and clear, and also full and dull, empty and clear, and empty and dull. A completely dull, and completely empty sound, have naturally the same significance, and they are represented by the thigh-percussion-sound. As a sound becomes duller, it at the same time al- ways becomes emptier. A less full sound, how- ever, is not necessarily a dull sound; a sound may be very empty, and yet perfectly clear. The degree of dulness of the percussion-sound does not always enable us to judge accurately of the thickness of the non-resonant parts, beneath the spot percussed; for the dulness depends in part, also, upon the thickness and elasticity of the parts percussed, and upon the condition of the space con- taining air, behind the non-resonant parts. Third Class -—Percussion-sounds. Tympanitic. -Mn-Tympanitic. The tympanitic percussion- OF PERCUSSION. 47 sound passes gradually into the non-tympanitic, just as the full into the empty, and the clear into the dull; no distinct line of demarkation can be drawn between them. The non-tympanitic is represented by the sound which percussion produces at those parts of the thorax, beneath which lies healthy lung, normally distended by air. An abnormally distended lung, as in vesicular emphysema, gives us at one time a tympanitic, at another, a non-tympanitic sound. A partial emphysema in the midst of lung deprived of air (as happens in pneumonia, where not unfrequent- ly the tissue around the hepatized portion, and espe- cially at the borders of the lung, is emphysematous) generally produces a tympanitic sound; but if the whole of the lung is emphysematous, the sound is seldom distinctly tympanitic. If the lung contain less than its normal quantity of air, it yields a sound which approaches to the tympanitic, or is distinctly tympanitic. The sound is, moreover, in many cases remarkably tympanitic, even when the diminution of the quantity of air in the lung is the effect of an increase in its fluid or solid constituents; and this, too, whether the lung retains its normal volume, or becomes larger than natural. When the lung is much reduced in volume by compression, but still contains air, its sound is invariably tympanitic. That the lungs partially deprived of air, should yield a tympanitic, and when the quantity of air in them is increased, a non-tympanitic sound, appears opposed to the laws of physics. The fact however is certain, and is corroborated both by experiments on 48 THE PHENOMENA the dead body (which will be presently referred to,) and also by this constant phenomenon, viz.: that when the lower portion of a lung is entirely compressed by any pleuritic effusion, and its upper portion re- duced in volume, the percussion-sound at the upper part of the thorax is distinctly tympanitic.1 When the walls of the thorax are thin and yield- ing, the percussion-sound may remain tympanitic, even though the quantity of air in the lung be very small: this fact we occasionally observe in cases of pneumonia and tubercular infiltration. The con- densed portions of lung, beneath the thoracic walls thus thin and yielding, give, in some cases, a dis- tinctly tympanitic, though very empty, and not very loud sound. The percussion-sound is seldom tym- panitic when the walls of the thorax are dense and unyielding. When we percuss a lung — which contains a 1 Dr. C. J. B. Williams (Lectures on Diseases of the Chest) gives a different explanation of the tympanitic sound thus pro- duced. He says: We shall understand how the sound arises, by observing the tracheal-sound, which is produced by percussing the trachea with the finger above the sternum. The trachea passes behind the sternum, and there divides into two large branches, which lie about one or two inches beneath the cla- vicles : they are here covered by porous lung, and percussion over them consequently excites no resonance. But if this portion of the lung should either be condensed by effusion, or hepatized, then percussion at once gives us a hollow tubular sound. The reason why we do not more frequently meet with the phenomenon is, that the compression, or consolidation of the upper lobe of the lung, is seldom complete enough to pro- duce it.—Direct experiments prove that this explanation is in- correct. OF PERCUSSION. 49 greater quantity of air in some parts of its structure than in others, that is, in which groups of strongly distended air-cells are mingled with others that are less distended, or contain scarcely any air—we find that it yields a sound in part tympanitic, and in part non-tympanitic. Cavities of the lungs that contain air, lie near the surface, and are about equal to the size of a plexi- meter, invariably yield a tympanitic sound, when surrounded by consolidated lung-tissue; but when they are surrounded by healthy lung-tissue, the sound is less tympanitic, or even non-tympanitic. In pneumothorax, the walls of the thorax, if they are not much distended, yield a tympanitic sound; but if much distended, their sound is almost constantly non-tympanitic. When the intestines contain gas, but are not forci- bly distended by it, nor compressed by the abdominal walls, they always render the percussion-sound of the abdomen tympanitic; but if they are much dis- tended, or compressed by the muscles of the abdo- men, the sound becomes less, or even non-tympanitic. What has been here said respecting the causes which render percussion-sound tympanitic or non- tympanitic, may be proved by experiments. A healthy lung taken out of the body, and fully dis- tended with air, when percussed through a plexi- meter, yields a clear, full, non-tympanitic sound; but when not inflated, though it contain little air, and be even somewhat collapsed, it gives a clear, full, and tolerably distinct tympanitic sound. The percussion-sound is tympanitic also when water, 5 50 THE PHENOMENA even to a considerable amount, has been injected, but not too forcibly, into a collapsed or inflated lung: if the quantity of water, however, be much increased, the sound becomes emptier and less clear. An emphysematous lung, which remains distended when taken out of the body, but is not otherwise changed in structure, has the same sound as a healthy inflated lung. Interlobular emphysema gives a decidedly non-tympanitic, and less clear sound, than a healthy inflated lung. The sound of any part of a lung, which is infil- trated with serum, blood, or tubercular matter, but not entirely deprived of air, is tympanitic, and more or less empty and dull, according to the quan- tity of air present in it. The sound of a lung, con- taining merely a few solitary tubercles, does not differ from that of a healthy lung. An inflated lung percussed through the medium of a piece of liver, sounds non-tympanitic, a col- lapsed lung containing air, tympanitic; but in both cases, the dull and empty character of the sound is proportionate to the thickness of the liver em- ployed; and this must be very thick before the tym- panitic sound disappears. The same results ensue, when a piece of hepatized lung is used instead of liver, or when the lung is placed under water, and percussion made on the surface of the water. A healthy lung strongly inflated within the thorax, so as to be made to press against its walls, gives a full, clear, but non-tvmpanitic sound at every part where it comes in contact with the walls. In performing this experiment, it is neces- sary to make one or more openings into the tho- OF PERCUSSION. 51 rax, in order to insure the inflation of the lung and its contact with the walls, by letting out any gases which may have been accidentally evolved after death. If water be forced through the trachea into a lung, inflated in the manner described above, or after the lung has agam"collapsed and a portion of its air escaped—so as to cause a kind of artificial oedema of the lungs—it will be found, that the sound remains much the same as in a lung contain- ing no water; and that a very considerable quan- tity of water must be thrown into the lung before any dulness can be detected in its percussion-sound. Whatever be the amount of the water injected, the sound never becomes completely dull. The percussion-sound invariably becomes full and clear, and at the same time either slightly or markedly tympanitic, whenever air is forced into the pleural cavity, so as to compress the lung. If water be thrown into the pleura, the percussion- sound is clear, and either approaches the tympani- tic, or is distinctly tympanitic, at every point at which the lung touches the walls of the thorax: where the water comes in contact with the walls, the sound is dull, and in proportion to the amount of water present. If the quantity of water be not very considerable, the sound is often tympanitic. Strong inflation of the stomach, or of a portion of intestine, causes these organs, when percussed, to yield a dull sound, approaching the non-tympa- nitic; but when gently inflated, they give a clear tympanitic sound, if care be taken not to press the pleximeter so firmly as to distend their coats. A 52 THE PHENOMENA stomach, or portion of intestine, filled in part with air and in part with water, yields the same sound as it would do if entirely filled with air; but here, also, a clear tympanitic sound will not be pro- duced, if the coats have been rendered tense. When we percuss an intestine, through the me- dium of non-resonant organic bodies, as through por- tions of liver or spleen, or through water, we find the sound behaves itself exactly as in the experi- ment referred to with the lung. Percussion of an intestine, through the medium of a healthy portion of lung, produces a modified sound, composed of the sound of the lung, and of the sound of the stomach, and generally of a tympanitic character. A dull sound, either slightly or not at all tympa- nitic, is produced by percussion of the abdominal walls, when they are stiffened after death, and firmly compress the intestines, even though these last con- tain a considerable quantity of gas, and gave a dis- tinctly tympanitic sound before death, i. e., when they were not so firmly compressed. If the abdo- minal walls be lax after death, then the sound is tympanitic, and it remains so, although a consider- able amount of fluid be present in the peritoneal cavity: the same thing may be observed when per- cussion is made over the liver, a portion of intestine which contains air, lying behind it. It is thus proved, both by observations on the living body and by researches in the dead, that the percus- sion-sound is invariably tympanitic, when the pa- rietes of the organ, which contains the air, are not stretched; but that, on the contrary, when they are OF PERCUSSION. 53 firmly stretched, the percussion-sound becomes less, or not at all tympanitic, and even dull. Thus the fully distended stomach, the strongly inflated lungs, the tense thorax (as in pneumotho- rax,) the firmly contracted abdominal walls, pro- duce a non-tympanitic or merely an indistinctly tympanitic sound; whilst, on the other hand, the re- laxed stomach, the collapsed lungs, the compressible abdominal walls, give a distinctly tympanitic sound. Respecting the cause of these remarkable facts, it may be observed, that the tympanitic percussion- sound approaches in character to a tone (Klang,) the non-tympanitic, to a murmur (Gerdusch.) A greater homogeneity of vibrations appears neces- sary for the production of a tympanitic, than of a non-tympanitic sound. When percussion is made upon a non-distended stomach, it is the air alone within it which produces the sound; but if the sto- mach be strongly distended, its coats also vibrate, and these vibrations seem to interfere with those of the contained air, and thus to be the cause of the dull non-tympanitic sound.1 Fourth Class:—Percussion Sounds,—High— Low.—Variations in pitch are most readily detect- 1 Dr. Kiirschner (Schmidt's Jarbiicher, 32 B., 1 H.) explains the cause of the tympanitic, and the non-tympanitic sounds, by an observation of Savart's. Savart found that the more a membrane was stretched, the less readily could vibrations be excited in it. The stomach containing air sounds tympanitic, when its coats are so slack that no sonorous vibrations can be excited in them. — I still believe that my explanation is correct. 5* 54 THE PHENOMENA ed in sounds which are clear; but they are of little value in practice. This fact may be readily shown by experiments. A narrow intestine gives a deeper sound than a wide one, but its pitch varies with every change in the condition of the intestine. The same fact is observed in percussion of the lungs. It is worthy of remark, however, that a change in the pitch of the sound—generally an elevation of it —often precedes the conversion of a non-tympani- tic lung-sound into a tympanitic: this sign may be of value, if there be no other difference observable in the percussion-sound. In fact, it occasionally happens, that the presence of tubercles in the up- per part of a lung may be diagnosed by the dif- ferent pitch of the percussion-sound over the cor- responding part of the other lung. The Metallic Ringing Percussion-sound, and the Cracked-pot-sound.—These sounds cannot be classed in any of the foregoing divisions. Piorry calls the metallic ringing percussion- sound, " water-sound "—son humorique, hydropneu- matique,— from a belief that the presence of air and water together, is necessary to produce it. It is the sound which we elicit by striking empty or nearly empty vessels. That the presence of water is not re- quired for its production, may be demonstrated by percussing (either with or without a pleximeter) a stomach filled with air, and not containing one drop of water: this experiment succeeds best when the coats of the stomach are not made too tense. But the sound is also heard when the stomach contains both air and water, and may be also produced in OF PERCUSSION. 55 wide, and even narrow portions of intestine. It may be frequently observed over large thoracic cavities which contain air, and also when air, or other gases, are present in the pleural cavity. The cracked-pot-sound may be closely imitated, by percussing a portion of intestine inflated with air, pressing it at the same time with the plexime- ter, so as to make its anterior wall approach the posterior; and also, by bringing the palms of the hands together, and then striking the back of one of them against the knee. The cracked-pot-sound is heard in the thorax, over tolerably large and superficially situated ca- vities, which contain air, and communicate with the bronchial tubes. When the percussion is for- cible, or the thoracic walls flexible, the cavity is compressed at each stroke, and a portion of air suddenly driven out of it into the bronchial tubes; the hissing murmur, caused by the escaping air, is mixed up with the ordinary percussion-sound of cavities, and this sound represents the cracked-pot- sound. The air driven out sometimes passes through fluids, or the fluid in the cavity is dis- turbed by the percussion-stroke, and a sound, simi- lar to the movement of saliva in the mouth, is then produced. It is said, that the cracked-pot-sound may be heard in children in whose lungs there are no ca- vities. I have never observed it there myself. It cannot be produced, unless the person percussed keeps his mouth open; it is not heard, if the mouth, and more particularly if, with the mouth, the nos- 56 THE PHENOMENA trils also be closed; closure of the mouth and nos- trils must have a tendency to prevent that slight depression which is caused by each percussion- stroke. Besides these sounds, Piorry describes another— the hydatid-sound. This is, in fact, not a sound; it arises from certain vibrations, the presence of which may be ascertained by the hand, or the points of the fingers.1 An excellent notion of Piorry's hy- datid-sound may be obtained by percussing a sto- mach completely filled with water, and held free in the air. Tapping a repeater, held in the hand, also produces it, that is to say, the vibrations of its main spring are thereby rendered sensible. Piorry and Briangon assert, that these peculiar vibrations are only to be observed over hydatid cysts, and depend upon the tremulous movements of the hy- datids. I do not know if any one else has made similar observations. The experiment with the stomach shows that the presence of hydatids is not necessary for the production of the sound. It may also almost invariably be observed, in cases of pe- ritoneal effusions, when the abdomen is tense, and its walls not very thick. The conditions necessary for the production of this sound are not so often met with in ovarian dropsy, as in ascites: an hy- datid cyst, giving rise to it, must be looked upon as a phenomenon of very rare occurrence. 1 A dull sound is heard through the stethoscope. OF PERCUSSION. 57 B. THE RESISTANCE FELT IN PERCUSSION. Piorry was the first observer who pointed out the fact, that in percussing the various organs, different degrees of resistance are felt by the fingers; and it would seem as though he considered this resistance of more importance than the percussion-sound. The various degrees of resistance, offered by the different organs when percussed, may be learned on the dead body. An healthy, air-containing lung, offers no resistance when the pleximeter is so held as merely to touch, without pressing upon its surface; but if the lung has been rendered dense and firm, through infiltrations of serum, blood, or tubercular matter, the resistance becomes percep- tible, and is greater in proportion as these matters are more abundant, and the quantity of air in the lung diminished. A hardened lung offers a greater resistance than a soft lung. Resistance is not felt in percussion of the stomach and intestines, unless the coats of these organs are tense; the resistance increases with the tension. The resistance of organs not containing air, is regulated by the degree of their firmness; that of the thoracic walls is greater, per se, in proportion to the thickness and unyielding nature of the ribs, and the narrowness of the intercostal spaces. The resistance of the abdominal walls is increased by their tension and firmness. The thicker and firmer the ribs, the narrower the intercostal spaces, and the tenser the abdominal walls, the less will be the difference between the degree of resistance felt 58 THE PHENOMENA over the organs of the thorax and abdomen, in their normal condition, and the resistance which they offer in their abnormal conditions. The healthy lung offers no resistance; the resist- ance felt at all parts of the thorax, wherever healthy lung comes in contact with its walls, is caused by the walls themselves. Air present in cavities, or in the pleura, likewise offers no resistance, except in those cases in which it causes distention of the thoracic walls. When the intercostal spaces are enlarged, as in pneumothorax, or in emphysema of the lungs, we find that the thoracic walls are sensibly depressed at each percussion-stroke, but quickly regain their previous form, the thorax being more elastic than usual. The same thing is observed, even in a healthy condition of the lungs, when the ribs are thin and the intercostal spaces large; only, in this case, the resistance is less than in pneumothorax and emphysema of the lungs. Should it happen in pneumothorax, or, what is rarer, in pulmonary em- physema, that the intercostal spaces are not en- larged, or that, notwithstanding such enlargement, the ribs themselves are inflexible, then no sensa- tion of any yielding can be felt. The lungs become resistant to percussion, when infiltrated with blood, serum, tubercular matter, etc.; but it is impossible to define accurately what degree of distention and consistence of the infil- trated lung is necessary to render this resistance perceptible through the thoracic walls, as so much depends upon their flexibility. When an entire OF PERCUSSION. 59 lung, or a considerable portion of it, is hepatized, or infiltrated with tubercle, from before backwards, and solidified, the resistance felt at the correspond- ing parts of the thoracic walls is aS great, or even greater, than that felt over the hepatic region, in ordinary enlargement of the liver. The resistance offered by the thorax is greatest when its walls are rendered tense, and its inter- costal spaces distended by pleuritic effusions; little resistance is caused by effusions which do not make tense the walls which contain them. The resistance of the heart, the liver, and the spleen, increases in proportion to their solidity, and to the force with which they are pressed against the walls of the thorax. The difference of resistance felt in percussion enables us to decide whether an abdominal swelling is caused by the presence of air in the intestines, or of fluid in the peritoneum. Encysted fluids, which render the walls of the cyst which contains them tense, offer, through the abdominal walls, the same resistance as tolerably firm, fleshy bodies. 60 CHAPTER II. AUSCULTATION. The sounds produced in the thorax by the move- ment of the organs within it, are seldom so loud as to be perceptible until the ear is placed in contact with its walls. Those very rare cases in which the sounds are audible at a distance from the tho- rax, do not seem to have attracted the attention of early observers; and this is not surprising, so long as physicians, in their interpretation of the pheno- mena of diseases, did not proceed by special in- vestigation of the conditions of the different organs of the human body. The want of some new method of investigating the abnormal conditions of the internal organs, was made manifest by the progress of pathological ana- tomy: this was the reason that rendered Auen- brugger's " lnventum Novum " so welcome to Cor- visart, who first brought it into general notice. Previously to him, Auenbrugger's discovery had been thought of little value, and was, indeed, al- most forgotten. Corvisart was well acquainted with the morbid anatomy of the heart, and of the organs of respiration, but he was ignorant of the signs by which to discriminate the different diseased conditions of these hidden organs. Auenbrugger's AUSCULTATION. 61 discovery, therefore, which so essentially aided the diagnosis of diseases of the thoracic organs, could not be otherwise than most welcome to him. Corvisart was accustomed, in cases where the movements of the heart could not be satisfactorily ascertained by the hand, to place his ear over the cardiac region; and thus he practised immediate auscultation. His pupils followed his example; but this new method of diagnosing the heart's move- ments does not appear, for a long period, to have been of much general benefit, on account probably of its being but little practised. The immense im- portance of auscultation was at length demonstrated to the world by Laennec, who, after spending three years in the investigation of its phenomena, pub- lished those results which have made his name im- mortal. His labours gave a new direction and a new impulse to the spirit of investigation in the physicians of France, and afterwards of most other countries. His observations and theories have been, and will be again and again, subjected to criticism; and it becomes the duty of every physi- cian who has the opportunity, to distinguish in them what is certain from what is doubtful or incorrect. Laennec, at first, considered auscultation by the stethoscope as a method of investigation totally dis- tinct from immediate auscultation; but he appears to have afterwards modified this opinion, still, however, believing that he who did not use the ste- thoscope, but trusted to the unaided ear, could never attain to any certainty in diagnosis. Not- withstanding this, immediate auscultation has been 6 62 THE phenomena practised by many physicians, and has even been thought to have advantages over mediate auscul- tation. I do not think it is necessary to repeat all that has been said, from time to time, respecting the advantages and disadvantages of these two methods of auscultation. Sounds are heard louder by the unaided ear, than through the stethoscope; but the ear cannot be applied to every part of the thorax, and the disease may be of such a character, or the person to be examined in such a condition, as to render immediate auscultation very repulsive to the physician. My own opinion is, that the stethoscope is indis- pensable, and that every physician must make him- self acquainted with its use; but he must, neverthe- less, also study immediate auscultation, for it fre- quently happens, from the situation of the patient, or the position of his bed, that the ear can be more readily applied to the chest than the stethoscope. Physicians, therefore, must practise both mediate and immediate auscultation. I do not myself agree with Laennec, that the auscultatory sounds, which have reference to the voice, are rendered more distinct by the stethoscope than they are without it; nor do I find that patients dread the use of the stethoscope more than they do the application of the ear to the thorax; or that this last procedure is more agreeable to them than the employment of the stethoscope. When the patient lies in bed, the physician will, with very few excep- tions, find it most convenient to use the stethoscope; OF AUSCULTATION. 63 but if the patient sits or stands, immediate ausculta- tion, particularly of the back, is very easily per- formed. The form of the stethoscope, and the nature of the wood it is made of, are often objects of much attention with those who are not well acquainted with auscultation; but in regard to conducting power at least, the choice of the wood is quite in- different, for the greater part of the sound traverses the air in the stethoscope, and not the wood. The lighter the wood, the more convenient is the in- strument, both for the physician and the patient. Whether it be long or short, formed of one or two pieces, screwed or slipped together, is equally matter of indifference as respects hearing. The funnel-shaped end should not have too large a dia- meter, for in such case, it cannot be accurately ap- plied to the chest; and besides, too great hollow- ness may produce modifications in certain sounds. It is sufficient, if the funnel has a diameter of about one inch. The ear-piece may be convex, concave, or plane, provided the disk forming it be large enough to close the ear completely. The shortness of Piorry's instrument often renders its application difficult, and at times impossible; and this is found to be particularly the case inpatients whose move- ments are not free; on this account, I use a stetho- scope about a foot long. Whether the auscultation be mediate or imme- diate, every care should be taken not to render it wearisome to the patient; and no more pressure should be made by the ear, or by the stethoscope, 64 AUSCULTATION. than is necessary to exclude all communication with the external air. Beginners, especially, should be cautioned not to press heavily; while listening to the sound, they are apt to forget their position, and to allow the whole weight of the head to fall upon the chest of the patient, which would be sufficient to impede respiration, even in the healthy, and much more so in those suffering from disease: the stethoscope, moreover, is liable to produce pain, in consequence of the small extent of surface which receives its pressure. By paying attention to his position, in using the stethoscope, the auscultator will cause little annoyance, even to the most sensitive indi- vidual, provided the latter be neither prejudiced against, nor dreads its use. In order to derive all the information from aus- cultation which it can afford us, we must not be contented with the examination of one, or even of several, parts of the thorax; every part must be ex- amined, and a comparison then made of the results obtained. 65 CHAPTER III. THE AUSCULTATORY PHENOMENA OF THE ORGANS OF RESPIRATION. The phenomena observable in the respiratory organs by auscultation, are: the thoracic voice; the murmurs caused by the passing to and fro of the air during inspiration and expiration; and the mur- mur produced by the rubbing of roughened pleural surfaces. I. AUSCULTATION OF THE VOICE. The observer soon learns by experience, that the thoracic voice is heard very differently in different individuals: in one it will be found strong and clear; and in another, who speaks equally loud, it will be merely represented by an indistinct humming (Sum- men,) or perhaps no trace whatever of the voice will be audible. The voice of the same individual, whether his thoracic organs be healthy or unhealthy, is not heard equally loud at all parts of the thorax. Auscultation teaches us that the voice may be heard in the thorax, in the most varying degrees of strength and clearness, and even up to a point where it seems to pass directly into the ear of the auscultator; numerous other variations in the timbre, etc., of the voice are also to be remarked. 6* 66 AUSCULTATION OF THE VOICE. The Strength and Clearness of the Thoracic Voice. —It is necessary to make a distinction between strength and clearness of the voice. The voice may be distinctly heard in the thorax, without being strong; and, on the other hand, a strong voice is not necessarily a clear one. There are several degrees, both in strength and clearness of the thoracic voice; the voice, as heard over the larynx, may be taken as a standard by which to measure these degrees. Generally, the voice over the thorax is less strong and clear than it is over the larynx; it is seldom equally strong and clear, and very rarely is it stronger and clearer. I divide the thoracic voice, in respect to strength, into weak and strong; and I call it strong, when it not only emits sound, but also produces a degree of concussion in the ear. If this concussion does not strike deep into the ear, I term the voice weak.1 1 The vibrations felt by the hand, when laid upon the thorax of a person speaking, have not the same significance, as the vi- brations communicated to the ear, in auscultation of the thoracic voice. In persons whose voices are deep, the vibrations may be often felt very strong, and yet no voice, but merely an indistinct humming, is appreciable by auscultation, and no vibrations pass into the ear. On the other hand, in persons whose voices are high, scarcely any vibration of the thorax can be felt by the hand, although, by auscultation, the thoracio voice may be clearly heard, and penetrate far into the ear. These phenomena are in unison with the known facts, that the sonorous vibrations of solid bodies are more readily sensible to the touch, the lower the tones are which produce them • and that vibrations may be felt by the hand, when they are not rapid enough to communicate sound to the ear. The vibrations of the AUSCULTATION OF THE VOICE. 67 We have no such standard by which to mark the clearness and the dulness of the thoracic voice. The voice, however, may be always called clear when its articulation is audible. Yet the voice may be very clear, though the articulation be not particularly distinct. In the normal state of the respiratory organs of many individuals, we hear no thoracic voice, but merely a humming; this humming is loudest be- tween the scapulae and the vertebral column, less loud beneath the clavicles, and it becomes gradu- ally lost as we pass down towards the lower parts of the thorax. When the voice is deep, and the re- spiratory organs healthy, it is frequently heard strong, and tolerably clear, between the upper half of the scapulae and the vertebral column, but is rarely attended with any distinct articulation. When the voice is acute, it is frequently also weak and clear. The voice, again, often appears less strong and clear beneath the clavicles (the respiratory organs being healthy,) than between the scapulas and verte- bral column; and still weaker and duller in the axillaa. In other parts of the thorax, no voice, but merely a humming, is heard, and sometimes not even a humming. When the respiratory organs are diseased, there thoracic walls are communicated to the ear, and may be slow or rapid; but if they are not appreciable as a tone, or form only a very weak tone, no sensation of vibration will pass deep into the ear; a sense of concussion only being felt in the external ear, or in the head. 68 AUSCULTATION OF THE VOICE. are no parts of the thorax, where the voice may not be heard strong and clear; generally speaking, it is so heard at those parts where cavities, pneumonic or tubercular infiltrations, or pleuritic effusions ex- ist; but this does not happen in every case, nor during the whole period of the existence of such diseased conditions of the organs. Variations in the Strength and Clearness of the Thoracic Voice cannot be explained by the Laws of Conduction of Sound.—Laennec attributed the va- riations observed in the strength and clearness of the thoracic voice to changes in the sound-conduct- ing power of the lung-parenchyma: he considered the lung, in its normal state, to be a bad conductor of sound, but that its conducting power was in- creased by its consolidation and infiltration, or by the presence of fluids in the pleura—an explanation quite in accordance with the generally received opi- nion, that solid bodies conduct sound better than air. This opinion has prevailed in France up to the present time. Now, if we repeatedly auscultate the thorax of a person suffering from hepatization of a lung, we shall find that the thoracic voice is at one time in- creased, and at another diminished in force, without any alteration—discoverable by percussion or other means—having taken place in the condition of the hepatized part. This alternate presence and absence of the thoracic voice at the same parf of the thorax, when the lung is hepatized, is a well-known and common occurrence. Every one who has had much experience in the auscultation of pneumonia, must AUSCULTATION OF THE VOICE. 69 have observed the increased voice, bronchophony, to appear and disappear several times in the course of a few minutes. The phenomenon is opposed to the idea of the bronchophony depending upon a superior conduct- ing power of sound, inherent in-hepatized lung; and whoever maintains the correctness of such an idea, is bound to explain this anomaly. The voice, as we all know, though it may have disappeared, will return after a deep-drawn breath, and still more readily if the patient coughs; and it will again disappear if he remain tranquil for a short time, without coughing or expectorating. The conclusion to be drawn from this is, that the voice is heard through the hepatized parts, when the bronchial tubes passing into them are not ob- literated by fluids, but contain air; and that, on the other hand, it disappears when the tubes are blocked up by mucus, etc. This explanation of the absence and presence of the thoracic voice, in no way re- moves the difficulty as to the increased sound-con- ducting power of the hepatized lung; if this power were really increased, it would become a matter of indifference whether the bronchial tubes contained air or fluids. It also appears doubtful—as in the case of hepa- tization of the lung—whether an increase in the sound-conducting power of the lung takes place in the course of pleuritic effusions; for the voice be- comes weaker in proportion as the effusion pro- gresses, the reverse of which ought to happen, if the effusion were a better conductor of sound. The following remarks on the sound-conducting 70 AUSCULTATION OF THE VOICE. power of bodies and its conditions, do not justify the supposition that bronchophony depends upon an increased sound-conducting power of the hepa- tized lung and of fluids. The human voice, and every other sound which is formed or propagated in the air, is heard furthest in the air. A sound ex- cited in the air, is heard very indistinctly, or not at all, by a person under water; and a sound in one room passes with difficulty into another, being in- terrupted by the walls. Any one wishing to weaken his hearing, stops his ears. On the other hand, the slightest scratching at one end of a long rod may be heard, if the ear be brought in contact with the other; while no sound whatever is audible in the air, although the ear be brought much nearer to that end of the rod whence the sound proceeds. The sound caused by striking two stones together, under water, is distinctly heard there, and even causes a disagreeable sensation; whilst, out of the water, it can be scarcely recog- nised. These facts show that sound does not pass readi- ly from dense bodies into the air, or from the air into dense bodies. Physics, also, teach us that sound is always reflected, in passing from one me- dium into another, and that less sound enters into the new medium than would have been propagated through a corresponding space of the one in which it was originally excited; the more dissimilar the media are, in respect of density and cohesion the greater is the reflection of the sound, and the'less freely does it pass from the one into the other The ticking of a watch is heard to a greater dis- AUSCULTATION OF THE VOICE. 71 tance through a rod, than through the air, because no part of the sound passes off from the rod into the surrounding air, but remains wholly concen- trated in it; the sound, on the contrary, which passes immediately from the watch into the air, spreads out in every direction, and thus impinges upon a greater extent of matter. The experiment with the rod, however, does not prove that wood is a better con- ductor of sound than air. The difference in the conducting power of air, wood, and other bodies, has not been experimentally determined. Re- searches made for this purpose, must be of such a nature as to show the results of one and the same sound in two or more media, which have like form and volume, and are placed in a similar relation to the parts surrounding them; the distances at which the sounds are heard through each medium, and their force, must also be compared. Let any one, for example, so place the end of a wooden tube on a watch, that the whole rim may be in contact with it, and then listen at the other end; he will hear the ticking at the same moment through the wood, and through the air in the tube. If a solid cylinder of wood be now fitted into the tube, and it be placed as before, the ticking will be heard passing through the wood of the tube, and through that of the solid cylinder. Now, if wood were a better conductor of sound than air, the tick- ing ought to be heard more clearly in the latter than in the former case; but any one may readily convince himself that the reverse of this is the fact. It is a remarkable circumstance, that auscultators 72 AUSCULTATION OF THE VOICE. should make use of a hollow tube, and not of a solid cylinder, and yet assert that dense bodies are better conductors of sound than air. There is no doubt that the voice passes into the parenchyma of the lungs through the medium of the air contained in the trachea and bronchial tubes; for if it were propagated along the walls of the tra- chea, it would spread equally well through the ge- neral coverings over the thorax. When the lungs are healthy, and the air passes uninterruptedly into the air-cells, the voice reaches further than when the lung is hepatized, or compressed by fluids, that is, than when the air-cells and finer bronchial tubes contain no air. The more solid a body is, the more difficult is the passage of sound from the air into it; and hence sound passes more readily from the air of the air-cells and bronchial tubes into the pa- renchyma of a healthy lung, than it does from the air of the larger bronchial tubes into the consoli- dated tissue of a hepatized lung. The conducting power of healthy and of hepatized lung, and of fluids, may be readily shown in the following manner. Let one person direct his voice into a stethoscope placed upon a healthy lung, re- moved from the body, while another auscultates with a second stethoscope: by gradually placing the stethoscopes at different distances, the exact dis- tance through which the voice can be heard in the lung, will be at last ascertained; similar experi- ments maybe afterwards performed with hepatized lung, and lung compressed by fluids. Repeated experiments of this nature have in- variably demonstrated to me that sound is heard AUSCULTATION OF THE VOICE. 73 somewhat further through healthy than through hepatized lung. The difference in this respect is remarkable. In accordance with the above facts, I have come to the conclusion that: Variations in the strength and clearness of the thoracic voice cannot be ex- plained by differences in the sound-conducting power of normal and abnormal lung parenchyma. The Variations in Strength and Clearness of the Thoracic Voice explained by the Laws of Consonance. —If a sound is heard as distinctly at a distance from, as at the spot where it originates, one of these two things must have happened; either its diffusion has been prevented, and it has remained concen- trated in the passage, or it has been reproduced by consonance, and thus increased in strength; and if the sound be heard louder at a distance from, than at its origin, it must also have gained increase by consonance. Consonance is a well known phenomenon. A guitar-string yields a musical note, when a similar note is sounded upon another instrument in its neighbourhood, or even by the human voice. A tuning-fork held in the air sounds much more fee- bly than when laid on a table; the table strength- ens the tone, and yields similar vibrations, and thus consonates with the tuning-fork. The sound of a jew's-harp is scarcely heard in the open air, but becomes distinctly audible when made to vibrate within the mouth—its sound is strengthened, in consequence of the air in the mouth consonating with its vibrations. 7 74 AUSCULTATION OF THE VOICE. When, as occasionally happens, the voice is heard louder at some part of the thorax than over the larynx, it must have derived its increased strength from consonance within the thorax. Variations in the strength and clearness of the thoracic voice may thus be explained by changes in the force of its consonance within the thorax; and it therefore be- comes necessary for us to inquire here, what parts within the thorax consonate with the voice, and what circumstances cause variations in the conso- nance. The voice, as it proceeds from the mouth, is form- ed of the original sounds of the larynx, and of the consonant sounds of the throat and of the cavities of the mouth and nose. This we learn from the changes which the voice undergoes by opening and closing the mouth or the nose, while the condition of the larynx remains unaltered. It is well known, that the pitch of the voice is determined by the larynx, and that it is not affected by the opening or closing of the mouth or nose; but the articulation of the voice takes place in the mouth, and certain modifications in its timbre depend upon the form and size of the mouth and nasal cavities, and particularly upon the circumstance of their being opened or closed. Now, since it is evident that the air in the throat, the mouth, and the nasal cavities, consonates with the sound formed in the larynx, we cannot doubt that the air in the trachea, the bronchial tubes, etc., may likewise become consonant with sounds origi- nating in the larynx. The air in the thorax, and not the parenchyma of the lungs, is the consonating AUSCULTATION OF THE VOICE. 75 body; the parenchyma is ill-adapted for consonance, being neither firm nor tense in structure. Those bodies in which musical vibrations are most readily excited, such as the air, musical chords, membranes, bars, plates, etc., also consonate most readily. Air only consonates when confined in a given space. The human voice, and every other sound, is much weaker in the open air than in a room. The air contained within the sounding-board of a guitar, a violin, or a clavier, consonates with the tones pro- duced by their strings, but the free air around does not strengthen their tones. The force of the consonance depends upon the form and size of the enclosed space, and upon the nature of the walls forming it; the consonance, for example, is stronger, the more completely the sound is reflected by the walls; hence a space bounded by solid walls yields the loudest consonance, whilst those formed of linen, as in a tent, add little to the force of the sound. The cause of the increase of sound in a speaking trumpet is well known. The air enclosed in a given space does not con- sonate with every sound; and although several sounds or murmurs may consonate therein, it will be found that they do not do so with equal force and clearness. Consonating bodies only respond to those tones which they themselves are able to produce, or to vibrations forming some aliquot part of such tones.1 1 Die Naturlehre, hach ihrem gegenw'artigen Zustande, von Baumgartner und Ettingshausen. 76 AUSCULTATION OF THE VOICE. The following conclusions respecting the conso- nance of the thoracic voice, may be drawn from a consideration of these physical data; the air con- tained in the trachea and bronchial tubes conso- nates with the voice, in so far as the walls confining it, have, in respect of their power of reflecting sound, a similar or analogous condition to the Avails of the larynx, of the mouth, and of the nasal cavi- ties. In the trachea, the walls of which are formed of cartilaginous rings, the consonance of the voice is nearly as forcible as the voice itself, heard in the larynx; and it can be little less so in the right and left bronchi. As the bronchial tubes pass into the parenchyma of the lungs, their cartilaginous rings gradually disappear, the cartilaginous structure existing at last only as irregular thin plates, lying in a fibrous tissue; the finer divisions of the bronchial tubes are merely thin membranous canals. The conso- nance of the voice is consequently much feebler in the bronchial tubes, which run into the parenchyma of the lungs, than in the trachea, and, in fact, be- comes weaker in proportion as the amount of car- tilaginous structure diminishes. The conditions requisite for the production of increased consonance of the voice in the bronchial tubes, which run into the parenchyma of the lungs, are these: either, the walls of the tubes must be cartilaginous, or, if membranous, the membrane must be very dense, or the tissue of the lung around the tubes must be deprived of air: in any of these cases, the walls of the bronchial tubes will reflect AUSCULTATION OF THE VOICE. 77 sound more strongly, than in their normal condi- dition. Of course the communication between the air in the tubes, and the air in the larynx, must remain uninterrupted. It frequently happens, when musical vibrations— original or communicated—are excited in air in a confined space, that the walls themselves which surround the air also vibrate in unison, and the more readily, the less rigid and unyielding they are. An organ-pipe vibrates when the air within it sounds, and so does a speaking-trumpet. The trachea vibrates with every sound, and its vibra- tions are perceptible, even through several inches of firm fleshy layers. The walls of the bronchial tubes, running into the parenchyma of the lungs, likewise vibrate, when the voice consonates in them, just as the walls of the larynx do: the vibra- tions thus excited may extend to the walls of the thorax, and even pass through several inches of thick fleshy parts, or of fluid, and be heard at the thorax as consonating sounds of the bronchial tubes. Diseased Conditions of the Respiratory Organs, which, in accordance with the preceding explana- tions, will produce an increase in Strength or Clear- ness of the Thoracic Voice. Among these may be classed: 1. All those diseases by which the parenchyma of the lungs is deprived of air, and rendered firm, dense, and solid.—The walls of a bronchial tube, surrounded by such an abnormal parenchyma, re- flect sound as well, or even better, than the wall of the trachea. And the reflection of the sound, and 7* 78 AUSCULTATION OF THE VOICE. the force of its consonance, is greater or less, in proportion to the density of the parenchyma. The diseases which render the lung-parenchyma solid, are: pneumonia, tubercular infiltration, or pulmonary apoplexy—apoplexia pulmonum. In these diseases, no increase of the thoracic voice will occur, unless the air has been wholly expelled—or apparently so—from the air-cells, by the infiltrated matters; and the solidified portion of lung be of such a size as to contain at least one of the larger bronchial tubes, having air in it, and communicating freely with the larynx. The more extensively the lung is solidified, the more marked is the in- crease of the strength of the thoracic voice. Pneumonia in its first stage, inflammation con- fined to a few lobules of the lung,—lobular hepa- tization,—oedema of the lungs, or limited effusion of blood into the lung-parenchyma, produce very slight, or no increase whatever, in the strength of the thoracic voice; neither do solitary tubercles, however numerous, provided the intervening pa- renchyma remains pervious to air. Effusion of blood into the lung-parenchyma—Laennec's pulmo- nary apoplexy—being of rare occurrence, and ge- nerally very limited in extent, seldom gives rise to increase of the thoracic voice. Its increase is very frequently observed in the course of extensive he- patizations and tubercular infiltrations of the lungs. It is also produced by the condensation of the lung, which remains after an unresolved hepatization, just as in hepatization itself. I have never found the lung substance completely deprived of air, in ABNORMAL CONDITION OF THE LUNGS. 79 oedema of the lungs, unless the lung was, at the same time, subjected to external pressure.1 II. ABNORMAL CONDITION OF THE LUNGS, IN WHICH THE PARENCHYMA IS DEPRIVED OF AIR BY COMPRESSION. The walls of a bronchial tube surrounded by parenchyma, which is compressed and deprived of air, reflect sound as forcibly as the soft parts of the mouth; but compression of the lung will not give rise to the thoracic voice, unless the compressed por- tion be large enough to contain a bronchial tube, which, from its size and cartilaginous character, cannot undergo complete compression; the simply membranous bronchial tubes may be entirely ob- literated. The lung-substance can be compressed by fluid or solid exudations, or by gas present in the pleura, by tumours, by enlargement of the heart, by pericar- dial effusions, aortic aneurisms, enlargement of the abdominal viscera, curvatures of the spine, or other deformities of the thorax. Of all these causes, those which most generally, and indeed almost exclusively, produce increased thoracic voice are pleuritic effusions, and pneumothorax; com- 1 According to Dr. C. J. B. Williams, Raciborsky, and some other authors, bronchophony may be produced by congestion of the pulmonary vessels. Now this congestion exists, in a high degree, when the mitral orifice of the heart is contracted; con- sequently, such contraction should always give rise to broncho- phony. Congestion of the pulmonary vessels does not cause bronchophony and, most assuredly does not alter the resonance of the voice. 80 ABNORMAL CONDITION plete compression of large portions of the lung has very rarely been found dependent upon other causes. It is certainly true, that, in curvatures of the spine, we sometimes find a lobe, or even an entire lung, subjected to pressure; but nevertheless, so long as the lung is healthy it always contains air> except in some of its smaller divisions. It rarely happens, when the abdomen is extensively enlarged, the diaphragm forced upwards, and the thoracic cavity diminished, that more than the edges of the compressed lower lobes of the lung are completely deprived of air; the upper part of these lobes almost invariably retains some portions of it. Moreover, we scarcely ever find any considerable amount of lung-substance deprived of air by pres- sure, even in cases of enormous enlargement of the heart, or very extensive pericardial effusions, or large aneurisms. When the thorax contracts, in consequence of the absorption of pleuritic effusion, the lung, although much reduced in volume, always contains air, provided its parenchyma be not in- durated. The question may naturally be asked: what amount of fluid, or gas, is requisite to produce such compression of the lungs as will give rise to the thoracic voice ? Generally speaking, we cannot an- swer this question; for it may happen that the lobe of a lung is completely deprived of air, though not reduced to more than three-fourths of its natural size; and again, it may be reduced to a third, and even less, and still contain air. The cause of the difference is obviously this, that in the one case, OF THE LUNGS. 81 the parenchyma is loose, and contains but a small amount of fluid; and in the other, it is dense, and contains much fluid: from this circumstance, and from differences in the capacity of the thorax, we find that at one time half a pound of fluid is suffi- cient, while at another, several pounds are requisite, for the production of the increased thoracic voice. If the lung be not adherent to the thoracic walls, fluids when present, always collect in the lowest parts of the pleura, thereby compressing the under portions of the lung, and very frequently giving rise to increased thoracic voice: the lower lobe of the lung, thus deprived of air, sinks beneath the fluid, by reason of its increased specific gravity; the bronchial tubes passing into it are reduced in size, but not obliterated, nor distorted, and the air in them communicates with the air in the other bron- chial tubes, provided the communication is not pre- vented by the presence of mucus, etc. Compression of its parenchyma does not so readily give rise to an increase in the thoracic voice in the upper, as in the lower parts of the lung: this is particularly true of the upper and anterior parts of the organ, where the bronchial tubes are more readily obliterated by com- pression, in consequence of the curved course which they follow. It happens occasionally, when the quantity of fluid is so considerable as to compress the whole lung, that the increased thoracic voice is heard as well marked over the anterior surface of the thorax, as beneath the scapulae. We cannot accurately determine the distance a bronchial tube, in which consonance occurs, may be from the sur- 82 THICKENING OF THE BRONCHIAL TUBES. face of the thorax, when its consonating sounds are heard there; but no doubt the distance may be con- siderable. Increase of voice is occasionally met with, in cases where the amount of effusion is so great as to produce enlargement of the thorax. The increase of the voice is seldom produced, if the fluid is prevented from accumulating in the lower part of the thorax, and is confined to some particular spot by adhesions between the pulmo- nary and costal pleura. I have never observed it, in cases where partial effusions existed, about the upper parts of the lung: such effusions, however, around the lower lobe of the lung—when the fluid is present in such quantity as to cover more than the half of its surface, and so as in part, or altogether, to deprive it of air—occasionally give rise to in- crease in the thoracic voice. III. THICKENING AND ENLARGEMENT (HYPERTROPHY) OF THE CARTILAGES OF THE BRONCHIAL TUBES WITHIN THE LUNGS. The chief reason why the thoracic voice is gene- rally louder in old than in young persons, is, that in the former, the bronchial cartilages are increased in size and density. Disease may render them larger and denser than natural, both in the old and the young; but such degeneration of the cartilages (which is always accompanied by an increased, and generally purulent, secretion from the bronchial mucous membrane) is not of common occurrence, and rarely proceeds so far as to produce an in- crease of the thoracic voice. THICKENING OF THE BRONCHIAL TUBES. 83 Cavities in the substance of the lungs, and en- largements of the bronchial tubes—(a bronchial tube may be uniformly enlarged through the whole length of it, or its enlargement may be partial, and of a sacculated form)—do not produce increase of the thoracic voice, unless their walls reflect sound, and are infiltrated, thickened, and deprived of air, through a depth of at least several lines. A cavity or enlarged bronchial tube, surrounded by paren- chyma containing air, never gives rise to increase of the thoracic voice. Experiments in support of the considerations of- fered above, respecting the causes of the variations which occur in the strength and clearness of the Thoracic Voice. We may experiment by directing the voice into a wooden tube, fixed after death into the trachea of a person whose lung is hepatized, infiltrated with tubercle, or contains cavities: for this purpose, the lungs may be either left in the thorax, or removed entire, with the trachea and the larynx: it very sel- dom happens, however, that we hear the voice over the diseased parts the same as during life. In these experiments, the voice generally appears clearer in the healthy, than in the diseased parts of the lungs; and when they are taken out of the body, we find that the strength of the voice, in the normal portion of the lung, resembles pretty closely the strength of the voice, as observed during life, at those parts of the thorax beneath which the abnormal lung was situated. The results obtained are not more satis- factory, if, instead of speaking into the larynx 84 THICKENING OF THE BRONCHIAL TUBES. through a tube, we produce a sound analogous to the human voice, by blowing into the larynx through the narrowed glottis. These facts may be explained by the circumstance that, after death, fluid is almost invariably present in the bronchial tubes, the com- munication between the deeper bronchial tubes, or between cavities and the larynx, being generally either partially or completely interrupted by the presence of mucus, blood, serum, etc. For this rea- son, we are not able to obtain satisfactory results from experiments with the lungs; and it is very dif- ficult and tedious, generally indeed impracticable, to withdraw the fluid from the bronchial tubes. But there are other methods, by which the nature of the modifications of the thoracic voice, as they occur in the healthy and diseased conditions of the lungs, can be more readily determined. The coats of the small intestines may be considered, in respect of their power of reflecting sound, to have an analo- gous character to the membranous parts of the bron- chial tubes; and the liver, and the substance of the heart, to resemble in a similar respect hepatized lung. Now, if a person speaks through a stethoscope placed upon one end of a portion of intestine, mode- rately filled with air, the voice will be heard con- sonating in the air of the intestine, through a stetho- scope placed upon the other end; .but the force of the consonance will diminish, if its coats be much distended. If, instead of placing the stethoscope immediately upon the intestine, the auscultation be performed through the medium of a portion of liver, of lung, or of intestine filled with water, the THICKENING OF THE BRONCHIAL TUBES. 85 consonance will cease, or be very indistinctly heard, even though the medium employed be not more than half an inch thick, and merely large enough to close the mouth of the stethoscope. Again, let a canal be bored along the substance of a liver, but not so as to perforate it, and then a person speak into the canal through a tube, so placed over its opening as to close it accurately; it will be found that the voice can be heard along the whole length of the canal, and to a certain dis- tance on either side of it, considerably louder than if the person spoke through the open air; and the voice will still be heard along the course of the artificial canal, although the auscultation be per- formed through the medium of hepatic or pulmo- nary tissue several inches thick, or through bone or cartilage; it becomes weaker, however, as the thickness of the medium is increased, and at last altogether ceases. If the liver be submerged in water, and care taken to prevent the entrance of the water into the artifi- cial opening, the voice may be heard, even through a layer of one or two inches of water. This experiment is more readily performed with the heart than the liver. For this purpose, the left ventricle is emptied of blood, the left auricle closed, and the aortic valves destroyed; if the voice of a person is now directed into a tube fixed in the aorta, it will be heard consonating in its cavity, through a stethoscope placed over the left ventricle; the auscultation may be practised at pleasnre, 8 86 THICKENING OF THE BRONCHIAL TUBES. through the medium of lung or liver-substance, as well as under water. The same phenomena are also observed, when the larynx, together with the trachea and the two bronchi (which last must be closed,) are taken out of the body, and a person speaks through a tube fixed in the larynx. Again, let a portion of intestine, filled with air, be fixed under water, and two stethoscopes placed upon it, at a moderate distance from each other (care being taken that no water passes into them, which is easily managed,) and then let a person speak into one of them, while the ear of the ob- server is applied to the other, and it will be found that the consonance of the voice in the intestine is much louder than when the experiment is per- formed out of water; and that the force of the consonance is immediatedly diminished, if a portion of the intestine be allowed to project above the surface of the water. These experiments seem to me to indicate pretty clearly the relation in which the increased thoracic voice stands to the different conditions of the lungs. If the consonance of the voice in the intestine, when this is not placed under water, be so feeble as to be- come inaudible through a medium of lung, liver or fluid, half an inch to an inch in thickness, it seems probable that the voice in the membranous bron- chial tubes will likewise be so feeble, as to become either very indistinct, or altogether inaudible, over the thorax. And again, justas the voice consonates forcibly along the artificial canal formed in the "V:,s,**i>. THE TIMBRE OF THE THORACIC VOICE. 87 liver, in the ventricle of the heart, and in the tra- chea, so will it consonate forcibly in the bronchial tubes of a hepatized lung, or in the cavity of a lung infiltrated with tubercle, and appear louder at the thorax, than the voice which passes through the open air into the ear of the observer. I have not been able to determine, by experiments on the dead body, why the thoracic voice is at one time strong and clear; at another, strong and less clear; and, in certain cases, clear and not strong. THE TIMBRE OF THE THORACIC VOICE. The voices of individuals, and the sounds of mu- sical instruments, differ, not only in strength, clear- ness, and pitch, but (and particularly) in that quality also for which there is no common distinctive ex- pression, but which is known as the tone, the cha- racter, or timbre of the voice. The timbre of the thoracic, always differs from the timbre of the oral voice, and has seldom any resemblance to that which is heard through the stethoscope, when placed upon the larynx. The thoracic has not the roundness of the oral voice; it is generally of a tremulous character, and from this circumstance, a strong thoracic voice par- takes of the timbre of the speaking-trumpet; a weak voice, of the timbre of a child's trumpet. The tre- mor of a weak voice is at times hardly perceptible, and its timbre then resembles that of the nasal voice: in other cases, the tremor is as strong as that produced by speaking against a paper, placed close over the teeth of a comb. The tremor is not well marked, except when the thoracic voice is clear, 88 THE TIMBRE OF THE THORACIC VOICE. and its consonance increased; it is hardly to be de- tected, if the voice be indistinct. It frequently happens that merely a whispering is heard in the thorax. The thoracic voice is also at times observed to take somewhat of the charac- ter of the amphoric echo, or metallic ringing sound, in cases of pneumothorax, and where large cavities are present in the lungs. The modifications in the timbre of the voice (which admit of several degrees,) may form various combinations with one another. Thus the timbre of the speaking trumpet, as well as that of the nasal voice, and of the child's trumpet, may be accom- panied by an amphoric echo, or metallic sound; and a peculiar tremulous tone be heard associated with the nasal voice. The timbre, and the strength and clearness of the thoracic voice, do not remain con- stantly the same in the same individual; one word may have the timbre of the speaking trumpet, another that of the nasal voice, or of the child's trumpet, and so on. It may be asked, where does this tremor of the thoracic voice arise? The fact of the laryngeal voice having the timbre of the speaking-trumpet, but not possessing the roundness of the oral voice, makes it probable that the voice becomes tremu- lous, not in the air of the bronchial tubes, but in its passage through the lung-substance and the thoracic walls. It has not been yet explained, either by clinical or post-mortem observations, why the tremor is at one time weak, and at another very strong; and why it occasionally seems to form, as it were, a second voice. This much, however, ARTICULATION OF THE VOICE. 89 is certain, that the most marked tremor of the voice may accompany all those abnormal conditions of the lungs which give rise to increased resonance of the voice; it is therefore not peculiar to any particular condition. The fact that, in a given space, only certain sounds consonate, enables us to explain the circum- stance of the thoracic voice being, in some rare cases, replaced by a whispering. The whispering represents the articulated expi- ratory murmur; and when the respiratory murmur of the larynx consonates in the lungs, we hear a whispering, instead of a thoracic voice. The causes of the amphoric echo and metallic tinkling, will be discussed hereafter. THE PITCH OF THE CONSONATING VOICE. The pitch of the thoracic, seems occasionally dif- ferent from the pitch of the oral voice; but close attention shows us that a difference in the pitch of the consonating voice, is only to be heard accom- panying the amphoric echo. We do not find that the pitch of the nasal voice, and the timbre of the speaking-trumpet, differ from that of the oral voice. I doubt whether Laennec, under the term "voix plus aigiie," understood a more acute voice (eine hohere Stimme,) as it is rendered by Meissner, in his translation of Laennec's second edition.1 THE ARTICULATION OF THE CONSONATING VOICE. The articulation of the voice is never heard dis- tinctly in the thorax; the voice sounds as though 1 Laennec's Treatise, etc., translated by Meissner, pt. i. p. 56. 8* 90 laennec's pectoriloquy the individual were speaking without moving the tongue; but, though indistinct, it is nevertheless heard in different degrees of clearness; a very strong voice appears less articulate than a weak one; and the articulation is often more marked in whispering than in speaking. The nasal voice, and the tracheal voice, are much less capable of being articulated. laennec's division of the thoracic voice. Laennec distinguished:— 1. The resonance of the voice in healthy lung- tissue, and in the smaller bronchial tubes. 2. The resonance of the voice in the larger bron- chial tubes, lying at the roots of the lungs, in their normal condition—Bronchophony. 3. The resonance of the voice in the bronchial tubes, when the lung-tissue is dense and consoli- dated—Accidental Bronchophony. 4. The resonance of the voice in the cavity exist- ing in the thorax, and containing air—Pectoriloquy. 5. The tremulous—bleating—resonance caused by fluid in the pleura—iEgophony. I differ from Laennec, in his views respecting pectoriloquy, accidental bronchophony, and aego- phony; my reasons for so doing will appear from the following detailed considerations of these phe- nomena. laennec's pectoriloquy and bronchophony. Laennec, with the view of more accurately de- fining what he meant by pectoriloquy, broncho- phony, Ac, expresses himself thus:—"The voice and bronchophony. 91 passes wholly through the stethoscope; the voice passes only in part through the stethoscope; the voice does not enter the stethoscope:" but it is ma- nifest that whenever the voice is heard through the stethoscope, it must have passed through it. The distinction which Laennec wished to draw seems to have been this: that in one case the voice merely reaches the ear, but that, in the other, it at the same time produces a concussion in the ear. The voice is said to pass wholly through the stethoscope when it is heard, and its vibrations felt, as if it had been directed at once into the ear. The only definition of pectoriloquy which can be gathered from Laennec's works is this, that it is the resonance of the voice in cavities; there does not appear to be any peculiarity in the voice itself which renders it characteristic of pectoriloquy. Laennec divides pectoriloquy into the perfect, the imperfect, and the doubtful. " It is perfect when it cannot be confounded with bronchophony, by reason of the distinct passage of the voice through the stetho- scope, of the circumscribed nature of the phenome- non, and of the concurrent signs offered by the cough, the rales, and the respiration. It is imper- fect when any of these signs are wanting, and parti- cularly when there is no distinct passage of the voice through the stethoscope. It is doubtful when the resonance is very feeble, and in such case only to be distinguished from bronchophony by the signs ob- served at the spot where it occurs, as well as by the general symptoms and progress of the disease." Bronchophony is thus defined:—"The voice rare- 92 laennec's pectoriloquy ly traverses the stethoscope; its timbre has some re- semblance to that of the speaking-trumpet; its re- sonance is diffused, and evidently extends to a dis- tance. If any uncertainty still remains, itis removed by the cough, and by the sonorous inspiration which precedes and follows it: these phenomena seem to take place in lengthened tubes, and not in circum- scribed spaces, and have no cavernous character." What, according to these descriptions of pecto- riloquy and bronchophony, are the signs by which they are distinguished ? The perfect passage of the voice through the ste- thoscope occurs only in perfect pectoriloquy; but even then, according to Laennec, pectoriloquy can- not be distinguished from bronchophony, except by taking into consideration the part where the pheno- menon is observed, the extent of surface over which it is heard, and also the signs offered at the same time by the cough, the rales, and the respiration. The timbre of bronchophony is likened to that of the speaking-trumpet, but nothing is said of the timbre of pectoriloquy; we must therefore conclude that, in Laennec's opinion, no difference exists be- tween them; had any difference existed, there could then have been no necessity for taking into consi- deration the situation and extent of the resonance, the nature of the cough, the respiration, &c, in order to discriminate between the two sounds. It seems, therefore, that Laennec points out no distinctive sign between the voice, which he calls pectoriloquy, and that known as bronchophony; that the same voice is at one time called by him pecto- and bronchophony. 93 riloquy, and at another bronchophony, according as it is heard in different situations, and over dif- ferent extents of surface, and is accompanied by particular signs, derivable from the respiration, the rales, and the disturbance of the general functions. But surely when a voice, heard in different situa- tions, is everywhere identically the same, it ought to have but one name applied to it. The real question at issue is this,—how are we to ascertain, from the nature of the voice, whether the resonance heard proceeds from a cavity, or from a bronchial tube ? It is not answered, simply by calling the resonance of the voice in cavities pectoriloquy, and that in the bronchial tubes bron- chophony, without pointing out any essential dif- ference between the two. Neither have Laennec's followers, nor other phy- sicians who have attempted the task, been more successful than himself in defining the distinction. On the contrary, most writers adduce cases in which Laennec's pectoriloquy had been heard, and yet no pulmonary cavities existed. This division of the voice into pectoriloquy, and bronchophony, how- ever, holds its ground in France, where pectorilo- quy is still considered as characteristic of the pre- sence of a cavity. We are not able to decide with certainty by ex- periments on the dead body, whether the voice re- sounds in cavities, after the same manner as in bronchial tubes; but the reverse of this seems very improbable. We hear the voice along the course of a canal perforated in a liver,—as described above— 94 laennec's ^gophony. just the same as we do in the experiments with the heart,and consequently as the resonance in a cavity. If we call to mind the conditions described above as necessary for the production of the increased thoracic voice, we shall find that there is no definite sign, adapted to each particular case, which will enable us to distinguish between the resonance of the voice in cavities, and in bronchial tubes. If the size of the air-containing space were alone to be taken into consideration, a distinction might per- haps be observed; but we have shown that the force of the consonating voice is determined by the size of the air-containing space, its form, the nature of its walls, and its mode of communication with the air in the larynx; moreover, we have seen that the consonating voice is modified, by the distance of its point of origin from the thoracic walls, and by the nature of the medium through which it passes, whether lung-parenchyma, or some abnormal body. For these reasons, I consider it certain that the perfect or imperfect passage of the voice through the stethoscope, does not enable us to decide upon the presence or absence of a cavity in the lungs; and, consequently, that attempts to draw a distinction between pectoriloquy and bronchophony are use- less, and can only be productive of error. laennec's ^gophony. Physicians have paid even more attention to the subject of aegophony, than to that of pectoriloquy and bronchophony. "Simple aegophony," says Laennec, "consists of a particular resonance of the voice, accompanying laennec's aegophony. 95 or following the articulation of words. A voice, sharper and harsher than that of the patient, seems to vibrate on the surface of the lungs, resembling its echo, rather than the voice itself; it seldom passes into the stethoscope, and very rarely tra- verses it completely. It possesses one constant cha- racter, from which I have named it, that of trem- bling and hesitating, like the bleating of a goat; in its timbre, also, according to the description we have given, it resembles the voice of that animal. "iEgophony, heard in the neighbourhood of a large bronchial tube, and in particular about the roots of the lungs, is often found mixed up with a more or less well-marked bronchophony. "The combination of these two phenomena pre- sents numerous varieties of sound of which we may form a tolerably correct idea, by calling to mind the effects produced: by the transmission of the voice through a metallic speaking-trumpet, or a split reed; by a counter placed between the teeth and lips of a person while speaking; and by the nasal quivering of the voice of showmen imitating punchi- nello. "The last comparison is often very perfect, par- ticularly in persons possessing a deep voice. We frequently find that simple aegophony is present about the lower part of the external border of the scapula, in persons who present a combination of the two phenomena at the root of the lung. " The bleating which constitutes aegophony, seems chiefly to belong to the articulation of the words, although the oral voice of the patient in no degree partakes of it; sometimes, however, it is quite dis- 96 laennec's aegophony. tinct, and we hear both the resonant voice and the bleating silvery echo separately, though at the same instant; so that the last would appear to arise at a point either further from, or nearer to, the ear of the observer, than the resonant voice. At times, when the patient speaks slowly, and in broken words, the bleating is heard immediately after the voice, and not with it, so as to appear like an im- perfect echo at the end of the words. These two last varieties of the phenomenon in question, ap- pear to me to occur only when the effusion is not very considerable. " To hear the bleating distinctly, the stethoscope should be firmly applied to the thorax, and the ear laid lightly upon it; if the latter be pressed hard upon the instrument, the bleating will be much di- minished in force, and the voice take more of the character of bronchophony. ^ "^Egophonyis not confined to a distinct spot, like pectoriloquy, but is spread over a considerable extent of surface; it may generally be recognised at the same moment over the whole space between the inner border of the scapula and the vertebral column, around the lower angle of the scapula, and through a zone from one to three fingers broad, extending along the ribs, from the middle of the scapula towards the nipple. "In a few rare cases of pleurisy, I have, in the first period of the disease, heard aegophony over the whole of the affected side; and in two of them I ascertained after death that the phenomenon was caused by partial adhesions of the lung to the cos- tal pleura, preventing the lung from being pushed laennec's ^gophony. 97 back towards the mediastinum, and thus causing it to be everywhere surrounded by a thin layer of serum. " Moreover, a harsh, somewhat bleating, or reedy bronchophony (a timbre file) is not sufficient to cha- racterize the combination of aegophony with bron- chophony, since, as we have said, aegophony is not to be considered as a distinct and certain sign, ex- cept when it reveals itself as a bleating, weak, and silvery resonance, situated at the surface of the lung." iEgophony, according to Laennec, exists only when fluid is present in the thorax, being gene- rally observed in cases of pleurisy andhydrothorax, where the quantity of fluid in the pleura is small. He has himself noticed aegophony in cases where the pleura did not contain more than three or four ounces of fluid; and he found that the sound always disappeared when the effusion became considerable, and especially if sufficiently abundant to cause en- largement of the thorax. According to Laennec's views, aegophony is the natural resonance of the voice in the branches of the bronchial tubes, which are compressed and flat- tened by fluid in the pleura: the resonance tra- versing a thin tremulous layer of fluid, and be- coming audible in consequence of the lung-paren- chyma being compressed and denser than natural, and thus made a better conductor of sound. In support of his opinion, Laennec offers the fol- lowing considerations:— " iEgophony is most constantly heard in those 9 98 LAENNEC'S jEGOPHONY. parts,—viz. the neighbourhood of the lower angle of the scapula, and the space between the inner border of the scapula and the vertebral column, where the bronchial tubes are largest and most nu- merous, and where the layer of fluid effused into the pleura is thinnest when the patient is in the sitting or recumbent position. " If the patient be placed upon his abdomen, or lie upon the opposite side to that in which the effu- sion is present, the aegophony is no longer heard in its ordinary situation, but becomes more distinct in some other part; it ceases to be heard altogether, if the effusion be so considerable as to compress the bronchial tubes as well as the pulmonary tissue. But it reappears as the effusion diminishes, in con- sequence of the bronchial tubes, through their greater elasticity, regaining their normal state sooner than the lung-parenchyma." Laennec endeavoured to show, by direct experi- ment, the influence which the intervention of fluid has in the production of the bleating sound which is characteristic of aegophony. For this purpose, he placed a bladder, half filled with water, on the interscapular region of a young man, in whom there naturally existed at this part a very clear broncho- phony. The voice passing through this fluid, ap- peared to him, and to several other persons who assisted at the experiment, to be rendered sharper, and somewhat tremulous, though not as distinctly so as in aegophony, produced by pleuritic effusion. A similar experiment over the larynx produced similar results. " The bassoon and oboe, it is well known, owe laennec's ^gophony. 99 their bleating tone to the thin and flattened form of their mouth-piece, which yields to the slightest pressure of the lips, and is made to vibrate by the passage of the breath. Now, when the lung is forced back towards the vertebral column by pleu- ritic effusion, the bronchial tubes must become com- pressed and flattened, somewhat after the manner of the mouth-piece of these instruments; and thus the bronchial system of tubes becomes a kind of wind instrument, which terminates in a number of mouth-pieces, and in which the voice is resonant and tremulous. The lung-parenchyma being com- pressed and condensed, and thereby rendered abet- ter conductor of sound, and the intervening fluid (a still better conductor,) both assist in causing the voice to reach the ear. " But the flattening of the bronchial tubes cannot be looked upon as the sole cause of aegophony. The extent of surface over which it is heard, and the zone of surface along which it courses, as we follow it from the under part of the scapula towards the mam- ma, seems to me to prove, that a thin layer of fluid, which is made to vibrate by the voice, assists much, if it be not absolutely indispensable, in the produc- tion of aegophony; and we may remark, moreover, that if simple compression of the bronchial tubes sufficed to produce aegophony, it would be constantly present in cases of contraction of the thorax, con- sequent upon the absorption of extensive pleuritic effusions. iEgophony, according to Laennec, is not produced by solid exudations in the pleura, by pneumonia, by tubercular infiltrations, or by pulmonary cavities. 100 laennec's ^egophony. A combination of aegophony with bronchophony, necessarily occurs in pleuro-pneumonia, one of the sounds in turn predominating over the other. Pec- toriloquy may assume the tremulous character of aegophony, but it is only in very rare cases that it does so—in those, for example, where the cavity has a flattened form and its walls a certain degree of solidity. Lastly, aegophony, bronchophony, and pectoriloquy, may all be present together in pleuro- pneumonia, associated with abscess of the lung. According to the preceding account, Laennec's simple aegophony is a sound of so peculiar a charac- ter, as to be always readily distinguishable from bronchophony and pectoriloquy. But, on the other hand, the modification of the voice described by him as arising out of the combination of aegophony with bronchophony, can in no way be distinguished from what he considered as simple bronchophony, having somewhat of a bleating character. How, for example, are we to distinguish the sharp, some- what bleating, and reedy bronchophony—a timbre file—(which does not represent any combination of aegophony with bronchophony) from the resonance of the voice, as heard in a metallic speaking-trum- pet or in a split reed, or from the voice of punchi- nello, which last modifications of it are represented as illustrating the combinations of bronchophony with aegophony. Whether the union of bronchophony with sego- phony has really the signification ascribed to it°by Laennec, whether, indeed, it be a sign of pleuro- pneumonia, but not heard in pneumonia unaccom- LAENNEC'S iEGOPHONY. 101 panied by pleuritic effusion, are questions which Laennec himself seems to have answered in the negative; otherwise there could have been no neces- sity for admitting the existence of a variety of bron- chophony, possessed of a bleating character, yet not segophonic. If, in accordance with Laennec's views, we admit that a combination of bronchophony with aegophony may exist without pleuritic effusion, it docs not seem very improbable that simple aegophony may also exist without it. It is remarkable that, while Laennec was teaching that aegophony could not exist without the presence of fluid in the pleura, many of his most distinguished followers should assert that they had observed the phenomenon in simple pneumonia. This, Laennec always attributed to their confounding aegophony with bronchophony. But what Laennec calls simple aegophony, cannot be readily confounded with simple bronchophony; and in every case in which the mistake is supposed to have occurred, there must at all events have been a combination of aego- phony with bronchophony; from which it follows that this combination may exist independent of pleuritic effusion. But as a considerable number of cases have been observed, in which there was simple aegophony with- out pleuritic effusion, it seems improbable that any such mistake really did occur; and consequently we cannot, despite of the great authority of Laennec, consider aegophony as a certain sign of the exist- ence of pleuritic effusion. 9* 102 LAENNEC'S iEGOPHONY. Dr. C. J. B. Williams is, as far as I know, the only writer on auscultation who entirely adopts Laennec's views on aegophony. Dr. Reynaud, a pupil of Laennec, tells us that aegophony may be converted into bronchophony, when the patient, in whom it is heard in the erect position between the scapulae, is made to lie upon his abdomen, or incline well forwards. The bron- chophony thus produced is weak when the lung is healthy, but loud when it is hepatized. In the latter case, the moment the aegophony ceases, bronchial breathing and crepitating rales appear. From this Dr. Reynaud concludes, that aegophony is merely a remote bronchophony, that is, bronchophony heard through a layer of fluid more or less thick. This theory has been favourably received in France, and Meriadec Laennec remarks, that Rey- naud's experiments give us a sure means of inva- riably distinguishing aegophony proper from bron- chophony, or rather, of distinguishing pleuritic effu- sion, either in a healthy or a hepatized condition of the lungs, from hepatization of the lungs with- out pleuritic effusion. I have already spoken of Laennec's aegophony, under the name of the tremulous voice, in the chap- ter on the timbre of the consonating voice. I must here repeat, that I have myself met with the simple aegophony of Laennec, both when fluid existed in the pleura, and when no trace of it could be found there; also in pneumonia and in tubercular infiltra- tions, with or without cavities; I have also fre- quently found fluid in the pleura, when the con- sonating thoracic voice had presented neither a tre- LAENNEC'S AEGOPHONY. 103 mulous nor a bleating character; and I have ob- served that in pleuritic effusions, as well as in pneu- monia without such effusion, single words or sylla- bles offered the tremulous bleating character of the voice, whilst other words were entirely free from it. When a bladder filled with water is placed over the larynx of a person speaking, the voice sounds just the same as through a piece of liver of the same thickness as the depth of water in the bladder. If the experiments which have been already frequently referred to—as performed with portions of intestine filled with air, or with a perforated liver placed under water—are repeated, it will be found that the consonating voice in the intestine is not heard either bleating or tremulous through the water. I have frequently noticed the tremulous sound accidentally produced in experiments with livers, etc., both in and out of water, but I have never been able to produce it arbitrarily. I cannot therefore, in accordance with my own experience, admit Laennec's aegophony to be a sign characteristic of pleuritic effusion; indeed this sound has been heard, both by myself and others, over the interscapular region in women and chil- dren, whose lungs were perfectly healthy. If it be true that aegophony may exist indepen- dently of pleuritic effusion, it naturally follows that Laennec's idea of the sound being occasioned by the vibrations of a thin layer of fluid, cannot at all events be true in every case. Without pretending to call in question the cor- rectness of Dr. Reynaud's statements respecting the 104 LAENNEC'S 2EGOPHONY. conversion of aegophony into bronchophony by change of the patient's position, I would wish to make the following remarks thereon: Dr. Reynaud supposes that, when the patient is in an upright position, the compressed or hepatized lung is sepa- rated from the posterior walls of the thorax by a layer of fluid; but that if the patient be made to lie upon his abdomen, or lean well forward, the lung approaches the posterior walls, and the fluid gravitates towards the fore part of the thorax. Now, it is well known that hepatized or compressed lung has a greater specific gravity than pleuritic fluids; but, according to Reynaud's views, the lung must rise in the fluid, if it approach the back of the thorax when the patient lies upon his abdomen. My own belief is, that the compressed or hepatized lung of the patient lying on his back, has a decided tendency to gravitate towards the posterior part of the thorax, and that it would slightly recede from that position if he assumed an upright posture, and still more so, if he leaned forward or lay upon his abdomen. I have frequently repeated Reynaud's ex- periments, but have never obtained similar results. It has occurred to me, that his observations must have been made upon patients in whom the pleu- ritic fluid existed in a sacculated form, and conse- quently was incapable of change of position. Pa- tients suffering from pleuritic effusions not of a sac- culated kind, could not endure, for more than a few seconds, the position of body necessary for carrying out Dr. Reynaud's experiments,-that is, if the effusion were present in quantity sufficient to pro- duce increased thoracic voice. laennec's jcgophony. 105 1 do not believe that flattening of the bronchial tubes has anything to do with the production of the tremulous resonance, as Laennec supposed. My own opinion is, that a tremulous sound can only be produced by the impact of one solid body upon an- other, or upon some fluid or aeriform body, and that mere vibrations of the air cannot give rise to it. Musical instruments, the tones of which have a tremulous character, are either tongued instru- ments, in which the tongue as it is called imparts impulses to the air, or instruments in which the tongue is replaced by some other contrivance. If a disk of wood, metal, or ivory, be so placed in the mouth as to lie between the lips and the teeth, and to obstruct the passage of the air out of the mouth, it will be found that every sound excited in the larynx takes a bleating character, of uniform pitch, caused by the impact of the disk on the teeth, and bearing a most perfect resemblance to Laen- nec's aegophony. To the same cause, namely, im- pact of one solid body upon another, we must at- tribute the tremulous sound produced by speaking upon paper placed over the teeth of a comb. If a person speaks into the hollow end of a ste- thoscope, taking care that his lips completely close the opening, but at the same time rest lightly upon it, it will be found that nearly every tone which is- sues from his larynx is accompanied by a tremulous sound, of uniform pitch, which arises either between the lips, or between the lips and the stethoscope. A consideration of all these circumstances, leads me to the conclusion that Laennec's aegophony is 106 LAENNEC'S iEGOPHONY. produced by the impact of one solid body upon another, or upon a fluid or aeriform body. Such impact, however, can only occur when the voice consonates in some air-containing space within the thorax; for, as we have already shown, vibrations are not communicated from the larynx to the pa- renchyma of the lungs along the walls of the tra- chea and the bronchial tubes. It is therefore pro- bable that in most cases the walls of the bronchial tube, within which the air consonates, react by im- pact on the air contained within them, and so give rise to the tremulous sound. It is possible, how- ever, that it may be occasionally produced by a portion of mucus, etc., partially closing the mouth of the bronchial tube, imitating the thin tongue in the mouth-piece of tongued instruments. But whatever be the way in which aegophony is produced, it is certain that the presence of three or four ounces of fluid in the pleura alone can never produce it. Provided aegophony does not exist in the normal state of the thoracic organs—and we have seen that it does so occasionally, in women and thin children —it will not be produced, unless the fluid in the pleura be sufficient to completely deprive of its air by compression a portion of lung, large enough to contain a cartilaginous bronchial tube. Dr. Raciborsky gives the following explanation of aegophony:—" If the quantity of pleuritic effusion be not sufficient fully to compress the layers of air- cells, but only to force the pleura inwards upon them, so as to cause the pleura and compressed air-cells to laennec's .egophony. 107 form, as it were, a more or less tense membrane about the extremities of the air-passages, a very peculiar character will be given to the resonance of the voice: it becomes broken and quivering, like the voice of punchinello, or like the notes of a reed-pipe. It has been compared to the bleating of a goat, and in consequence received the name of aegophony." • I am convinced that aegophony cannot arise in this way, because increased strength and clearness of the thoracic voice is only possible, when a consi- derable portion of lung is entirely deprived of air* and, moreover, I consider the idea of the pleura being pressed inwards on the air-cells, and rendered tense by a small quantity of fluid, to be erroneous. The lung-cells do not resist compression; they are expanded by the pressure of the atmosphere as the thorax dilates, and they likewise contract, whenever pressed upon by any body occupying the cavity of the thorax. The more the lung is distended, the more will the pulmonary pleura be stretched, and consequently pressed inwards on the walls of the air-cells. When the air-cells are diminished in size, the pleura falls into folds; and we cannot rightly speak of its exerting any strong pressure against the lung-substance, until the whole of the air is forced out of the air-cells.1 1 Fournet, Recherches Cliniques sur VAuscultation, says:— " Dependant l'egophonie existe, on ne saurait en douter; et dans un certain nombre de cas, ce caractere coincide avec un epan- chement pleurgtique, et sert a le faire reconnaitre. Mais on pent e-tablir en principe gene-rale, qu'elle ne peut donner au diagnostic un caractere de certitude, qu'autant qu'elle est borate 108 DIVISION OF THE THORACIC VOICE. THE AUTHOR'S DIVISION OF THE THORACIC VOICE. I believe I have shown that Laennec's pectoriloquy and bronchophony represent one and the same phe- nomenon; and that his aegophony is a sound which a l'un des cotes de la poitrine; qu'elle est bien nettement carac- terisi-e; qu'elle ne coincide point avec le caractere cheVrotant de la voix ausculte'e a distance; qu'elle n'est point sujette, dans ses dcgres, aux nemes variations que le malade peut im- printer a, savoix: qu'elle suit les displacements que le liquide peut e"prouver dans les changements de position, auxquels on soumet le malade. Ce dernier caractere est le meilleur dont on puisse se servir, pour distinguer la bronchophonie d'avec l'egophonie; en effet le siege de la bronchophonie reste meme quelles que soient les attitudes diverses que prenne le malade. Enfin l'dgophonie n'a de veritable valeur comme signe d'epanche- ment pleur^tique, qu'autant qu'elle coincide avec d'autres phe- nomena, soit locaux, soit ge'ne'raux, qui de leur cot6 autorisent la pens6e d'un <5panchement dans la plevre." In the Ejcaminateur Medicate, 15th September, 1842, there is an essay by Roger, in which mention is made of my Treatise on Auscultation and Percussion. After describing my views con- cerning the cause of the increased thoracic voice, he goes on to say:—"Le docteur Skoda n'adment que deux modifications de la resonnance de la voix, ce sont la bronchophonie, qui est forte ou faible, et un bourdonnement indistinct, qui n'a pas pour le diagnostic de valeur precise. II ne voit pas la n<5cessite' d'ad- mettre, ni la pectoriloquie, ni l'egophonie de Laennec; ou du moins, si elles existent, comme varie'te's de la bronchophonie, elles ne lui semblent pas meriter une denomination spdciale. Cette reTorme est certainement commode, en ce qu'elle simpli- fierait l'Stude de l'auscultation; mais elle prive le diagnostic de ressources pr^cieuses, et si, en effet, il est de cas nombreux de cavemes pulmonaires, et d'epanchements pleure"tiques oh man- quent la voix caverneuse, et l'egophonie; si, d'autre part, cer- taines modifications, meme normales de la voix, peuvent parfois simuler ces deux varices du retentissement vocal, dans d'autres LOUD BRONCHOPHONY. 109 is occasionally heard accompanying the consonating voice, and which has no necessary connexion with the presence of fluid in the pleura, nor, as a sign, any especial value. I distinguish the following modifications of the thoracic voice:— 1. The voice accompanied by a concussion in the ear, completely traverses the stethoscope—loud bronchophony, which may be either clear or dull. 2. The voice unaccompanied by concussion in the ear, passes incompletely through the stethoscope— weak bronchophony. 3. An indistinct humming (Summen,) with or without a barely appreciable concussion in the ear. 4. Amphoric resonance, and the metallic echo of the voice. Of these, I shall speak apart hereafter. LOUD BRONCHOPHONY. Loud Clear Bronchophony.—In this case, the thoracic voice may be either as loud as, or louder, or somewhat weaker, than the laryngeal voice; the articulation being at the same time distinguishable. It indicates the presence of a considerable amount circonstances, les phenomenes morbides sont si tranche's, qu'ils ont une valeur s6m6iotique tres-grande, surtout si on fait atten- tion a la region du thorax ou ils sont produits: une egophonie marquee est un signe a peu pres certain d'epanchement pleure- tique, de meme que la voix caverneuse, percue au sommet de la poitrine, annonce neuf fois sur dix une excavation tuberculeuse, et la variete que nous avons appeiee voix caverneuse eteinte (v. Barth. et Roger, loc. cit. p. 185) est une signe presque infaillible de caverne tuberculeuse." These arguments seem to me to be rather in favour of, than opposed to, my views on pectoriloquy and aegophony. 10 110 LOUD BRONCHOPHONY. of consolidated lung-substance beneath the part of the thoracic walls where it is heard. The consoli- dated lung may be either immediately in contact with the walls, or separated from them by a layer of lung-tissue containing air, or by solid or fluid pleuritic exudations, provided such intervening media are of no considerable thickness. Mere fluid in the thorax does not produce loud clear broncho- phony, except in the upper half of the interscapular region. When loud clear bronchophony is heard over other parts of the thorax, we may infer the existence of one of the following abnormal states:—advanced pneumonia or pleuro-pneumonia; hepatization, with or without moderate pleuritic effusion; tubercular infiltration; pulmonary apoplexy of considerable extent; thickening of the bronchial tubes, with com- plete atrophy of the lung-tissue; or a high degree of pulmonary oedema, with co-existing pleuritic ef- fusion, by which the cedeinatous lung has been com- pletely deprived of its air. Of these different mor- bid conditions, hepatization and tubercular infiltra- tion of the lungs are those which most frequently produce loud clear bronchophony; pulmonary apo- plexy is rarely sufficiently extensive to produce it. Thickening of the bronchial tubes, with atro- phy of the lung-tissue, is a somewhat more frequent cause, but still a rare one in comparison with pneu- monia and tubercular infiltration. In cases of pulmonary oedema, when the whole of the air is forced out of considerable portions of the lung by co-existing pleuritic effusions, or by any WEAK BRONCHOPHONY. Ill other cause, we hear weak, not loud, broncho- phony. The mere existence of loud clear bronchophony does not enable us to decide, whether or not cavities or enlarged bronchial tubes are present in a lung which is hepatized, or which has become indurated consequent to hepatization, or which is infiltrated with tubercular matter. But, as we know that ab- scesses are very rare in pneumonia, and, on the other hand, that vomicae are rarely absent in tuber- cular infiltrations, we shall not often err if, in tu- bercular diseases, we prognosticate the presence of cavities at those parts where the voice is heard loudest; and never infer the existence of an abscess in pneumonia from the thoracic voice, however loud it may be heard. Loud Dull Bronchophony.—The voice produces a concussion in the ear, but the articulation, and con- sequently the words spoken, are not recognisable. Loud dull bronchophony is occasionally met with between the upper halves of the scapulae of old per- sons, in the normal condition of their lungs, but in no other region. When heard over any other part of the thorax, it has the same signification as loud clear bronchophony. WEAK BRONCHOPHONY. The term weak bronchophony is not used to de- signate mere humming, but a clear and audible voice, which produces little or no concussion in the ear; the articulation of the words uttered being generally distinctly heard. Weak bronchophony indicates the presence of extensive pleuritic effu- 112 WEAK BRONCHOPHONY. sion and hydrothorax, in addition to the diseased conditions referred to under loud bronchophony. Assisted by the percussion signs, we can some- times determine upon which of these two causes bronchophony depends; if it depend upon pleuritic effusion, we find complete dulness of percussion over at least the half of one lobe of a lung, for it is necessary that the fluid should be present in such quantity, as to deprive a portion of lung, large enough to contain a cartilaginous bronchial tube, of air by compression. But if we find, at the part where the weak bronchophony is heard, that the percussion-sound is not completely dull, or not dull over so large a surface as just referred to, we may safely conclude that the bronchophony is not caused solely by fluid in the pleura, but in part by con- solidated lung-parenchyma. If, together with weak bronchophony, there is a completely dull percussion-sound over a still larger extent of surface, we cannot determine, without the aid of other signs, whether the bronchophony is a consequence of pleuritic effusion, or of hepatization of the lung. It has been said, that the doubt can be removed by changing the position of the patient. I have frequently examined patients, suffering both from acute and chronic effusions, in different posi- tions, but have never observed any sign which could serve to solve the question. When I am unable, either by percussion or by the character of the thoracic voice, to decide whether the phenomenon observed proceeds from pleuritic ef- fusion or hepatization of the lung, I (if possible) WEAK BRONCHOPHONY. 113 call to aid other auscultatory signs that may be at my command, and, in particular, endeavour to ascertain the position of the neighbouring organs. If, for example, the effusion is considerable (which it must necessarily be if the dulness of the percussion-sound be extensive,) the neighbouring organs are pressed out of their natural position; but when the lung is hepatized, or infiltrated with tubercular matter—without pleuritic effusion — they almost invariably retain their normal position. If the impulse of the heart is felt at the scrobiculus cordis, and the percussion sound is completely dull over the region of the heart and the left side, we may be sure that a considerable amount of fluid is present in the left pleura. Loud as well as weak bronchophony passes imper- ceptibly into indistinct humming, which is either accompanied or not with concussion in the ear; no distinct line of demarkation can be drawn between these three degrees of the resonant voice; the ex- treme varieties are readily recognised, but the in- termediate pass imperceptibly one into the other. No conclusion can therefore be drawn from the resonance of the voice alone, except when it pre- sents itself as undoubted bronchophony. If the voice be not sufficiently loud or clear to allow of positive conclusions, we may yet obtain some tole- rably safe results, by comparing it at different parts of the thorax, especially at corresponding parts of the two sides. But it is always well to take into consideration every sign which auscultation and 10* 114 WEAK BRONCHOPHONY. percussion can afford us, before we come to any de- cided conclusion. This precaution is particularly necessary in the investigation of the interscapular and subclavicu- lar regions. We are not able to draw any conclusions from bronchophony, when heard in the interscapular re- gion, as it is often observed there in the normal condition of the respiratory organs. In the healthy state of the lungs, the thoracic voice is nowhere heard so loud and clear as over the larynx; such strength and clearness, therefore, of the consonating voice, even though heard in the interscapular re- gion, indicates the presence of a hepatized lung, or extensive pleuritic effusion. If we hear the tho- racic voice as a clear whispering, i. e. as an articu- lated expiratory murmur, we may be certain that there exists some diseased condition of the respi- ratory organs.1 The other varieties of weak bronchophony heard in the interscapular and subclavicular regions, of themselves yield no results. A comparison of the sounds heard at corresponding parts of the two sides of the thorax must be made, and every other sign which percussion and auscultation can afford, called in to aid the diagnosis. 1 Laennec considered the clear whispering as a variety of bron- chophony, and Barth and Roger looked upon it in the same light- and so also did Fournet. The clear whispering, unaccompanied by amphoric resonance or metallic tinkling, is as little a sign of the existence of a cavity, as any other vocal sound. It has the same signification as weak bronchophony. I have no doubt that every one will recognise in the clear whispering, the phe- nomenon described by Fournet, vol. i., p. 159. RESPIEATORY MURMURS. 115 INDISTINCT HUMMING, WITH OR WITHOUT A BARELY PERCEPTIBLE CONCUSSION IN THE EAR. No distinct signification can be attached to the presence of this humming, nor to a complete absence of all resonance. Such humming is observed, not only in the normal state of the lungs, but may be met with in any of their diseased conditions; and the reason of this is, that bronchophony does not depend upon one, but upon many different states of the lungs. A lung may be extensively hepatized, without producing bronchophony, in consequence of the bronchial tubes of the hepatized part being filled with mucus, and not containing air.1 II. MURMURS CAUSED BY THE MOTION OP THE AIR DURING RESPIRATION. These may be generally classed under the head of respiratory murmurs, of rales, and of whistling (Pfeifen,) and sonorous sounds (Schnurren.) The pure respiratory murmur is heard when the air, in its passage through the lungs, meets with no ob- struction, either from the presence of fluids in the bronchial tubes, or from any peculiarity of their construction. The rales, and whistling, and sono- rous sounds, are caused by the presence of fluid in i Dr. Hourmann states that if the auscultator himself speak while examining a patient, he will hear pectoriloquy over cavi- ties; bronchophony in hepatization of the lungs; and aegophony in pleuritic effusion. The experiment may be readily repeated. It will be found that bronchophony is invariably heard, whether the lung be healthy or diseased. So-called autophony is, there- fore, valueless as a sign of disease. 116 RESPIRATORY MURMURS. the air-passages, by thickening of the bronchial mucous membrane, and by any partial narrowing or compression of the bronchial tubes. The Respiratory Murmur.—We know that the air produces a murmur in the mouth and nose during respiration; by placing the stethoscope over the larynx and trachea we shall also hear murmurs ac- companying the respiratory movements; we are therefore fully justified in concluding that murmurs also take place during respiration throughout the whole extent of the air-passages of the lungs. The murmur most readily heard over the thorax, would naturally be that which arises from the parts of the lung immediately beneath the surface; and as only the air-cells and finer bronchial tubes exist near the surface of the lung, it would follow that the mur- mur heard arises from those parts in particular. But every murmur is propagated to a distance, in proportion to its intensity; and, consequently, those murmurs also which originate in the remoter—the central—parts of the lung, in the large bronchial tubes, and even in the trachea and larynx, may be heard over every part of the thorax, in addition to the murmur of the air-cells and finer bronchial tubes. Now if these facts be correct, the respiratory murmur as heard at any particular part of the thorax will not enable us to judge of the condition of the lung beneath it, unless we have some .means of dis- tinguishing between a near and a remote murmur— between that of the air-cells, and of the larger bron- chial tubes, of the trachea, and of the larynx. This RESPIRATORY MURMURS. 117 at first sight does not appear very difficult, for we are well accustomed to judge of the distance of sounds. Our judgment may, indeed, be tolerably correct so long as the sounds pass through no other medium than the air, and their direction is not dis- turbed; but by auscultation it is far from easy to determine the distance and source of a sound. By experience we obtain positive proof that a re- mote respiratory murmur can be heard over any part of the thorax;1 thus, for example, we frequently re- mark a very loud respiratory murmur at parts of the thorax, beneath which there is a considerable portion of hepatized lung, that is, lung into which no air can enter. Here, then, the question meets us, How are we to distinguish between a near and a remote re- spiratory murmur—between the murmur of the air- cells and finer bronchial tubes, and the murmur of the large bronchial tubes, of the trachea, and of the larynx? To answer this question it is necessary first to isolate these sounds, analyze them apart, and fix the distinctive characters which belong to each in- dividually; secondly, to ascertain the alterations which they undergo by propagation to a distance; and thirdly, to point out those cases in which the laryngeal, the tracheal, or the bronchial murmurs, 1 There is no doubt about the fact, although Dr. Phillip asserts the contrary. Fournet, in the first volume of his work, p. 359, points out the changes which the respiratory murmurs undergo, when heard at a distance from their point of origin. 118 RESPIRATORY MURMURS. become consonant in the bronchial tubes, or in ca- vities; and moreover to show how the non-conso- nating tracheal murmurs, etc., may be distinguished from the consonating. The respiratory murmur of the larynx and trachea may during life be heard isolated; and we may also isolate the murmur proper to a bronchus, by sepa- rating the tube from the trachea and the lungs, and then forcing a stream of air through it. The re- spiratory murmur of the air-cells and finer bronchial tubes cannot be imitated in the dead body, in con- sequence of fluid being constantly present in the air passages after death, so that rales are produced whenever air is forced into them: the only way by which we can obtain a knowledge of the nature of this murmur is by a comparison of it as heard in different individuals. Now we know that, as a rule, the respiratory mur- mur in children is much more distinct and loud than in grown-up people, though there appears no differ- ence in the intensity of their laryngeal murmur. There are also many circumstances which may in- crease the respiratory murmur in grown-up persons, and render it puerile, the laryngeal murmur remain- ing unaltered. We may therefore conclude that the murmur as heard in infants, presents us with the most perfect characters proper to the respiratory murmur of the air-cells and finer bronchial tubes. The next question is, What signs have we by which to distinguish between the respiratory mur- murs of the larynx, the trachea, the large bronchi, the air-cells, and the finer bronchial tubes? RESPIRATORY MURMURS. 119 Determination of the Differences in the Respira- tory Murmurs.—The different respiratory murmurs may be imitated, either by drawing air into, or forcing it out of the mouth. In attempting to imi- tate them, it will be found that we always place the lips and tongue in the position which is re- quisite for the conversion of an unarticulated into an articulated laryngeal sound; in short, that every murmur is produced by the union of a consonant and a vowel, the sound not being formed in the larynx, but in the mouth alone. That position of the mouth which is necessary for the pronunciation of any particular consonant and vowel, always-gives rise to the same murmur. Hence we can distinguish sufficiently well between the different respiratory murmurs, inasmuch as they are capable of being imitated by the mouth, and as the position of the lips and the tongue requisite for the production of any .murmur, can be determined by the pronuncia- tion of a consonant and a vowel.1 The alterations which take place in the murmurs, through change of the vowels, are analogous to those which take place in the pitch of the laryngeal sounds, 1 I am well aware, that no one can obtain a just idea of aus- cultation, without practising it; but he who will give himself the trouble to analyze the sounds separately, will fix them with greater facility in his memory, and attain to a nearer knowledge of their peculiarities. The respiratory murmurs are capable of very close imitation by the mouth; and the student, by frequently attempting to imi- tate them, will soon be convinced of the correctness of the above statement; and he will also find, that a clear idea of the dis- tinctions drawn by me is far from useless. 120 RESPIRATORY MURMURS. particularly of the musical sounds. I shall not, there- fore, trouble myself by speaking of the pitch of the different murmurs, but shall consider this deter- mined by the vowel which is requisite for the pro- duction of the murmur. The letter e produces the highest pitch in a murmur, the letter u the lowest. Character of the respiratory murmurs of the la- rynx, the trachea, and the large bronchi.—In attempt- ing to imitate these murmurs, we find that in each case we retain the same consonant, and that what- ever difference arises, depends upon a change of the vowel employed. The consonant which answers to these murmurs is ch guttural, or it falls between h and ch. The laryngeal, tracheal, and bronchial murmurs, may be imitated by forcing air against the hard palate; this is done involuntarily in hard breathing. The pitch of the murmur depends upon the width of the opening through which the air passes, that is, the ch appears in combination with different vowels. As a rule, the laryngeal murmur is higher than the respiratory murmur of the lungs. Character of the respiratory murmur of the air- cells and finer bronchial tubes.—This murmur may be imitated by narrowing the opening of the mouth, and then drawing in the air. The consonant of this murmur is v or 6. This character, however, refers only to the murmur of inspiration; that of expira- tion in the normal state of the respiratory organs, causes little or no sound in the air-cells and finer bronchial tubes; whatever sound is heard differs from the murmur of inspiration, and resembles RESPIRATORY MURMURS. 121 rather a gentle aspiration (Hauchen) or blowing (Blasen.) It can only be imitated by the mouth during expiration; the consonant which represents it falls between f and h. Changes which the respiratory murmurs undergo when propagated to a distance.—The respiratory murmurs present the above characters only when they are heard near their origin; at a distance from it, their proper characters may be lost, even though the murmur itself be of considerable strength. All murmurs and sounds lose more or less of their es- sential character by propagation to a distance. The rolling of a carriage is readily distinguished from the clatter of a mill, and the roaring of a waterfall from the howling of a storm, when the sounds are produced in our immediate neighbourhood; but when they reach us from a distance, their character becomes so similar, that we can no longer ascribe its particular cause to any of them. The nature of the laryngeal respiratory murmur, as heard over the thorax through the healthy paren- chyma of the lungs, may be ascertained in the fol- lowing manner:—A healthy person being made to hold his breath, the observer auscultates his thorax, whilst an assistant blows into a tube, inserted as far down as conveniently may be the throat of the per- son auscultated, thus exciting a loud murmur there. The murmur thus caused by the air driven through the tube resembles the laryngeal respiratory mur- mur; and in consequence of its loudness and prox- imity to the larynx, traverses the parenchyma of the lungs as perfectly as the natural laryngeal murmur. 11 122 RESPIRATORY MURMURS. During the experiment a murmur may be heard, especially in the interscapular region, which does not resemble the ordinary laryngeal murmur; it is deep and hard of imitation by the mouth, and there- fore its consonant is difficult to determine. The pronunciation of the consonant/during expiration gives us the best idea of it. It happens occasionally, when pleuritic effusion has so thoroughly compressed a lung as to prevent all entrance of air into it, that a respiratory mur- mur is still heard over the affected side, particu- larly in the space between the scapula and the spine, and beneath the clavicles; such murmur must of necessity have its origin in the trachea or one of the large bronchial tubes, and hence we have means of judging what changes the tracheal murmur under- goes by its passage through a considerable amount of liquid. It becomes deep, and no longer re- sembles the ordinary tracheal murmur; if any one attempt to imitate it by the mouth, he will find it best represented by the consonant f pronounced during expiration. We can judge of the character of the respiratory murmur of the air-cells and finer bronchial tubes, by auscultating over those parts of the thorax be- neath which we have ascertained by percussion that there is no lung present, but which are not so far from the lung as to prevent our hearing the murmur. In this way we shall find, that by distance the mur- mur loses its sipping character, and is converted into something between an aspiration and a blow- ing very difficult of imitation, and also best repre- RESPIRATORY MURMURS. 123 sented by the consonant/ pronounced during ex- piration. In certain perfectly healthy individuals, the in- spiratory murmur is scarcely audible, or, at all events, has not the characters which are here given as proper to it, although in these cases the air as- suredly enters into the air-cells of the lungs: it re- sembles rather a remote murmur of the air-cells or of the trachea, but has nothing of a sipping (Schlur- fen) or gasping (Keucheh) character, and cannot therefore be safely referred to either the one or the other of these sounds. Conditions under which an increase by consonance of the laryngeal, tracheal, and bronchial murmurs takes place within the lungs; and the difference be- tween the consonating and non-consonating tracheal murmurs as heard over the thorax.—If it be true, that the thoracic voice is increased by consonance in certain altered conditions of the respiratory organs, there can be no doubt that the laryngeal, tracheal, and bronchial respiratory murmurs may likewise be increased by consonance within the thorax, and be heard louder and clearer than natural over the surface of the thorax. It is evident, that the con- ditions necessary to produce consonance of the re- spiratory murmurs, are the same as those required for the voice; I shall not; therefore, repeat them here. The distinction between the consonating and the non-consonating respiratory murmurs, or murmurs merely conducted from a distance (as heard over the thorax,) becomes evident, if we consider the differ- ence between the consonating and non-consonating 124 VESICULAR RESPIRATION. voice. If the conditions necessary for consonance are present, the voice is heard as such over the thorax, otherwise it is recognised only as a hum- ming. In like manner, the consonating laryngeal murmur is heard as a laryngeal murmur over the thorax, except in cases of large excavations or of pneumothorax, where the amphoric resonance or metallic tinkling is associated with the murmur: the non-consonating laryngeal murmur has the cha- racters already described. LAENNEC'S DIVISION OF THE RESPIRATORY MURMURS. 1. Pulmonary—Vesicular—Respiratory Murmur. 2. Bronchial Respiration. 3. Cavernous Respiration. 4. Blowing Respiration, and Masked Respiration (souffle voile.) LAENNEC'S VESICULAR RESPIRATION. This he describes as a weak but very distinct murmur, audible during inspiration and expiration, indicating the entrance of air into the pulmonary tissue, and its consequent distention. The laryn- geal, the tracheal, and bronchial murmurs, he tells us, are audible only in the interscapular space and behind the sternum, and even there almost wholly masked by the vesicular murmur. He draws no distinction between the inspiratory and expiratory murmurs, and appears to set down every thoracic murmur which is not bronchial, cavernous, blowing, or amphoric, as vesicular. I believe that this view is incorrect, for the rea- VESICULAR RESPIRATION. 125 sons I have given above, and consequently that the signification attached by Laennec to his vesicular murmur, cannot be true in all cases. "When the respiration," says Laennec, "is dis- tinctly heard of pretty equal strength over every part of the thorax, we may be sure that neither pleuritic effusion nor engorgementof the pulmonary tissue has taken place; but, on the contrary, when we find the inspiration deficient at a certain part, we may safely conclude that the subjacent lung is impermeable to air; this sign is as characteristic, and as readily distinguished, as the existence or absence of the proper percussion-sound of the part (as ascertained by the method of Auenbrugger,) and supplies precisely the same indications. Absence of sound is always associated with absence of re- spiration, excepting in some few cases, in which a comparison of the results obtained by auscultation and percussion will afford signs which are perfectly pathognomonic. " Auscultation, as we shall see, has the advantage of indicating the different degrees of pulmonary congestion with greater certainty than percussion; it has the disadvantage of occupying more time, but its practice requires less care and attention than percussion; it is available in every case, and even serviceable in those which yield no results to the method of Auenbrugger." Now I am convinced, that the respiratory mur- mur may be heard of equal strength and clearness over the whole of the thorax, even when consider- able portions of the lung are distended and con- 11* 126 BRONCHIAL RESPIRATORY MURMUR. gested, and that it may be strong at one part, and weak and indistinct at another, when there exists no abnormal affection of the lungs which is appreciable. I therefore dissent from the opinion, that auscul- tation is a surer indication than percussion of the different degrees of pulmonary congestion; I hold it essential, in every case, to take into consideration the percussion signs and the general symptoms, as well as the indications obtainable by auscultation. LAENNEC'S BRONCHIAL RESPIRATORY MURMUR. By this murmur, Laennec understood the sound produced during respiration by motion of the air in the larynx, the trachea, the large bronchial tubes at the root of the lung, and in the smaller bronchial tubes. In the healthy condition of the respiratory organs, however, it is not heard in the smaller bronchial tubes, being mixed up with the vesicular murmur. Hence the bronchial murmur is audible only in the neighbourhood of the larynx, and occa- sionally over the surface of the neck; in certain (and particularly so in thin) persons, the murmur heard behind the sternum and in the interscapular region, partakes of the character of the bronchial murmur, but is hard to be distinguished, being commingled with the vesicular murmur. Should the pulmonary tissue have become hard- ened or condensed from any cause, as from pleuritic effusion, peripneumonia, or pulmonary apoplexy, and the respiratory murmur be notably diminished, or have entirely disappeared, we then often dis- tinctly hear the bronchial respiration, not only in the larger bronchial tubes, but also in the smaller BRONCHIAL RESPIRATORY MURMUR. 127 branches. This phenomenon Laennec explains in the following manner:—"The entrance of air into the air-cells is prevented by the congestion and con- densation of the pulmonary tissue, and hence bron- chial respiration alone takes place, and it is heard so much the louder and more readily, in consequence of the sound-conducting power of the tissue being increased by its condensation. The bronchial respiration in such abnormal states of the lung, is heard with most distinctness about the root and apex of the lung; and the reason of this is, that at the root the bronchial tubes are widest, and at the apex most subject to dilatation. I do not consider Laennec's opinion of the cause of the bronchial respiration correct. The bron- chial respiration is often heard remarkably loud in cases where the lung-tissue is compressed, or completely hepatized, so that no air can enter into it; but an increased current of air would of neces- sity be required to produce the bronchial murmur, if Laennec's views were correct. Now, during in- spiration, the air rushes into the lung with greater force and rapidity, the greater the power of expan- sion of that organ; and is more forcibly driven out again during expiration, the more firmly the lung contracts, or is compressed. The less any part of a lung expands during inspiration, and contracts during expiration, the less will be the current of air flowing into or out of the bronchial tubes; when the lung-tissue is completely compressed or hepatized, the current will be almost nil.f As no change of volume takes place in a hepatized lung during respiration, we can hardly speak of any cur- 128 CAVERNOUS RESPIRATION. rent of air flowing into or out of it. The slight contraction which the bronchial tubes possibly un- dergo during expiration from pressure of the tho- racic walls, and the equally slight expansion during inspiration, may certainly permit the entrance of air into them, but can cause no current capable of producing the loud bronchial murmurs frequently heard over the thorax.1 For similar reasons, I cannot adopt Andral's ex- planation of bronchial respiration. It is as fol- lows: "When there is any obstruction to the en- trance of air into the air-cells, the pressure of the air upon the bronchial tubes is increased, and, con- sequently, a louder murmur is produced within them." My belief is, that the bronchial respiration must be explained by the laws of consonance. When, for instance, the walls of any large pulmo- nary cavity, or of the bronchial tubes, which run into the parenchyma of the lungs, are solid enough to reflect sound, the respiratory murmur of the la- rynx, of the trachea, and of the two bronchi, will consonate in the air contained within them. LAENNEC'S CAVERNOUS RESPIRATION. "By the term cavernous respiration," says Laen- nec, " I understand the murmur which occurs during inspiration and expiration in a cavity formed in a pulmonary tissue, either through softening of tubercular matter, or through gangrene, or through 1 Fournet and Barth and Roger, all give the same explanation of the bronchial murmur as Laennec does; but they state, in addition, that the thickened pulmonary tissue consonates and strengthens the sound. CAYERNOUS RESPIRATION. 129 abscess consequent on pneumonia. This kind of respiratory murmur has the same character as the bronchial respiration, but the air seems to penetrate into a larger cavity than that of a bronchial tube. If any doubt as to its nature arise, it may readily be removed by observation of the resonance of the voice, and of the cough. It is not possible from such a description to draw any distinction between bronchial and cavernous breathing. Daily experience teaches us that va- rious kinds of murmurs are produced by air, when it enters into a wide and confined space ; of such, those to which Laennec gave the name of amphoric echo, and metallic tinkling, can alone be considered as characteristic of a cavity. This, however, does not appear to have been Laennec's idea, for he speaks of the amphoric echo as heard during respi- ration, and of its signification, under another head altogether. If Laennec had been able to observe any con- stant distinctive sign between cavernous and bron- chial respiration, he would doubtlessly have endea- voured to give an idea of it by comparison with some well-known murmur, and not have proposed that as a sign of cavernous breathing, which cannot possibly be a sign. The statement made by Laennec, viz., that air is heard entering into a cavity larger than that of a bronchial tube, furnishes us with no characteristic sign, for what the peculiarity of the murmur is which indicates the entrance of air into the larger space, is not defined. 130 CAVERNOUS RESPIRATION. A cavity in a lung does not always yield the same murmur: the murmur varies according to the size of the cavity, the number and diameter of the bron- chial tubes which open into it, and the condition of its walls. The murmur is also more or less dis- tinct, according as the cavity is more or less dis- tant from the walls of the thorax. Some cavities in the lungs have such firm and hardened walls, that any diminution or enlargement of them during respiration must be very slight, and in some cases impossible; consequently, no air passes into them during inspiration, nor out during expiration; yet, if they contain air, and communicate with the bron- chial tubes, a very loud murmur is generally pro- duced within them during respiration: this murmur is evidently an effect of consonance. The air in the cavity vibrates in unison with the air contained in the nearest bronchial tube which communicates with it, and in which a murmur is produced by the current of air during respiration: the murmur thus excited in a cavity by consonance is bronchial, ex- cepting when the cavity is of sufficient magnitude to give rise to amphoric echo or metallic tinkling. Some cavities, though their walls are solid, are capable of being compressed, and consequently ad- mit air during inspiration, and expel it during ex- piration. According to the laws of consonance, we ought in such cavities to hear both the respiratory murmur of the nearest or even of distant bronchial tubes, and that also which is caused by the current of air flowing into and out of the cavity, provided the change in its capacity be sufficiently great. The BLOWING RESPIRATION. 131 murmur, however, produced by consonance, is al- ways either bronchial or amphoric; and that excited by the passage of the air into and out of the cavity, must, owing to the solidity of its walls, have the same character, provided it be not accidentally converted into a hissing, whistling, or sonorous sound, in consequence of the narrowness of the mouth of the bronchial tube which opens into the cavity. Little or no consonance occurs in cavities, the walls of which are merely membranous, and imme- diately surrounded by air-containing lung-tissue ; neither are bronchial breathing, amphoric echo, nor metallic tinkling, produced within them. The air streaming in and out (provided the communication be sufficiently free) causes a feeble murmur, not re- sembling the vesicular murmur, but something be- tween an aspiration and a blowing; when the com- munication is narrow, whistling, hissing, and sono- rous sounds arise. If the cavity is large, and the opening into it narrow, and particularly if there are several such cavities, we hear, in cases of dys- pnoea, a loud hissing during inspiration, followed by one or more clicks at the end of inspiration,—a sotmd resembling that produced by suddenly stretch- ing a slip of paper, and which is known under the name of craquement, dry crepitant rale. laennec's blowing respiration (respiration sovfflante.) When the respiratory murmur produces in the ear of the observer a sensation as of air being drawn from his ear during inspiration, and blown into it during expiration, it gives us a representation of 132 BLOWING RESPIRATION. Laennec's blowing-respiration: this blowing, ac- cording to him, accompanies bronchial and cavern- ous breathing only, and occurs in those cases in which the bronchial tubes or the cavity lie very near to the thoracic walls. The vesicular respi- ration may produce a similar illusion, when the in- spiratory and expiratory murmurs are sufficiently strong. The bronchial murmur does not become blowing, unless its intensity is increased. But the intensity of the respiratory murmur does not depend solely upon the distance of the bron- chial tubes, or the cavity in which the murmur arises from the thoracic walls; it depends also upon the rapidity and extent of the respiratory move- ments, and upon the force of the consonance. The blowing bronchial respiration does not invariably in- dicate the presence of a cavity, or of a bronchial tube lying immediately subjacent to the thoracic walls. Laennec speaks of another modification of the blowing respiration, as the masked blowing (souffle voile,) in the following terms: "It seems as though every vibration of the voice, the cough, and the re- spiration, puts in motion a kind of moveable veil, placed between the cavity and the ear of the ob- server. The phenomenon is observed—1. In tuber- cular cavities, the walls of which are at some points very thin, and at the same time soft and flexible, having no attachment, or but a very slight one, to the walls of the thorax; 2. In cases where the walls of peripneumonic abscesses are in a state of unequal inflammatory induration, being still at some points in the stage of congestion; 3. The phenomenon is BLOWING RESPIRATION. 133 still more frequently observed in cases where bron- chophony, produced by pneumonia in some of the large bronchial trunks, is present, the affected bron- chus being in some parts of its course surrounded by healthy pulmonary tissue, or tissue but slightly congested, which is placed between the bronchus and the ear of the observer; 4. Dilatation of the bron- chial tubes and pleurisy are sometimes attended by the same phenomenon, under analogous circum- stances,—that is, when the oavity in which the re- sonance of the respiration, of the voice, or of the cough takes place, has its walls much less dense in some parts than in others. "This phenomenon must not be confounded with the large bubbling mucous rale which sometimes attends it; the difference is readily recognised by any one accustomed to auscultation." It is impossible to understand exactly the nature of the murmur, to which Laennec applies the term souffle voile, for in his description of it, he does not give us the means of comparing it with any known murmur. In works on auscultation which have appeared since Laennec's time, the souffle voile is scarcely referred to. I have never myself met with any murmur which is constantly associated with the conditions described by Laennec as requi- site for the production of the souffle voile, and which is observable in no other case. I believe that Laen- nec, by souffle voile, intended to represent the phe- nomenon which is observed when the respiratory murmur is indistinct at the commencement of in- spiration, but suddenly becomes bronchial, and 12 134 DIVISION OF THE RESPIRATORY MURMURS. even bronchial blowing, as the inspiration advances; the expiratory murmur, on the other hand, being loud at its commencement, and indistinct at its conclusion. Such a modification of the bronchial breathing indicates nothing more than this: that at the com- mencement of inspiration and at the end of expira- tion, the communication of the bronchial tube, or the cavity whence the bronchial breathing proceeds, with the other bronchial tubes, is either partially or completely interrupted, and is restored again during inspiration. THE AUTHOR'S DIVISION OF THE RESPIRATORY MURMURS. I consider Laennec's bronchial and cavernous re- spiration to be one and the same murmur; his blow- ing bronchial to be a loud bronchial murmur; and his souffle voile to be an unimportant modification of the bronchial respiration. I am also convinced that there are respiratory murmurs audible over the thorax, which cannot be classed either under the head of bronchial or of vesicular murmurs. The following is my division of the respiratory murmurs:— 1. The pulmonary respiratory murmur, or vesi- cular breathing of Andral. 2. Bronchial breathing. 3. Amphoric echo and metallic tinkling heard during breathing: of these I shall speak hereafter. VESICULAR BREATHING. 135 4. Indeterminate (unbestimmte) respiratory mur- murs.1 VESICULAR BREATHING. By vesicular breathing, I understand that mur- mur only which is heard during inspiration; it re- sembles the sound made by sucking in air through the lips. I do not apply the term to any inspira- 1 Dr. Phillip, following Fournet, says:—"Metallic tinkling, amphoric echo, the cavernous, the bronchial, the blowing, the resonant respiratory, and the clear respiratory murmur—all come under the same type, the metallic. In many diseases—as in phthisis—we see them passing through every shade, one into the other. There is no change in the nature, the essence of the murmur, but merely a gradual conversion of one variety into another. But what is the essence of the murmur? I can scarcely be- lieve that any one will, upon reflection, repeat this indefinite de- scription of Fournet. What do we gain by being told that me- tallic tinkling, cavernous and bronchial breathing, etc., are not distinct murmurs, but merely degrees of the same murmur ? The question still remains: What are the conditions indicated by these different murmurs, or these different degrees of the same murmur? In this respect, amphoric echo and metallic tinkling must be separated from all the varieties of bronchial breathing. If the gradual passage of one murmur into another justified us in classing them under one head, then we may say that all murmurs must be classed together, for all pass gradually one into the other. But Fournet, notwithstanding his assertion of similitude of type between these murmurs, could not bring himself to place the cavernous and the bronchial breathing in the same class. He says:—"Ce n'est pas que, lors de l'absence des caracteres caverneux et amphoriques, on doive conclure nScessairement & la non-existence de cavernes; car, il arrive quelquefois que, dans certaines dispositions, anatomiques des parties malades, le ca- ractere bronchique au deuxieme, ou trousieme degre\ qui se passe adns une partie rapproch^e, de 1'oreille, obscurcit, ou meme 136 VESICULAR BREATH INC. tory murmur which does not distinctly offer this character, even though it be the inspiratory mur- mur of a perfectly healthy individual. I am con- vinced that a respiratory murmur of the character here given, can only be produced by the passage of the air into the air-cells of the lungs. The expira- tory murmur has no relation whatever to vesicular breathing; it may be weak or strong, or altogether absent, without in any way affecting the vesicular breathing. I explain the sound of the vesicular breating as Laennec does, attributing it to the friction of the air against the walls of the finer bronchial tubes and the air-cells, the contractile power of which it has to overcome. The reason why the inspiratory murmur of the air-cells is much louder than the ex- piratory is, that the air, when it enters into them, meets with resistance from their contractility, but does not meet with any in its passage out of them. It is otherwise, however, with the large bronchial tubes, and particularly with the trachea and larynx: here the air, during inspiration, meets with no op- position—it has, indeed, rather a tendency to ex- pansion; but during inspiration, being forced from a larger—the air-cells—into a smaller space, it is compressed; and hence the expiratory murmur of efface tout-a-fait le caractere caverneux a un faible degree qui se produit dans les parties centrales du poumon."—Recherches cliniques sur VAuscultation, pt. ii. p. 519. Barth and Roger entirely follow Laennec, in regard to the sig- nifications of the respiratory murmurs. I believe that I differ somewhat from the generally received opinion, in representing the bronchial and cavernous respiration as identical. VESICULAR BREATHING. 137 the larynx, the trachea, and the large bronchi, is, as a rule, louder than the inspiratory. This fact of itself almost suffices to disprove Beau's theory of the cause of vesicular breathing: his explanation is this:—the sound produced by the impulse of the air against the soft palate, and the neighbouring parts, is propagated along the whole length of the columns of air contained in the tubes. I believe I have already shown that the respiratory murmur of the soft palate, the larynx, the trachea, and the large bronchi, is never heard as vesicular breathing over the thorax when the lungs are healthy; in certain diseased cpnditions of these or- gans it is sometimes heard as bronchial breathing. Beau appears, in his explanation of the respiratory murmur, to have been guided by observation of the bronchial breathing heard over the thorax. The presence of the vesicular murmur at any part of the thorax, indicates the entrance of air into the air-cells of that part of the lung which lies beneath the spot auscultated. Its existence, there- fore, excludes those abnormal conditions which prevent the passage of air into the air-cells; such, for example, as their compression by exudations, or tumours in the pleura, by enlargement of the heart, and other diseases; infiltration of the lung tissue by plastic or tubercular matters, by blood, serum, etc., atrophy of the air-cells, and the obli- teration of the bronchial tubes by mucus and blood, or by swelling of the mucous membranes. Solitary tubercles, however abundant, do not necessarily interfere with the vesicular respiration, 12* 138 VESICULAR BREATIIINC nor does inflammation confined to a few lobules— lobular hepatization;—the vesicular murmur is, in fact, frequently observed in the course of these diseased conditions of the lungs. The greater the opposition produced by con- tractility to the entrance of air into the air-cells, and the more rapid and complete the inspiratory movements', the louder will the vesicular breathing be. The force of the vesicular respiration is also modified by the different conditions of the lining membrane of the air-cells and the finer bronchial tubes; it always becomes louder when of a coarse character—the coarseness indicates a slight degree of swelling of the mucous membrane of the finer bronchial tubes, and the air-cells.1 Vesicular breathing may pass gradually into the indeterminate respiratory murmur, and harsh vesi- cular breathing into hissing, whistling and sono- rous sounds. The tone of the vesicular is almost always deeper 1 Fournet treats of the qualities of respiratory murmurs under the following heads: 1, their essential character; 2, their cha- racter of hardness and softness; 3, their character of dryness and moistness; 4, their timbre; 5, pitch; 6, intensity; 7, dura- tion ; and 8, rhythm. I believe that the timbre of the murmur is its essential character. Fournet himself says:—"Le caractere propre de la grande classe des alterations de timbre consiste dans cette impression auditive, que Ton a rendue par le nom de me"- tallique;" that is, the metallic timbre forms the essential cha- racter of a certain class of sounds. The character of hardness is better interpreted by the term of harshness; the healthy vesi- cular murmur is gentle and soft, quite unlike the coarse vesicular murmur. The term moist is not applicable to the respiratory murmur; we cannot speak of a moist or dry respiration, the idea of moistness can be attached only to rales. VESICULAR BREATHING. I39 than that of the laryngeal respiratory murmur. It is sometimes inordinately acute, particularly in the upper parts of the lungs, in old people, and in cases of pulmonary oedema, and when solitary tu- bercles are thickly scattered through the tissue of, the lungs ; in some rare cases it is even more acute than the laryngeal murmur. An acute vesicular murmur of this character is nearly allied to a hiss- ing sound. The vesicular breathing may be un- attended by an expiratory murmur; when the lat- ter is present, it varies considerably in strength, and is occasionally much louder than the inspira- tory. The presence of an expiratory murmur always indicates the existence in the bronchial tubes of some obstruction to the egress of the air from the lungs. The impediment is, in most cases, caused by a swelling of the lining membrane of the bronchial tubes. The expiratory murmur is, with very few exceptions, of a deeper tone than the inspiratory; and the depth is in the ratio of the distance of the bronchial tube, in which it arises, from the surface of the lung. It approaches the pitch of the vesicular inspiration in those cases only, where the current of air meets with obstruc- tion in the finest bronchial tubes. Fournet has carefully investigated the relation of the expira- tory to the inspiratory murmur, and he has ex- pressed their strength and duration by figures, in order more accurately to define their relative de- grees. The normal inspiratory murmur, that is, vesicu- lar breathing, may be expressed by the number 10, and normal expiration by 2; in other words, the 140 VESICULAR BREATHING. strength and duration of the latter are only one- fifth of those of the former. Under abnormal circumstances, inspiration may fall from 10 to 0; the expiratory murmur either sinking in a like proportion, or remaining un- changed, or rising even as high as 20. The inten- sity of the inspiratory may also increase, whilst that of the expiratory murmur either remains un- altered, or is also increased. Lastly, the intensity alone of both the inspiratory and the expiratory murmur, may be either increased or diminished, the duration either remaining unaltered, or in- creasing or diminishing in different proportions. Their duration may also differ from the normal standard, without the intensity undergoing any al- teration. Fournet considers that increased intensity of the expiratory, attended by diminution in that of the inspiratory murmur, is a very important diagnostic sign; the higher degrees of such abnormal changes being observable in cases of emphysema and tu- bercle of the lungs: such variations in the inten- sity of the murmurs also occur, but in a less marked degree, in cases of induration of the lung from other causes, in acute catarrh, and in pleurisy, ac- companied by moderate effusion. I am, neverthe- less, still of opinion that an increased expiratory murmur—provided it has not a bronchial, nor any other character than that proper to it—indicates nothing more than this; that the air, in passing out of the lungs, meets with some obstruction in the bronchial tubes. In some rare cases, the acute development of VESICULAR BREATHING. 141 solitary tubercles produces no alteration whatever in the respiratory murmur; most generally, how- ever, it is attended by signs of catarrh. The slow formation of tubercle in isolated spots, either pro- duces no signs at all, or, if any, those of catarrh or of pleurisy. A marked prolongation of the respiratory, accom- panied by a shortened inspiratory murmur, is not observed in chronic development of tubercle, unless the tubercular mass be considerable, or cavities be also present in the lungs. Whenever there is ex- tensive condensation of the lung-tissue, from any other cause, the prolonged expiratory and shortened inspiratory murmurs also co-exist. In such cases, however, the strength of the expiratory murmur is frequently produced by consonance; and it often happens, that an indistinct expiratory murmur is con- verted by a deep inspiration into bronchial breath- ing, and thus is frequently associated Avith broncho- phony. The intensity of such an expiratory mur- mur occasionally indicates its approaching conver- sion into a sonorous sound, or of its having already assumed the character of a weak sonorous sound. The murmurs attending emphysema of the lungs vary much, according to the extent of the disease, and the amount of catarrh accompanying it. The expiratory murmur is very slight, when the bron- chial tubes contain no mucus, and are not swollen; but it becomes full and prolonged, if their mucous membrane be thickened, or the bronchial tubes in any way narrowed, as by contraction: generally speaking, the murmur ceases to be a respiratory murmur, properly so called, but is converted into a 142 BRONCHIAL RESPIRATION. sonorous, a whistling, or hissing sound,—in short, emphysema of the lungs yields the same ausculta- tory signs as catarrh. BRONCHIAL RESPIRATION. A respiratory murmur cannot be called bronchial, unless it has a character of a laryngeal or tracheal murmur, differing from the latter only in respect of its pitch. Bronchial breathing may be imitated by blowing into a tube; to imitate it with the mouth, the tongue must be so placed as to form the con- sonant ch—guttural—and the air then drawn in and forced out. The bronchial respiration heard over the thorax may be higher, stronger, deeper, or weaker than the laryngeal murmur, or it may be of the same strength and pitch; the reason of its thus varying in character is, that the bronchial re- spiration is not always a consonating laryngeal re- spiratory murmur, but frequently proceeds from the lower part of the trachea, or from one of the bronchial trunks, or even from one of the large bron- chial branches. The different degrees of strength and pitch of the bronchial respiration heard over the thorax, afford no special indication, inasmuch as such modifications are not produced by one, but by several causes. The different degrees of strength and pitch of the respiratory murmur of the larynx, the trachea, and the bronchi—which depend in part upon the rapidity and extent of the respiratory movements, and in part upon the condition of the lining mem- brane of the air-passages, and the more or less per- fect consonance of the murmur within the diseased BRONCHIAL RESPIRATION. 143 lung (which takes place after the manner I have described)—produce changes in the strength and pitch of the bronchial respiration heard over the thorax. The bronchial respiration is generally heard louder over the thorax during expiration, than during inspiration, in consequence of the tracheal, the laryngeal, and bronchial expiratory murmurs being for the most part louder than the inspiratory; but there are exceptions to this, for the inspiratory murmur may be the louder, or exist alone;1 or the expiratory only may be heard; or the inspiration may commence with an indistinct vesicular, and then pass into a bronchial murmur. These modifications are all accidental; they are caused for the most part by the interruption (through the presence of mucus, blood, etc.) of the communication between the bronchial tubes, and may vary from minute to minute.2 Bronchial respiration offers the same indications as weak bronchophony, and I therefore refer the reader to what has been already said under that head:3 it does not however occur, like weak bron- 1 "Jamais je n'ai vu le caractere bronchique normale ou morbide, exister pendant l'inspiration seulement," says Fournet, p. 58. 2 Barth and Roger, p. 83, observe:—"Du reste, le ph^nomene —la respiration bronchique—est continu, permanent, et n'est point sujet a des intermittences." I must entirely deny this assertion. The bronchial respiration appears and disappears, and is replaced by other murmurs. * Barth and Roger, p. 88, assert, that bronchial respiration very rarely occurs, in cases where effusion exists alone, without thickening of the lung-parenchyma; it occurs, they say, first, 144 INDETERMINATE RESPIRATORY MURMURS. chophony, in the normal state of the respiratory organs. It may be heard occasionally, in healthy persons, about the upper dorsal vertebrae, and, in cases of great dyspnoea, between the scapulas, and sometimes over every part of the thorax, without there being any change of ^structure in the corre- sponding portion of lung-tissue. This anomaly may be explained by the circumstance, that when the respiratory murmur of the large bronchial tubes is loud at its origin, it may become audible as bron- chial respiration over the thorax, without being strengthened by consonance. Bronchial breathing may pass gradually into the indeterminate respiratory murmur, into amphoric echo and metallic tinkling, and into consonating, whistling, hissing, and sonorous sounds. indeterminate (unbestimmte) RESPIRATORY murmur. Under this title I include such respiratory mur- murs as have neither the character of vesicular nor occasionally at the commencement of an attack of pleurisy, when the quantity of effusion is small, and the respiration strong; and secondly, in cases where the effusion is spread equally over the lung, in consequence of its being partially attached to the walls of the thorax. Except in these cases, bronchial respiration invariably indicates condensation of the lung-tissue. There is no doubt that bronchial respiration is most fre- quently heard in cases of hepatization and tubercular infiltra- tions of the lung; but it is also heard when effusion alone exists, not indeed under the circumstances stated by Barth and Roger, but in every case where the conditions necessary for the production of consonance present themselves. Equally incor- rect is the statement, that the bronchial respiration caused by effusion, is distinguishable from that caused by hepatization of the lung. INDETERMINATE RESPIRATORY MURMURS. 145 of bronchial respiration, are not attended by am- phoric echo nor metallic tinkling, nor are repre- sented by any of the other murmurs hereafter to be described, which accompany respiration; viz., whistling, hissing, and sonorous sounds, or pleural friction sounds. The respiratory murmur of the air-cells is some- times so little marked, as to be in no way distin- guishable from the murmur which proceeds from the deeper bronchial tubes, or even from the larynx, and which is propagated, unaided by consonance, through the parenchyma of the lungs, to the thora- cic walls. A weak and remote rale may also be heard over the thorax, as an ill-defined respiratory murmur of the air-cells. No distinct indication can in any particular case be drawn from such a mur- mur, as several causes may concur in producing it. We cannot ascribe it with any certainty either to the entrance of air into the air-cells, or to fhe pas- sage of air through the larger bronchial tubes, or to a weak and remote rale, though we may be cer- tain that it depends upon some one or other of these causes, or upon some combination of them. Moreover, the murmur of the larger bronchial tubes may, without either consonating or partaking of the character of the bronchial respiration, be heard so distinctly over the thorax, as at once to satisfy the observer that it is not formed in the air- cells ; but in such a case we cannot tell whether the air does or does not enter into the air-cells, for either alternative is possible; and hence, from a murmur of this kind, no conclusion can be drawn 13 146 INDETERMINATE RESPIRATORY MURMURS. as to the state of the pulmonary parenchyma: nei- ther does the expiratory murmur, provided it be not bronchial, nor amphoric, afford us any indica- tion of the condition of the lung. All respiratory murmurs which give us no infor- mation as to the state of the parenchyma of the lungs, I call indeterminate respiratory murmurs— any subdivision of them appears to me useless. A loud indeterminate respiratory murmur indi- cates that obstruction exists to the passage of the air in some of the bronchial tubes; its strength and pitch enable us to judge tolerably well of the size of the tubes. The indeterminate respiratory mur- mur passes gradually into whistling, hissing, and sonorous sounds. I have not troubled myself to describe accurately the characters of the respiratory murmurs; for I do not consider that there is any great difficulty in dis- tinguishing a murmur, provided it be not one of those sounds which characterize the transition of one murmur into another. The more delicate and practised the ear of the observer, the more readily will he judge rightly of these transition-murmurs: it is, however, much the safer plan to regard all respiratory murmurs which are not distinct in cha- racter, as indeterminate murmurs, and to draw no conclusion from them without due consideration of all the other indications obtainable by percus- sion, etc. With such precautions, an observer, though but moderately practised in auscultation' wdl rarely fail in his object.1 1 Fournet, vol. i., p. 82, gives th7^owing~description^f a peculiar respiratory murmur.—"On apprecie trfcs bien par THE RALES. 147 RALES. Causes of the Rales, and their Varieties. The rales heard during respiration are, for the most part, caused by the passage of air through li- quids, such as mucus, blood, serum, etc., which are accidentally pressed in the bronchial tubes, or in pulmonary cavities. A kind of rale may also be produced by solid bodies—as, for example, by a fold of mucous membrane—when they partially ob- struct the air, and are made to vibrate. A pecu- liar rale is also produced when a current of air passes into a lung which is distensible, but has lost its contractile power. The respiratory murmurs may be either com- l'auscultation, a la sensation recue par l'oreille, si l'air pe"netre bien avant dans le tissu pulmonaire, et a quel degre' se fait l'ex- pansion de ce tissu. Si un 6panchement pleur6tique considerable comprime le poumon, on sent, en quelque sorte que Fair, apres avoir pdn<3tre" un peu dans l'arbre bronchique, ne peut pas aller plus loin; on sent qu'alors il lutte un instant contre 1'obstacle qui s'oppose a, la dilatation des v6sicules, et que, ne pouvant p6n6trer dans celle-ci, il fait exe'cuter au tissu pulmonaire comprint, une sorte de dilatation en masse qui s'accompagne d'un petit bruit tout particulier. II n'est pas de mot, qui puisse rendre exacte- ment cette sensation; il faut 1'avoir eprouve"e; mais il importe beaucoup d'en marquer le degre, afin de savoir oh l'on en est de la marche de la maladie," etc. The statement that the air struggles for an instant against an obstacle, and then, because the air-cells will not allow of expan- sion, dilates the lung-substance in mass, hardly needs refuta- tion. Air enters only where a vacuum is formed, and does not struggle against obstacles, except when a vacuum exists beyond them. I am unacquainted with the murmur described by Fournet; it is impossible to follow a statement so mixed up with hypothesis. 148 THE RALES. pletely masked by the rales, or heard in concert with them. Rales resemble the bubbling of boiling water or of fat, the breaking of bubbles on the surface of fermenting fluids, the fine crackling of the little bubbles which rise to the surface of water begin- ning to boil, or of roasting fat, the crackling of salt on hot coals, the cracking of dry wood, the creaking of frozen snow, or of leather, etc.: they may be associated with the amphoric echo, and me- tallic tinkling. Hence rales vary much in charac- ter; but, with very few exceptions, they indicate the presence of liquids in the bronchial tubes, or in cavities. Most of the rales take the character of sounds produced by the breaking of bubbles in a liquid; some, however, resemble the creaking of leather, etc.; the first sort have been called moist, the latter dry rales; but no distinctive line can be drawn be- tween them; they pass gradually one into the other. It may be asked, if we are able, by the character of the rale, to ascertain the nature and quantity of the fluid which occasions it, whether the fluid is present in the air-cells, in the larger or smaller bronchial tubes, or in cavities, and what is the condition of the lung-parenchyma? These questions cannot be answered until all the varieties of sounds which these rales present, and their causes, are determined. The sounds caused by the breaking of bubbles in a fluid vary with the size of the bubbles; moist rales are formed by large, small, or very fine bub- blings. In the creaking of leather and of snow, and in the cracking of wood, the intervals of the MOIST AND DRY RALES. 149 sounds vary in duration; and thus the dry rales have been called large, small, fine-bubbling rales, to indicate the extent of the intervals between the cracklings which form them. Rales, whether dry or moist, and whatever the size of the bubbles producing them, may be loud or weak, clear or dull, scanty or abundant; they may also vary in pitch, and have an amphoric or metallic echo. MOIST AND DRY RALES. It is probable that the moist or dry character of a rale, depends upon the consistence of the liquid in the bronchial tubes or the cavities where it oc- curs: solid bodies, however, can only produce rales after the manner described above: when we speak of dry rales, we mean no more than that, in all pro- bability, the fluid which occasions them is more tenacious than that which causes moist rales. SIZE OF THE BUBBLES. The larger bronchial tubes and cavities can alone produce large bubbles; small bubbles, however, may occur both in the smaller and the larger bron- chial tubes, and in cavities: the size of the bubbles in the larger bronchial tubes and in cavities, de- pends upon the quantity and quality of the fluid in them, and upon the rapidity of the current of air passing through it; but although the sound of small, and even of very fine bubbles, may be heard in the larger bronchial tubes and in cavities, yet large bubbles are always intermingled with them: 13* 150 AMOUNT OF RALES PRESENT. the rales are never equal. A fine and equal bub- bling rale can take place only in the smallest bron- chial tubes and in the air-cells; it indicates, there- fore, the presence of some fluid—mucus, blood, or serum—in those tubes and air-cells, and by demon- strating the entrance of air into the air-cells, it precludes the existence of every diseased condition of the respiratory organs, which would render the entrance of air into the air-cells impossible. It has, in relation to the lung parenchyma, the same signification as vesicular breathing. AMOUNT OF RALES PRESENT. This depends upon the quantity of fluid, and whether it be present in one or in several bron- chial tubes, and upon the force of the respiration. If the rales are scanty, consisting of single bub- blings, and the vesicular or bronchial respiratory murmur at the same time audible, then we may be certain that little fluid is present in the air-pas- sages, provided cavities, the fluid contents of which are not disturbed by the stream of air, do not exist in the lungs. Abundant rales, unaccompanied by a respiratory murmur, or heard in combination with an indeterminate respiratory murmur, indi- cate, for the most part, that the bronchial tubes are extensively filled with mucus, blood, serum, etc. We may observe here, that rales may be heard either both during inspiration and expiration, or during inspiration or expiration only. Such differ- ence is quite accidental; the fine equal bubbling rale is the only rale audible for any length of time STRENGTH OF THE RALES. 151 during inspiration only, and continuing after the patient coughs. STRENGTH OF THE RALES. Rales are at times so loud that they may be heard passing through the mouth of the patient, and also through the walls of the thorax, without the ear or stethoscope being brought in contact with them; at other times they are so feeble, that as careful attention is required for their observation as for that of a weak respiratory murmur. The differ- ence in the strength of rales depends chiefly upon the extent and rapidity of the respiratory move- ments. The death-rattle may be classed among the loudest of rales; it is audible through the mouth, and is produced for the most part in the larynx, the trachea, and the two bronchial trunks; but rales occur at the same time in the bronchial tubes. Rales arising in a superficial pulmonary cavity, may be sometimes heard through the walls of the thorax, without the ear being brought in contact with it, and this, too, when the respiration is neither rapid nor strong: in such cases, the rales are also generally heard through the mouth of the patient, although not produced in the larynx and trachea. Loud rales, arising in the larynx or the trachea, may be heard over the whole thorax, and so pre- clude the observation of any other auscultatory sign which the respiration might offer. Ausculta- tion of the heart and arterial trunks within the thorax, may also be rendered impossible by the presence of rales. 152 CLEARNESS OF THE RALES. CLEARNESS OR DISTINCTNESS OF RALES. It is often very difficult to determine the exact spot, where rales which are heard over the thorax arise; thoracic sounds pass through other media besides the air, and they do not always travel in a straight direction; we must therefore endeavour to judge of their points of origin by considering their clearness and distinctness, whenever this is possible. A remote rale is not so clear as a rale arising in the neighbourhood of the spot where it is observed; but a loud and distant rale may be clearer than a near and feeble one; again, rales arising in the larynx, the trachea, or either of the bronchi, may consonate within the thorax, just as the voice or the respiratory murmur consonates in the diseased states of the lung-tissue already referred to, and thus becomes distinctly audible throughout the thorax. Fine, equal bubbling rales, if clear, must of ne- cessity arise immediately beneath the spot where they are observed; consequently the air-cells at the part must be permeable to air, and the lung con- tain no cavities, or, at least, none of any magnitude. Unequal or large bubbling rales may arise in cavities which lie near the surface of the lung, or, when dyspnoea is present, they may proceed from distant cavities, or enlarged bronchial tubes, or they may be consonating sounds produced in the trachea, even though the respiration be feeble. It is not possible to define the distance from the thoracic walls at which a dull rale arises; it may proceed from the larynx, the trachea, the bronchial tubes, the air-cells, or cavities. PITCH OF THE RALES, 153 PITCH OF THE RALES. I determine the pitch of a rale in the same way as that of a respiratory murmur; that is, by ascer- taining the vowel which is used when we attempt to imitate either it or an equal pitched respiratory murmur by the mouth. The pitch of a rale generally corresponds to that of the respiratory murmur, which is either replaced by or accompanies it; the laryngeal and tracheal rales and respiratory murmurs are, as a rule, more acute than the vesicular rales and murmur. But there are exceptions to this in the case of the re- spiratory murmurs, and still greater in the case of the rales, in consequence of their pitch being so much affected by the quality of the fluid which pro- duces them. However high or low pitched a bron- chial rale may be, it always loses by transmission, and more or less in proportion to its original fee- bleness, and to the remoteness of its source from the walls of the thorax; exception being made of the case in which its intensity is increased by conso- nance. Acute rales in the larger bronchial tubes, when consonant, appear acute also over the thorax; did they reach the walls by mere conduction, they would become deeper. The larger or unequal bub- bling rales, therefore, are only heard as acute sounds over the thorax when the conditions neces- sary for consonance are present, or when they arise in cavities near the surface of the lung; in this last case, however, as a general rule, acute rales are not heard unless the walls of the cavity reflect the sounds. 154 laennec's division of the rales. The acute large, or unequal bubbling thoracic rales, indicate the same condition of the lung-tis- sue as bronchophony and bronchial respiration; it is, for the most part, a sign of hepatization, or tu- bercular infiltration of the lung, being more fre- quently present in these affections than in pleuritic effusion; but for greater accuracy of diagnosis, it is always well to take into account the sounds eli- cited by percussion, and the general symptoms re- ferred to in the remarks on bronchophony. A deep and dull rale indicates the presence of mucus, blood, serum, etc., in the bronchial tubes, or in cavities, but affords no information respecting the condition of the lung-tissue. A deep, clear, large-bubbling rale, reaches the surface from dis- tant parts by consonance, or it arises immediately beneath the surface of the lung, either in superficial cavities, or in enlarged bronchial tubesj by the aid of percussion, we may generally decide whether the rale is consonating or not. laennec's division of the rales. Laennec included, under the denomination of rales, the sonorous and sibilant sounds. He pro- poses five divisions:— 1. Moist crepitating rale, or "crepitation—"le rale crepitant humide ou crepitation." 2. Mucous rale or gurgling—"le rale muqueux, ou gargouillement." 3. Dry sonorous rale, or snoring—" le rale sec sonore, ou ronflement." 4. Dry sibilant, or whistling rale—"le rale sibi- lant sec, ou sifflement." MOIST CREPITATING RALES. 155 5. Dry crepitant rale with large bubbles, or crackling—"le rale crepitant sec a grosse bulles, ou craquement." Under the term rales, I myself include only such sounds as resemble the breaking of bubbles in wa- ter, or the crackling (Prasseln) as of burning wood, and shall therefore speak separately of Laennec's dry sonorous, and dry sibilant rales. LAENNEC'S MOIST CREPITATING RALE. This rale, according to Laennec, is one of the most important of auscultatory signs, and I shall there- fore describe it in his own words. " The moist cre- pitating rale evidently arises in the pulmonary tis- sue ; it may be likened to the sound produced by gently heating salt in a pan or by the inflation of a dry bladder, or, still better, to the sound produced by the pressure between the fingers of a healthy lung distended by air, but it is somewhat louder than this; and, in addition, it has a well-marked character of fluidity. On hearing it, we at once recognise the presence in the air-cells of a fluid of the consistency of water, by which the entrance of the air into them is not prevented; the bubbles form- ing the rale appear extremely small. This rale, which is one of the most important, is readily re- cognised; and any one who has once heard it, can scarcely fail to know it again; it is a sign pathog- nomonic of pneumonia in its first stage, and ceases to be heard when the lung becomes hepatized, re- appearing, however, during the resolution of the hepatization; it may be also observed in pulmo- 156 MOIST CREPITATING RALES. nary cedema, and occasionally in haemoptysis; but in the last two cases the bubbles formed by the dis- placement of the air, seem somewhat larger and more moist than those producing the crepitating rale of pneumonia: to this variety of rale I have given the name of sub-crepitant rale—" rale sous- crepitant." Attempts have since been made to distinguish be- tween the crepitating and sub-crepitating rales. Dance considered that they differed in this: that the crepitating rale was audible only duringinspiration, and did not disappear after expectoration; the sub- crepitating rale being heard during both inspiration and expiration, and disappearing after expectora- tion. It is quite true, that the crepitating rale of Laen- nec is occasionally observed during inspiration only, and is not removed, by expectoration; but this does not characterize it as a sign pathognomonic of pneu- monia. Andral, Cruveilhier, Chomel, etc., have brought forward numerous facts, which prove that Laennec's crepitating rale cannot be regarded as such a sign; and that, in fact, no distinctive line can be drawn between crepitating, sub-crepitating, and mucous rales. Laennec's opinion, however, of the great value, as a sign, of the crepitating rale, still prevails; and most writers are careful to make a marked distinction between this and every other rale. For myself, I consider Laennec's crepitation, viz., the fine, equal-bubbling rale, denotes the presence of fluid in the finer bronchial tubes and in the air- cells, and the entrance of air into the latter; but that MUCOUS RALES. 157 it does not inform us by what particular disease the fluid is produced; this must be learnt from other phenomena. Moreover, I have not only not found this crepitation constantly present in pneumonia, but if we are to follow Laennec's description of it very closely, I must say that I have not often observed it. Laennec's Mucous Rale. Under this title are comprised the mucous rale proper, rdle muqueux, or as Andral calls it, rale bron- chique humide,—and the cavernous rale—rale ca- verneux. Laennec distinguishes the mucous rale from the crepitating by the greater and unequal size of the bubbles which compose it; and the cavernous from the mucous rale by the bubbles of the former being more abundant and louder than those of the latter; and by the circumstance of its being heard in a circumscribed space, where also the cavernous cough and respiration, as well as pectoriloquy, are generally present. It will be seen at once from this description of the cavernous rale, that it is in no respect a more accu- rate sign of the existence of a cavity than pectorilo- quy, or cavernous respiration. The size and abun- dance of the bubbles depend upon the quantity and the quality of the fluid in the bronchial tubes, or in the cavities, and upon the force of the respiration. The limitation of the rale to a confined space is a very uncertain sign. If cavities occupied the whole of one lung, how could we recognise the cavernous character of the rale as described by Laennec? and how are those abundant rales which sometimes arise 14 158 DRY CREPITATING RALES. in large, single, and superficial bronchial tubes, to be distinguished from Laennec's cavernous rales? I am convinced that no difference can be recog- nised between bronchial and cavernous rales except in cases where the latter are associated with am- phoric echo, or metallic tinkling. Cavernous, just as bronchial rales, are produced by bubbles, large and small, moist and dry, abundant and scanty, clear and dull, high and deep toned, and may consonate, like the bronchial. Cavities in the lungs, and bron- chial tubes equally, may remain for a long time filled with fluid, without producing any rales; rales only arise in cavities, when these can expand and contract during respiration, and when the passage of air into and out of them is not wholly obstructed. Laennec's Dry Crepitating Rale with Large Bubbles— Craquement.1 This rale, according to Laennec, resembles the sound produced by inflating a pig's bladder, and is a sign pathognomonic of vesicular and interlobular emphysema of the lungs: it is observed only in those cases where the air-cells of a portion of the lung are considerably enlarged, to the size of a pea, perhaps, or a bean, and communicate with the bron- chial tubes: in no other case of pulmonary emphy- sema is it present. It may arise, moreover, in en- 1 No one, since Laennec, appears to have heard this rale, and it is for the most part excluded from the list of auscultatory phe- nomena. I cannot agree with the general opinion on this point, for I consider that such a rale really exists. However, he who has not heard it, or has not been able to discriminate it, has not lost much. fournet's division of rales. 159 larged and sacculated bronchial tubes, and in ca- vities of the lungs which have membranous walls, and communicate with the bronchial tubes through moderate-sized openings. Laennec's craquement has been attributed to a tearing up of the pulmonary tissue; but I do not consider that we have any knowledge whatever of the sound produced by rupture of the air-cells. My own belief is, that the craquement is caused by distention, during inspiration, of the walls of the air-cells, the bronchial tubes, and cavities, when these walls have lost their contractility, and simply collapse during expiration. Such collapse, or, more properly speaking, com- pression of the air-cells, enlarged bronchial tubes, and cavities, is only possible when the still contrac- tile portionof the lung—on account of some obstruc- tion of its bronchial tubes, or of the large extent of tissue rendered non-contractile in consequence of the adhesion of the lung to the costal pleura, etc.—is insufficient, when inflated by inspiration, to distend the cavity of the thorax; the non-contractile por- tion must therefore become altered in volume during the respiratory movements. fournet's division of the rales.1 His chief distinctions are drawn from the seat of origin of the rales:— 1 Barth and Roger follow Laennec's division of the rales: they, however, call the mucous rale—rale sous-crepitant. Ac- cording to Professor Chomel, certain special characters belong to the cavernous rale, by which an observer may decide whether it is produced in a pulmonary cavity, or in a circumscribed 160 fournet's division of rales. 1. Intra-vesicular rales. 2. Extra-vesicular rales. 3. Bronchial rales. 4. Tracheal rales. 5. Laryngeal rales. 6. Bucco-pharyngeal rales. Of the vesicular rales—rales intra-vesiculaires— he offers the following varieties. 1. Rale humide a bulles continues de la conges- tion sanguine. 2. Rale sous-crepitant de l'cedeme pulmonaire. 3. Rale sous-crepitant, du catarre pulmonaire aigu capillaire. 4. Rale sous-crepitant, ou crepitant de retour de la pneumonie. 5. Rale crepitant primitif de la pneumonie. These rales are classed according to their degree of dryness or moisture; number one representing the moistest, and number five the driest variety of vesicular rales. pleuritic cavity, communicating with bronchial tubes. "A ca- vernous rale is limited and fixed, and is generally situated in the upper part of the thorax; its force diminishes in every di- rection, as we follow it from the centre of the cavity; but in the case of pleuritic effusions, a large bubbling gurgling is produced towards the base of the lung, and is propagated upwards, ac- cording to the direction which the bubbles take, in passing through the fluid." One cannot help asking, What becomes of the air-bubbles which pass through the fluid during each inspiration ? I shall refer to this hypothesis of the rising of air-bubbles, when I speak of metallic tinkling. In my opinion, Chomel has interpreted his facts wrongly, no such distinctions as those de- Bcribed by him really existing. fournet's division of rales. 161 Under the term extra vesicular rales are included: 1. Le rale ou bruit de froissement pulmonaire. 2. Le rale de craquement sec. 3. Le rale de craquement humide. 4. Le rale cavernuleux ou muqueux a timbre clair. 5. Le rale caverneux humide ou de gargouille- ment, et le rale caverneux sec. The first two rales arise external to the air-cells, and are produced by friction of the lung-tissue against hardened parts; the last two arise in cavi- ties. The third variety is heard just about the pe- riod when the hardened parts begin to soften down. The bubbling rales in the bronchial tubes are: 1. Le rale de gargouillement dans les cas de di- latation considerable des bronches. 2. Le rale muqueux a grosses bulles. 3. Le rale muqueux a bulles moyennes. 4. Le rale muqueux a petites bulles. The fine, bubbling rales of the bronchial tubes are heard both during inspiration and expiration; the vesicular rales during inspiration only. What is meant by tracheal and laryngeal rales, is sufficiently indicated by their names. The bucco-pharyngeal rale implies a fine crepita- tion, which is heard when the ear is brought near to the mouth of a patient whose air-passages con- tain some kind of fluid. The mucous rale with large bubbles, Fournet ob- served during inspiration, in two cases of purulent infiltration of the lung; and he makes the remark, that further experience may perhaps prove such a 14* 162 fournet's division of rales. rale to be a sign of the passage of pneumonia from its second to its third stage. I have no remark to make upon the vesicular rale of Fournet, further than what I have already said when speaking of Laennec's crepitating rale. I do not deny that the varieties of rales described by Fournet really exist; I believe that many more might be added to them; but I affirm, and my opinion is that of many other auscultators, that there is no one distinct rale peculiar to congestion of the lungs with blood, or to pneumonia, or to cedema, or to catarrh, etc.: the classification of rales according to the nature or the stages of disease, is, in my opi- nion, erroneous. Of the bruit de froissement pulmonaire, Fournet says; "The general character of this bruit is, that it produces in the ear a peculiar sensation of rub- bing, by which it may be always readily recognised. The observer fancies that he both sees and hears the pulmonary tissue forcibly struggling against some impediment to its expansion." " The bruit appears in different forms and degrees. When most perfect, it resembles the bruit de cuir neuf, and differs from the new leather friction-sound of pericarditis solely in being of more acute timbre: when less perfectly marked, it appears as a plain- tive, moaning sound, and presents various intona- tions, according to the state of the patient and the force and rapidity of the respiration: lastly, in its third and most feeble form, which is the least fre- quently met with, it reminds the observer simply of the gentle, rapid, and dry sound which is ob- tained by blowing upon very fine and dry paper." fournet's division of rales. 163 Several varieties of murmurs are included under the denomination of froissement, all of which have this character in common, that they give to the per- son observing them the impression that he can see the lung-tissue struggling, with force and noise, against some obstacle to its distention. I have never yet met with such a struggling sound, and shall abstain from offering any opinion upon it until its existence shall have been clearly demonstrated. According to Fournet, it is scarcely ever observed, except in the first stage of phthisis, particularly during the acute development of miliary tubercles. He looks upon it as an important sign of phthisis in its first period. I shall mention the phenomena which I have myself observed in cases of miliary tubercular disease, in the chapter on tuberculosis. Craquement is a dry rale, and indicates the pre- sence of fluid, probably of a tenacious character, in some of the bronchial tubes, or in a cavity. This dry alternates with moist rales, etc., not only in tuberculosis, but in all conditions of the lungs where there is fluid in the bronchial tubes. It is confined to a circumscribed space, and this is one of its most striking characters, especially in phthisis: its signi- fication, when present in this disease, is the same as that of moist rales, and I therefore see no reason why it should be treated as a special symptom, and separated from other rales. The rale of small cavities—rale cavernuleux a timbre clair—is that to which I give the name of consonating: although it is very frequently ob- served in certain stages of phthisis, as pointed out by Hirtz and Fournet, it has not the signification 164 the author's division of rales. attached to it by these observers. It is not cha- racteristic of small cavities, but of tubercular, or pneumonic infiltration of the lung-tissue. Respecting the moist and dry cavernous rales, as well as the blowing rale of the bronchial tubes, I must refer the reader to the chapter on Laennec's mucous rale. I consider that the distinction which has been drawn between the fine bubbling bron- chial rale, and the vesicular rale, viz., that the first is heard during both inspiration and expiration, and the latter only during inspiration, is arbitrary, and not supported either by observation or by theory. In conclusion, I must observe that I am convinced there are no rales which specially indicate the pass- age of pneumonia from its second into its third stage; for this particular period of the disease may be attended by a great variety of rales, or it may terminate without giving rise to any rales whatever. THE AUTHOR'S DIVISION OF RALES. I divide the rales as I do the voice and the res- piration, so far only as the division has a practical value. I class them as follows: 1. Vesicular rale. 2. Consonating rftle. 3. Dry, crepitating rale, with large bubbles, or craquement: this rale has been already described. 4. Indeterminate rales. 5. Rales accompanied by amphoric resonance and metallic tinkling; of these I shall say more hereafter. VESICULAR RALE. By this term, I understand (in accordance with Andral and Laennec) the rale which takes its origin CONSONATING RALES. 165 in the finer bronchial tubes, and in the air-cells: we know that the rale arises there, from the fact of its bubbles being small, and of equal size: it indi- cates the presence of mucus, blood, or serum, etc., in the finer bronchial tubes and in the air-cells, and the entrance of air into the latter; precluding the existence of any of those abnormal conditions which prevent its entrance. The rale, unless it is very distinctly heard, does not enable us to draw any conclusions as to the condition of the portion of the lung nearest to the surface of the thorax. CONSONATING RALE. This rale is clear and high, is formed by une- qual bubbles, and accompanied by resonance, which has neither an amphoric nor a metallic character. A high and clear rale (as already shown) cannot be produced within the thorax, unless the conditions necessary for the production of consonance are pre- sent. Hence the consonating rale is of the same significance as bronchial breathing and broncho- phony; generally speaking, it indicates the pre- sence either of pneumonia, or of tubercular infil- tration, being seldom observed in pleuritic effusion. INDETERMINATE RALES. Under this head, I comprise all those rales which are neither vesicular nor consonating, and are not accompanied by amphoric resonance or metallic tinkling: they offer no special indications respect- ing the condition of the lung-tissue. What may be learnt by their aid, of the quantity and quality of the fluids contained in the air-passages, as well as 166 SONOROUS SOUNDS. concerning the situation of such fluids, has been already considered, when we spoke of the different varieties of rales. SONOROUS, WHISTLING, AND HISSING SOUNDS. Laennec, as we have already observed, included these sounds among the rales. A great variety of sounds are produced by the passage of the air through the air-tubes, when certain parts of them have become narrowed from any cause. These sounds are generally known to us under the names of snoring, whistling, hissing, etc. (Schnurren, Pfeifen, Zischen, etc.) Their intensity, and the force with which they strike upon the ear, enable us to judge, but only approximatively, of the size of the bronchial tubes in which they are produced. The sonorous sounds are most commonly produced in the larger bronchial tubes; the whistling in bronchial tubes of a less diameter, and the hissing in the finest portions of the air-passages; but there are numerous exceptions to these rules. The proxi- mity of the point of origin of a sonorous, or whist- ling sound, cannot be judged of by the distinctness with which it is heard. These sounds may be fre- quently observed of equal strength over a con- siderable portion, or even over the whole of the thorax; and the observer may sometimes hear them without bringing his ear in contact with the thorax, and even at a considerable distance from it. Snoring, whistling, and hissing sounds may arise, when the lung-tissue is normal, or under any of its abnormal states; they therefore afford no informa- tion as to its condition, except when they are con- AMPHORIC ECHO, ETC 167 sonant. They consonate, in fact, just like the voice, the respiration, and the rales. Any one well ac- quainted with the bronchial breathing, will have little difficulty in deciding when these sounds are consonant, and when they are not so: when conso- nant, they are accompanied by a resonance resem- bling that of the bronchial voice, and offer the same indications as to the condition of the lung- tissue, as bronchial breathing, bronchophony, etc. The sonorous, whistling, and perhaps also the hiss- ing sounds, may also be attended by amphoric echo and metallic tinkling. The sonorous sound some- times passes into dry crepitation. III. AMPHORIC ECHO AND METALLIC TINKLING. (Bourdonnement amphorique et tintement metallique.) These phenomena may be imitated by a person speaking and directing his voice into a jug: when he does so, a peculiar humming is heard, in addi- tion to the voice: this humming is Laennec's am- phoric buzzing. The strength of the voice is at the same time generally increased, and very re- markably so, when of a certain pitch. The hum- ming which accompanies the voice is not always of the same pitch as the voice; it may retain its pitch, though that of the voice be altered. Besides this humming, there is also occasionally heard a metallic after-tone (JYachklang,) resembling the flageolet-tone of a guitar string. This tone, when it accompanies the voice, exactly represents Laennec's metallic tinkling. It may be often heard, as a kind of metallic echo, in rooms, particularly 168 AMPHORIC ECHO if arched, when a person is speaking rather loud, and at a particular pitch of the voice. Any one may convince himself, by the production of the metallic echo in a room, and by directing his voice into a vessel, that amphoric echo and metallic tink- ling are phenomena which arise under similar con- ditions, and that metallic tinkling bears the same relation to amphoric resonance, as does a high to a deep flageolet tone of a guitar string. Amphoric echo and metallic tinkling cannot be produced in narrow tubes; and therefore do not arise within the thorax, unless there is some large cavity present, the walls of which are capable of reflecting sound. This statement is fully corro- borated by clinical observation, these phenomena being only met with in cases of pneumothorax, and where large pulmonary cavities exist. Laennec believes that these sounds were not produced, unless both fluid and air were present in the cavity: I do not myself consider that the pre- sence of fluid is necessary. The two phenomena are equally well produced in a pitcher, whether it contain fluid or is perfectly empty; and assuredly the presence of fluid is not requisite to excite the metallic echo in a room. If a person speak into a stethoscope placed on a stomach filled with air, both metallic tinkling and amphoric echo will be heard sounding within the stomach, and this, whether the stomach be partly filled with, or contain not a drop of fluid. Laennec believed, moreover, that these pheno- mena could not be produced by the voice, unless a communication existed between the pulmonary or AND METALLIC TINKLING. 169 pleuritic cavity and some bronchial tube; but it very rarely happens that in pneumothorax the com- munication between the air in the pleura and that in the bronchial tubes remains free; and yet we seldom meet with a case of pneumothorax in which these sounds are not present. In the experiment with the stomach just referred to, metallic tinkling is produced, though no communication exists be- tween the air in the stomach and the air in the stethoscope: from this experiment also we may learn how the air in the pleura is made to vibrate by the voice in the larynx; if, for instance, the voice consonates in a bronchial tube, which is se- parated from the air in the pleural cavity merely by a thin layer of pulmonary substance, its sound will pass into the air of the cavity with sufficient force to excite therein consonant vibrations. Pulmonary cavities, if tolerably large, always communicate with the bronchial tubes. I am not able to state what is the smallest size of a pulmonary or a pleural cavity, that admits of the production within it of amphoric echo and metallic tinkling.1 1 In a treatise by Kolisko (Ost Jahrbuch, Okt, 1844) on am- phoric echo and metallic tinkling heard in cavities within the thorax, my opinions—viz., that these sounds may arise when there is no communication existing between the air in the pleura and the air in the trachea, and that they may be excited by sounds originally produced in a neighbouring bronchial tube, or by sounds which have been strengthened by conso- nance—are confirmed; and a case is related, where a single tubercular cavity, of the size of a pigeon's egg, and lined with false membrane, gave rise to a distinct metallic tinkling. Kolisko's explanation of the phenomena may be seen in his treatise. 15 170 AMPHORIC ECHO If amphoric echo and metallic tinkling are heard during respiration in pneumothorax,—where, as before mentioned, the air in the pleura rarely com- municates with the air in the bronchial tubes,— the laryngeal or the tracheal respiratory murmur must have become consonant in a bronchial tube, which is separated from the pleural cavity by merely a thin layer of lung-substance. Amphoric echo and metallic tinkling are pro- duced in pulmonary cavities by the drawing in and forcing out of the air; the transition of the ampho- ric echo into the metallic tinkling is best observed during respiration. The respiratory murmur may in one case resemble a deep humming, like that caused by blowing into a jug; in another, or even in the same case, at some other period, it may resemble the deep whistling which is produced by drawing in or forcing out air from the mouth when its cavity is enlarged and the opening of the lips narrowed; this sound being heard alone or combined with the humming. The deep whistling, which evidently represents a tone (Klang) may be replaced by a more acute and also by the essentially metallic tone, viz., that which resembles the flageolet-tone of a guitar-string, and which may continue during the entire act of inspiration and expiration. Metallic tinkling is more frequently excited in pneumothorax, and in large cavities, by rales, than by the voice, or the respiratory murmur: the rales can take this metallic character, although no com- munication exists between the pneumothorax and the bronchial tubes, and although no fluid be pre- sent with the air in the pulmonary or pleural cavity. AND METALLIC TINKLING. 171 Dr. Dance has offered the following explanation of the mode of origin of the metallic tinkling (as may be seen in Raciborsky's manual of auscultation and percussion:) " When the level of the fluid con- tained in the pleural cavity is higher than the open- ing through which the air enters it, the air, at each inspiration, is drawn into the cavity, and, in conse- quence of its specific gravity, rises in bubbles to the surface of the fluid, where the bubbles break, and so produce metallic tinkling. In this explanation, we are not told what becomes of the air which rises above the level of the fluid: it is evident that, like the air in a healthy lung, it must be either taken up, other gaseous bodies being separated in its place, or it must be very gradually absorbed, or must remain unabsorbed. Under any of these conditions, it is difficult to understand how the metallic tinkling can continue audible after a few inspirations, or even after one single inspira- tion; for, in fact, the cavity takes in at each inspira- tion as much air as it can contain; and if the level of the fluid be higher than the opening into it, the air cannot be forced out of it during expiration. The cavity, during expiration, remains either com- pletely distended, and consequently cannot admit more air at a subsequent inspiration; or it is com- pressed, and then a portion of its contents must be forced into the mouth of the opening leading into it, from whence it is drawn back again into the cavity at the next inspiration. According to this explanation of Dr. Dance, the phenomenon of me- tallic tinkling should be very rarely observed, and only at considerable intervals, and more particu- 172 AMPHORIC ECHO larly during inspiration after coughing: how it should ever arise, during expiration, is perfectly incomprehensible. Dr. Beau, who admits Dr. Dance's theory, ex- plains it thus: " In most cases," he says, " the cavity is surrounded by condensed parenchyma, and its capacity does not diminish during expiration; con- sequently the air which is forced out of the other parts of the lungs, either during expiration, or by coughing, speaking, or expectorating, presses from the trachea into the gaping bronchial tubes, and then acts just as though it had been inspired." Dr. Beau does not tell us whether air, under these circumstances, enters into the cavity during inspiration, but we are bound to believe that it does, inasmuch as metallic tinkling is heard during inspi- ration: it would appear, therefore, according to his explanation, that cavities surrounded by condensed tissue receive air both during inspiration and expi- ration, and yet cannot force any of it out again! My own opinion is, that metallic tinkling—in ad- dition to its being heard as a resonance of the voice, of the breathing, and of whistling sounds—may present itself in large cavities, as the resonance of a rale, situated in a distant, but communicating bronchial tube, or as a resonance of a rale which has its origin at the mouth of the opening into the cavity, or when many cavities communicate to- gether, at the opening of communication between them—where, in fact, the air may pass in and out during respiration, without being obstructed by fluid—or as the resonance of a rale produced in AND METALLIC TINKLING. 173 cavities, through violent concussion of their fluid contents, by coughing, etc. The metallic tinkling of pneumothorax is pro- duced in a similar way; but as the air contained in the pleura very rarely communicates with that in the bronchial tubes, the metallic tinkling of pneu- mothorax is more commonly produced as a loud, or as a consonating rale, arising in a large and neigh- bouring bronchial tube, or by succussion of the fluid in the thorax, during coughing, etc.1 1 If the pulmonary pleura be destroyed or torn at a part of its surface, where it is not adherent to the thoracic walls, and an opening for the entrance of air from the neighbouring parts of the lungs into the pleura thereby established, it will be found that the air enters into the pleural cavity, both during inspira- tion and expiration, so long as the contractile power of the lung remains: when its contractility ceases, air enters into the cavity during inspiration only, and continues to do so until the cavity is capable of no further distention. No air can escape from the cavity during expiration, for the opening at the surface of the lung, through which the air enters into the cavity during inspira- tion, is closed by the pressure of the air within the cavity upon the surface of the lung during expiration: an exception must be made of the case where a canal, with resistant walls, leads from the cavity into the trachea—a case, however, which is rarely ever met with. In pneumothorax produced by the bursting of a pulmonary cavity, or abscess into the pleura, the communication between the air in the cavity and the air in the trachea is completely de- stroyed after a few inspirations; however small the opening may be, the pleura becomes very rapidly filled with air. The communication is, in some rare cases, restored by ulcera- tion of the compressed lung, when the ulceration has perforated or laid bare an incompressible bronchial tube, or even the tra- chea, or when a single-mouthed fistulous opening into a large 15* 174 RESPIRATORY MURMURS, RALES, A drop of fluid, or a solid body falling acciden- tally to the bottom of a pleural cavity filled with air, would undoubtedly give rise to metallic tink- ling: but such a cause of the phenomenon must be exceedingly rare. When metallic tinkling presents itself as the re- sonance of a whistling sound, it resembles the most beautiful tone of a guitar-string, when a bow is drawn across it. IV. THE SIMULTANEOUS EXISTENCE OF THE RESPIRA- TORY MURMURS, RALES, AND SONOROUS SOUNDS. It often happens that several distinct sounds are heard simultaneously, during respiration: thus, rales, and whistling and sonorous sounds, and the proper respiratory murmur, may be all recognised by the ear at the same time. But these murmurs, rales, etc. are not met with mixed together promis- cuously. The non-consonating rales, and the non-conso- nating sonorous, whistling, and hissing sounds may be heard in company with the vesicular respiratory murmur, provided they are neither so loud nor so extensively distributed through the lungs, as to obscure the murmur. The vesicular murmur is never associated with metallic tinkling, and am- phoric resonance. Bronchial respiration and con- sonating rales are sometimes heard in company with it, when the deeper parts of the lung are in the condition necessary for the production of conso- bronchial tube, or into the trachea, has been formed in a lung consolidated by infiltration. AND SONOROUS SOUNDS. 175 nance, whilst its surface contains air; but such an abnormal state of the lungs seldom occurs, except in those particular cases of pneumonia where the inflammation travels from one part of the organ to another, attacking each in succession. In cases of violent dyspnoea, however, where the breathing is loud, it not unfrequently happens that the vesicular and the bronchial murmurs are heard together, particularly over the dorsal region, independently of any consonance. The non-consonating respiratory murmurs of the larger bronchial trunks, which I place among the indeterminate murmurs, are more frequently than bronchial breathing heard in company with the ve- sicular murmur. Consonating and non-consonating rales, sonorous, whistling, and hissing sounds, of every variety, as well as the indeterminate respira- tory murmurs, may be associated with the bronchial respiration. Bronchial respiration may also be conjoined with amphoric resonance and metallic tinkling, without being masked by these sounds. The indeterminate respiratory murmurs may be attended by rales, and sonorous, whistling, and hiss- ing sounds of every kind; and the same is true of amphoric resonance and metallic tinkling. The simultaneous existence of several murmurs renders the accurate discrimination of any particu- lar one very difficult: it is only after long expe- rience that the ear is able to distinguish between such sounds, so as to isolate any one of them from the rest, and thus examine each in turn. 176 RESPIRATORY MURMURS, RALES, ETC. The concurrence of two murmurs, in which the distinction is not readily determined even when they " arise separately, occasions the utmost difficulty in diagnosis: the combination of vesicular and bron- chial respiration is an instance: the two sounds blend together into one, and the nicest observation is barely sufficient to discriminate the one from the other. If, in such a case, the expiratory murmur gives no sure indication respecting the condition of the lung, that is, if it be not distinctly bronchial, the respiratory murmur must be considered as indeter- minate, and the diagnosis established by some other means. A murmur resembling that produced by the combination of the vesicular and the bronchial respiration, may arise through other causes besides those which occasion the simultaneous occurrence of the vesicular and bronchial respiration. It is difficult to determine the clearness and pitch of a rale, when it is associated with a whistling or a hissing sound; nor can we draw conclusions from the clearness and pitch of whistling sounds in the same manner as we can from those of the rales un- der similar circumstances. If we wish to ascertain the clearness and pitch of a rale which is combined with whistling or hissing sounds, we must detach it entirely from them; and if this cannot be done, the rale must be set down as incapable of yielding information respecting the condition of the lung. If the observer attributes the pitch of the whistling sound to the rale, he will mistake many murmurs for consonating, which are, in reality, not so. AUSCULTATION OF THE COUGH. 177 V. AUSCULTATION OF THE COUGH. The cough does not afford us any signs different from those which have been already described; but it may render them all more distinct, as, for in- stance, by removing the accumulation of fluids, etc. which frequently takes place in the bronchial tubes, and obstructs the passage of the sounds. Coughing produces in the larynx its known peculiar sound, or a lesser degree of the sound which is peculiar to expiration, or it excites different kinds of rales. In the bronchial tubes, or in pulmonary cavities, the cough gives rise either to the ordinary expira- tory murmur alone, or to this murmur, and, in ad- dition, to rales, and whistling and sonorous sounds. The sound peculiar to coughing, and the other sounds excited by it in the larynx and the air-pas- sages, are heard over the thorax in varying degrees of strength and clearness, according to the laws of consonance and conduction of sound which have been already referred to. Thus the coughing may be heard as a bronchophonie sound, or as an indis- tinct humming, and the respiratory murmur caused by the cough, as a bronchial or indeterminate re- spiratory murmur, and the rales as consonating or indeterminate. In cases of pneumothorax, and where large pulmonary cavities are present, the cough may excite metallic tinkling and amphoric resonance. After coughing, the patient generally inspires more deeply than ordinarily, and thereby renders the in- spiratory murmur more distinct. Laennec made a distinction between the tubular and cavernous cough, and the dull cough-sound which is heard in the normal condition of the lungs. 178 FRICTION SOUNDS OF THE PLEURA. On this point, I have only to repeat what has been already said respecting his division of the thoracic voice. VI. FRICTION SOUNDS PRODUCED BY THE ROUGHENED SURFACES OF THE PLEURA DURING THE RESPIRA- TORY MOVEMENTS. The contraction of the diaphragm causes the ca- vity of the thorax to enlarge downwards during in- spiration, the lung, by the pressure of the air, being made to occupy the augmented space, and therefore to descend a little. When the.contraction of the diaphragm ceases, the lung contracts and ascends, regaining its former volume. The relaxed dia- phragm follows the movement of the lungs upwards, the atmospheric pressure preventing the existence of any vacuum in the thorax, or of any interval be- tween the diaphragm and the lung—provided no gaseous or fluid matters intervene. The upward movement of the diaphragm is frequently pro- moted by the elasticity of the abdominal viscera, and contraction of the abdominal muscles. This ascent and descent of the lung occasions a rubbing between the pleural surfaces, which is in- creased by the upward movement of the fore part of the thorax during inspiration, and its downward movement during expiration, the lung moving in the contrary direction. Diminished distensibility in one part of a lung causes increased movements in other parts of it, and consequently greater friction of the pleural surfaces. If, for example, a portion of lung does not expand, the parts around are pressed in towards it at each PLEURAL FRICTION SOUNDS. 179 inspiration, and fill the space which normally would have been occupied by the non-expanding portion of lung; at each expiration, the parts return back to their former position. This contact of its surfaces produces no friction- sound, so long as the pleura remains smooth and moist; but the sound manifests itself whenever, through any cause, the surfaces have become rough- ened: it generally accompanies both inspiration and expiration, being at one time most distinct during inspiration, at another during expiration: it may be heard during inspiration only, or the reverse. It resembles the creaking of leather, appears at inter- vals, and is only distinguishable from a dry rale by producing a feeling of friction and momentary con- tact (Anstreifen.) In most cases, it is recognisable by the finger as well as by the ear, and the patient generally experiences the sensation of something rubbing within his thorax. Laennec has given to this friction sound' the name of frottement ascendant et descendant: it is, in fact, almost always produced by the vertical motion of the lungs, but it may be occasionally produced by a horizontal movement, when any such impediment to the distention of the lungs exists as to cause a portion of these organs to take the horizontal direction during inspiration. Laennec imagined that the friction-sound was in most cases produced by superficial interlobular em- physema, i. e., by the air vesicles immediately be- neath the pleura. He also supposed that it would manifest itself when any cartilaginous, bony, tuber- cular, or scirrhous tumours projected above the surface of the lung. 180 PLEURAL FRICTION SOUNDS. Dr. Reynaud showed that the friction-sound was generally caused by roughened pleural surfaces, and his views have since been fully confirmed. The sound is most commonly caused by pleurisy. It is sometimes heard at the commencement of this dis- ease, when lymph has beendeposited on the surfaces of the pleura, and the contact of the surfaces is not prevented by serous effusion: at this period of the disease, however, the lymph has not always sufficient consistency to produce the sound. It is much more frequently heard, and more distinctly marked, at a later period of the disease, when absorption of the serous effusion has taken place, and the surfaces, covered by a firm plastic exudation, have once more come in contact. In this latter case, the friction- sound continues, until either the lung has formed attachments to the thoracic walls, or the rubbing surfaces have become perfectly smooth. Tumours of the nature above referred to,—bony, cartilaginous, tubercular, etc.—do not produce fric- tion sounds, if their surfaces are smooth; neither does interlobular emphysema. There is no doubt that a friction sound may be produced by the rubbing of one lobe of a lung against another; but it would be difficult to dis- tinguish such a sound from a dry rale. The friction- sound varies both in the length of its intervals, and in its strength. Differences in its strength, which depend chiefly on the extent and the rapidity of the respiratory movements, render the sound more or less distinct. The friction sound may be limited in extent or heard over many inches of surface. 181 CHAPTER IV. AUSCULTATORY PHENOMENA PRESENTED BY THE OR- GANS OF CIRCULATION. These consist chiefly of the sounds and murmurs which attend the heart's movements, and are audi- ble in the prsecordial region, and in several of the arteries. By auscultation, however, we not only hear, but we also feel the beat of the heart against the walls of the thorax, and occasionally also the pulsation of the arteries; such impulse of the heart and arteries must consequently be reckoned among auscultatory phenomena, in so far as it is made sensible to us by auscultation. Auscultation, again, takes note of the rhythm of the heart's movements. I. THE IMPULSE OF THE HEART. Cause of the Heart's Impulse.—-By impulse of the heart is understood its beat against the walls of the thorax, which is observed nearly synchronously with the pulsation of the carotid arteries, and ge- nerally about the cartilages of the fifth or sixth true ribs on the left side. Corrigan, Stokes, Rigeaux, and Burdach, believed that the impulse of the heart occurred during the diastole of the ventricles, not during their systole, an opinion now generally admitted to be erroneous: it does not require refutation. The same remark 16 182 IMPULSE OF THE HEART. may be applied to the explanation of the impulse, by a supposed lengthening of the ventricles during their systole, or by a stretching of the aortic arch. We may also pass over Dr. Hope's views,.as they have never been seriously entertained by later ob- servers.1 Bouillaud and Filhos2 explain the impulse in the following manner: "The muscular fibresof the heart have their fixed point at the tendinous rings around its base, and run from thence in a spiral direction towards its apex; now these fibres become shortened during the ventricular systole, and consequently, the apex, like the moveable end of a lever, is tilted upwards and towards the walls of the thorax. Filhos affirms, that the impulse is produced solely by the contraction of the left ventricle, the muscu- lar fibres of the right not being spiral, and there- fore incapable of other movements than those of contraction and dilatation. The last opinion is completely refuted by clini- cal observation; for, in cases of hypertrophy, with dilatation of the right ventricle, the impulse is often very strong, when the left ventricle is of its normal size, or even atrophied. I have never been able to convince myself that the apex of the heart is raised towards the thoracic walls during the ventricular systole, in consequence of the arrangement of its muscular fibres, but I am far from denying its pos- sibility. This much however is certain, that the 1 Dr. James Hope, Diseases of the Heart and Arteries. a Traite clinique des Maladies du Cocur, par J. Bouillaud. Paris, 1835. IMPULSE OF THE HEART. 183 simple raising of the heart's apex towards the tho- racic walls does not explain all the phenomena which accompany the impulse. When the heart acts vigorously in thin indivi- duals, we may observe, from the projection of the intercostal spaces, that it moves downwards during the systole, and returns to its former position during the diastole. The beat of the heart is sometimes felt at the scrobiculus cordis, and an elevation of the parts there, observed during each ventricular systole, which disappears during the diastole. Dr. Gutbrod * gives the following explanation of the cause of the heart's impulse:—" It is a well- known physical law, that when a fluid escapes from a vessel, the equality of pressure produced by the fluid on the walls of the vessel is lost, for there is no pressure at the opening whence the fluid escapes: but at that part of the vessel which is opposite to the opening, the pressure is still exerted. This pressure it is which set Segner's wheel in motion, and produces the recoil of fire-arms, etc. By con- traction of the ventricles, the pressure which the blood exerts upon the walls of the heart, opposite to the opening whence the stream escapes, causes a movement of the heart in a direction contrary to that of the stream of blood, and by this movement 1 I do not know when this theory was first brought forward by Gutbrod, but it is certain, that a precisely similar explanation of the cause of the heart's motion, and identical illustrations of it, were published by Dr. Alderson, as long ago as the year 1825, in the eighteenth volume of the Quarterly Journal of Science, Literature, and the Arts. (Transl.) 184 IMPULSE OF THE HEART. the impulse of the heart against the walls of the thorax is produced. The heart is driven in a di- rection contrary to that of the arteries, with a force proportionate to the quantity and the velocity of the current of the blood. Many objections have been made to this expla- nation. Valentin, in his Repertorium for 1841, made the following statement:—"When an opening is made into the apex of a frog's heart, no diminution nor other change is observed in its impulse; but some change ought to follow, on the supposition of the impulse being caused by the counter-pressure of the blood." To this I replied, that there was no evidence whatever that the impulse of the frog's heart was produced by the counter-pressure of the blood; for the frog's heart has no downward move- ment. Now, if the counter-pressure of the blood has no influence on the impulse of the frog's heart, the cause of this must lie, either in the slowness of its contractions, or in the small amount of its blood. To answer this objection, Valentin cut off the apex of the heart in a rabbit, and fixed a glass tube into the opening, to prevent its closure; and still he ob- served no change in the heart's impulse. I am far from saying that Valentin's observations are erro- neous; but I am not at all inclined to pass over? without consideration, the experiments which have determined the fact of the descent of the heart, under certain circumstances, during each systole. Among the theoretical considerations by which Va- lentin seeks to prove the inapplicability of Dr. Gutbrod's explanation, the last conclusion is, in my IMPULSE OF THE HEART. 185 opinion, incorrect. Vide Valentin's Lehrbuch der Physiologie, B. i. p. 426. Dr. Messerschmid makes the following remarks upon Gutbrod's theory, in Froriep's Notizen (Janner. 1840, No. cclxvi. p. 29:)—"The expression,/^* no counter-pressure, is founded on an erroneous supposition. In fire-arms, and at the mouths of the openings of Segner's wheel, there is t!ie pressure of the atmospheric air, and at the openings of the heart, that produced by the columns of blood in the arte- ries; hence this explanation of the heart's impulse rests on an error, and the ordinary explanation of the movements of Segner's wheel is unsatisfactory." Any one who will carefully examine the above- mentioned physical law, will learn that the expres- sion, "finds no counter-pressure," does not refer to the medium surrounding Segner's wheel, but that the question in debate is, concerning the pressure and counter-pressure of the fluid upon the walls of the vessel containing it. The pressure of the columns of water on Segner's wheel is not destroyed, and consequently its motion not lost, in vacuo. All that we have therefore to decide is, whether the surrounding air has any, and, if any, what influence upon its movements. Dr. Messerschmid says:—"Has anyone attempted to set Segner's wheel in motion by water, in a very perfect vacuum ? I doubt whether it has ever been done. But, independently of this, it is certain that the backward revolution of this machine is not caused by the one-sided pressure of the water solely, for the surrounding air has also a considerable share 16* 186 IMPULSE OF THE HEART. in producing it. The air presses uninterruptedly against the jets of water from the openings of the horizontal tubes, and through these jets the counter- pressure is propagated inwards to those parts of the walls of the tubes which are opposite to their open- ings. And hence, in consequence of the well-known arrangement of this machine, the counter-pressure of the external air becomes the chief cause of its backward movement." It does not appear very clear why the counter- pressure of the air should be supposed to play a subordinate, though considerable, part in the move- ment at first, and afterwards become its principal cause; nor is it very intelligible, why the assumed counter-pressure should limit its influence merely to that part of the walls of the tube which is op- posite to the point at which the fluid escapes. To carry the argument out logically, this counter-pres- sure ought to force the vertical column of water up- wards, and at last cause it to flow out over the upper opening! How comes it that the air resists the stream of water, and presses it back, whilst the vertical pipe offers no resistance to the backward movement? It is indeed surprising, how any one, on mature reflection, can believe that the resistance offered by the air to the flowing water, is capable of operating backwards through the stream of water. All that really takes place as regards the air is, that a por- tion of it is displaced by the water; the barometri- cal pressure of the air has nothing to do with the phenomenon. Neither does the pressure of air in any way assist IMPULSE OF THE HEART. 187 in the recoil of fire-arms; here, also, there is merely a displacement of a certain quantity of air. If the air in and around the mouth of fire-arms opposed the forward movement of the expanding gases, any tendency to a backward movement that might be thus produced in them, would of necessity be com- pensated by the resistance of the air behind the fire-arms; for there is no reason why the air in front of the fire-arms should be displaced with greater difficulty than the air behind them. The cause of the recoil of the fire-arms depends altogether upon the pressure exercised by the expanding gases upon the closed end of the fire-arms, which pressure is not compensated by any counter-pressure of the gases at the opposite end (where the mouth is.) It is true that nothing like the expansion of gases takes place in the heart, nor is there in its conditions the slightest similarity to those which obtain in Segner's wheel; but there is, nevertheless, no reason why the recoil of the heart may not be produced on the same principle as the recoil of fire-arms, and the movements of Segner's wheel. During the ventricular systole, the blood presses upon every part of the heart's surface with a force equal to that by which it is itself compressed; the pressure of the compressed blood on that part of the heart's walls which is opposite to the arterial openings, produces a movement in a direction contrary to these openings; the compressed blood exerts no pressure there, in consequence of the walls of the cavity being deficient. The resistance which the blood contained in the 188 IMPULSE OF THE HEART. arteries offers to the flow of blood from the heart, has nothing to do with the physical laws referred to by Dr. Gutbrod and myself; it is not because I do not think this resistance really exists, that I have not mentioned it. The movement of the heart down- wards can only take place, according to the laws referred to, when all resistance is overcome, that is to say, when, for our purpose, it no longer exists. It is only the surplus of the expulsive power of the heart over the resistance of the blood in the arte- ries, which is taken into account in this explanation. Professor Von Kiwisch says, in vol. ix. of the Prager Vierteljahrschrift,]). 501:—" Still less tena- ble (than Gendrin's theory) is Gutbrod and Skoda's explanation of the cause of the heart's impulse: ac- cording to their view, the general pressure of the blood contained in the ventricles of the heart, is removed by the escape of the blood through the single opening, and is made to bear, in an especial manner, upon that part of the walls of the heart which lies opposite to the opening, and thus forces the heart downwards. The same physical law which moves Segner's wheel, and causes the recoil of discharged fire-arms, is the law in action here." " The incorrectness of the above explanation is rendered manifest by the fact that, in the heart, the motor power does not cease to act even during the systole, when the influence of the blood flowing from the auricles is removed by the closure of the auriculo-ventricular valves. We must also remem- ber that, in this comparison, an apparatus is cited, which is formed of rigid materials, and a good con- IMPULSE OF THE HEART. 189 ductor of the impulse, whilst the heart and large vessels are formed of elastic tissues, which have little conducting power; moreover, the walls of such apparatus, when exposed to pressure, remain un- changed, whilst the walls of the heart shorten and contract."—I consider that the objections here stated by Kiwisch, have been already answered. It sounds strange, to hear any one say that he rejects all explanation of the heart's impulse by physical laws. Is it possible to explain the impulse otherwise than by the laws of physics? or are there certain physical laws, to which the heart is not sub- jected? The only question for us to answer is this, whether the pressure is really powerful enough to produce a movement of the heart in a direction downwards and forwards. A gun does not recoil, if only a small quantity of powder be exploded in it; and Segner's wheel does not move, if the friction be great, and the column of water small. Now, ob- servation shows us, that in many cases the heart, during its systole, evidently moves downwards with great rapidity, and is forced against the walls of the thorax.1 In my opinion, this fact is only capable of explanation by the above-mentioned physical law. 1 On the 8th of March, 1846, I examined a child, a few days old, in whom the sternum was wanting, and whose thorax, in consequence, presented in front a cleft, narrow above and broad below, and closed in merely by the integuments. At each inspiration, the skin was forced backwards towards the vertebrae, and the anterior ends of the ribs thereby bent some- what inwards; during expiration, the skin was pressed out- wards, in the form of a bladder. It was readily ascertained 190 IMPULSE OF THE HEART. In every case in which blood is forced out of the ventricles, it must be considered as a cause co- operating in the production of impulse. I have never asserted that this was the only cause by palpation, that the heart lay in a vertical direction, that during each systole it moved downwards and forwards, and at each diastole upwards and backwards. At each systole, in fact, the impulse of the heart could be felt immediately above the insertion of the diaphragm, and, at each diastole, on a level with the second rib, provided the finger was pressed deeply enough towards the vertebrae at that point. The impulse of the diastole was as strong as that of the systole. When two fingers were so placed, that the lower one could feel the sys- tolic, and the upper one the diastolic impulse, it appeared as though the heart glided about an inch downwards at each systole. When the skin was moderately stretched between the fingers, the outline of the heart was seen as well marked du- ring the systole, as during the diastole; from which it may be concluded, that the impulse felt at the points indicated, is not caused by any enlargement or lengthening of the heart, but by a sliding movement. When the integuments were not touched, the outline of the heart, during its systole, could be seen through the puffed-out integuments to form, at each expiration, an eleva- tion passing from above downwards; whilst, during the diastole, a depression of the inflated skin was observed, passing from be- low upwards. When the integuments were pressed backwards towards the vertebras during inspiration, the contour of the heart became as distinct during the systole as during the diastole. When the child was placed upon its back, the movement of the heart downwards was in a direction closely corresponding to the centre of the cleft; when laid upon its side, the movement was somewhat diverted towards that side on which it lay. I do not think it is necessary that I should enter into any explanation of this case, for I should only have to repeat what has been already said. IMPULSE OF THE HEART 191 of the heart's impulse. The double and triple im- pulse, associated with a single beat of the pulse, and with simultaneous contraction of both ventricles; weakness of the pulse, conjoined with strong im- pulse of the heart, when the condition of all its valves is normal; the slow heaving of the thoracic walls, unattended by concussion, and other exten- sive disturbances of the heart, occurring during its systole—are not explicable by this law. Bouillaud relates cases, in which a double and even a triple beat of the heart was observed with each arterial pulse. He ascribed the second and third beat, not to a repetition of the systolic impulse, but to a diastolic impulse. It sometimes happens, when the heart is forced over to the right side by extensive effusion in the left pleura, that, at each systole, an impulse is felt at that part of the thorax which corresponds to the situation of the heart's apex; and that a second impulse, or rather a heaving of the thoracic walls, is also observed during the diastole, about an inch and a half above that part. The same phenomenon is also occasionally observed in cases of great hypertrophy, with dilatation of both ventricles: at each systole, the part of the tho- rax which corresponds to the heart's apex is raised, and the part over the middle of the heart falls in somewhat, whilst, during the diastole, the reverse of these movements is observed. When the heart occupies a low position, in conse- quence of the ascending aorta being lengthened, the elevation of the thoracic walls, during the diastole, becomes very marked. The opinion of Gendrin, that 192 IMPULSE OF THE HEART. an impulse—particularly when of a heaving charac- ter—felt beneath the third rib during the ventricular diastole, is a sign of the heart being placed low, is quite correct. In many cases of hypertrophy with dilatation of both ventricles, the systole causes an impulse, but the diastole produces no heaving of the walls; a concussion, however, is felt, not excited by the impulse of the heart against the walls of the thorax, apparently synchronous with the retreat of the heart towards the vertebrae. This phenomenon is evidently the same as that described by Laennec under the name of impulse of the auricles. I have never observed a distinct impulse, i. e. such a one as takes place during the ventricular systole, associated with the heart's diastole. In the cases which I have seen, where there was a double or triple impulse of the heart accompanying each pulse the impulse was always produced during the ven- tricular systole. The double or triple impulse was caused in one of the following ways: either through a double or triple contraction of the right ventricle, united with a single contraction of the left; or by the two ventricles contracting alternately; or, in consequence of blood not being thrown into the aorta at each systole, its supply from the lungs failing, or the bicuspid valves being defective. Deficiency of the bicuspid valves, associated with single contractions of the heart, may be recognsied by systolic murmurs heard in the left ventricle, and a faulty pulse; when the tricuspid valves are defective, a strong pulsation is observable in the veins of the neck, and a weakness of the sounds in the pulmonary artery. IMPULSE OF THE HEART. 193 I have never observed an impulse caused by con- traction of the auricle. Bouillaud relates a case, where the left auricle was supposed to have pro- duced an impulse; but it is not at all clear that the impulse was so produced. His grounds for the opinion were, that he could not explain the pheno- menon observed in any other way. (Traite des Malad. du Cceur, Paris, 1835, t. i. p. 149.) There are other causes, besides the above-men- tioned, which assist in the production of the heart's impulse. The lengthening of the arterial columns of blood, which occurs at each systole, must be particularly noticed. The blood contained in the arteries is not instantaneously driven onwards at each ventricular systole, so as to afford sufficient room for the addi- tional quantity entering into them; but the arteries themselves enlarge in length and breadth, or, in other words, the arterial columns, at each systole, become thicker and longer: the lateral enlargement of the arteries is small, but their elongation con- siderable. The aorta and pulmonary artery, being free and unattached to some distance from their origin in the heart, allow of a lengthening of the blood column downwards; and the heart will consequently be forced in that direction. Dr. Messerschmid undoubtedly takes this view of the matter, but he gives no other explanation of it than this, that the resistance of the blood in the arteries is communicated backwards to the heart, through the blood contained in the heart, and thus 17 194 IMPULSE OF THE HEART. forces it downwards. The same explanation is also given by Gendrin, Lemons sur les Maladies du Cceur, p. 37. We occasionally observe cases, where the heart's movement is slow, and where it descends as much as one or two inches lower during the systole, than during the diastole. Such a movement is inexpli- cable, except upon the supposition of the aorta being lengthened downwards; according to my own expe- rience, indeed, such extensive movements of the heart only occur when the ascending aorta is longer than natural, but not widened. A third cause of the heart's impulse, which I re- ferred to, in the first edition of this work, is the change of the heart's form caused by its contraction. When the heart is much enlarged, the thoracic walls are sometimes extensively raised during its systole, and sink suddenly back during its diastole; and if the movements of the heart are slow, the heaving up of the thoracic walls may take place without pro- ducing any concussion. When the heart is enor- mously enlarged, I believe that it may raise the walls of the thorax, in consequence of its anteropos- terior diameter becoming greater during the systole, than the space between the fore part of the thorax and the vertebral column; from which also it must be admitted, that the heaving of the thoracic walls, when no sign is present to demonstrate a simulta- neous and equal pressure on the vertebral column, is only explicable by Dr. Gutbrod's theory. Lastly, it must not be forgotten, that the heart by becoming rigid from contraction during its systole, IMPULSE OF THE HEART. 195 takes a different form and direction from those it held in its relaxed state; and that such change of form and position may aid in producing its impulse, even though the idea of a lever-like elevation of its apex against the thoracic walls, be hardly explica- ble by the arrangement of its muscular fibres. Dr. Kiirschner—Arch, fur Anatomie, etc., Von Johann Mailer, 1841, vol. i. p. 103—offers the fol- lowing explanation of the heart's impulse, as de- duced from vivisections and post-mortem researches: —" The apex of the heart, during its diastole, is forced downwards by the flow of the venous blood, and the aorta and pulmonary artery consequently put upon the stretch. During the systole, the ven- tricles are freed from the pressure of the venous blood by the closure of the auriculo-ventricular valves, the extended arteries are shortened, and the apex of the heart raised. The reason of this raising of the apex being so forcible as to produce a sen- sible blow on the walls of the thorax, is, that the blood is driven in that direction by the powerful contraction of the muscular fibres, the heart itself acquiring great firmness and consistency." I have not repeated Dr. Kiirschner's experiments, and therefore am not able to say anything about them. This much, however, is very clear, that Dr. Kiirschner, in his explanation, has not troubled himself much about the laAvs of mechanics. If it be correct, that the stream of venous blood presses the apex of the heart towards the vertebral column during the diastole, the pressure must con- tinue during the heart's systole, notwithstanding the 196 IMPULSE OF THE HEART. closure of the valves, for the pressure could not cease, unless the valves were of themselves sufficient to resist the influx of the venous blood from the auricles into the ventricles: but they possess no such power of resistance, and consequently the pressure of the venous blood on the ventricles, both during the diastole and the systole, will be alike in force and in direction. According to Dr. Heine, the heart is thrown for- wards by the contraction of the papillary muscles. The motion of the heart forwards and to the left is thus accounted for: the broad extremities of the mitral and tricuspid valves are fixed to segments of the fibro-cartilaginous aortic ring, in an oblique, not a perpendicular direction, and when suddenly stretched, throw the heart forwards; whilst the ar- teries, being attached laterally and superiorly, do not yield to the movement, but bend forward to- wards the base of the heart. But, according to Dr. Heine's own showing, such an effect could not be produced, except upon the hypothesis that the contraction of the heart com- mences at the points of insertion of the papillary muscles, so as to afford these a firm point of support for their action; such contraction of the heart being followed by contraction of the papillary muscles, by which the heart, still undiminished in size, is thrown forward; then comes the heart's systole, and the ex- pulsion of the blood. I must say, that this explanation of the forward movement of the heart by the mode of insertion of the papillary muscles, and their contractions, is not IMPULSE OF THE HEART. 197 very intelligible to me: if such an explanation is admitted, the heart's impulse can no longer be looked upon as a concomitant circumstance, but must be regarded as the very object of its action— an idea to which I must refuse to give my assent. The object of the contraction of the heart is to drive the blood onwards; and, in my opinion, we have good right to take this fact as a postulate. In explaining the cause of the heart's impulse, we must proceed by the process of demonstration; we have no a priori facts to aid us. I might add, that, according to experience, the force of the heart's impulse bears no relation in de- gree to the development of the papillary muscles. Dr. Heine has not taken into consideration the slowly-developed impulse of the heart. The expla- nation of the movement of the heart downwards, as a consequence of the contraction of the papillary muscles, can scarcely be entertained as serious. Professor von Kiwisch gives the following ex- planation of the cause of the impulse: " The heart cannot recede from the diaphragm and the thoracic walls, unless some body—either gaseous or liquid —or a portion of lung, intervene between the two. Now it is evident, that at those parts where the pericardium is attached to the thoracic walls and to the diaphragm, no lung can intervene; so long there- fore as the pericardium contains neither liquid nor gaseous bodies, the thoracic walls and the dia- phragm form the fixed points of the heart; the other parts around the heart are yielding, and follow its movements; the heart, consequently, during its 17* 198 IMPULSE OF THE HEART. diastole, will be lengthened,and take a direction up- wards and backwards. The ribs alone form the rigid portion of the thoracic walls, the intercostal spaces being more or less yielding; when therefore a contraction of the heart as it lies in contact with the walls takes place, the ribs, being the most un- yielding parts, form the fixed points against which the organ is firmly pressed, and from which it can- not recede. "In this fixed position, the heart, during each systole, swells out, becomes firmer, and takes a more globular form; its movement forward, thence resulting, is restrained by the ribs, but manifests itself through the yielding intercostal spaces; and thus it is, and by no other means, that the pheno- menon in question of the heart's impulse is produced. Accordingly, when we place a finger in the proper intercostal space, we do not feel what is wrongly called the beat (Anprallen) of the heart's apex against the thoracic walls, but we experience a sen- sation as though the heart's walls were hardening and swelling, being themselves fixed and at rest; much the same sensation, in fact, as is experienced when the hand is passed through the abdomen and placed upon the contracting ventricles of the heart, the diaphragm intervening, or when the thorax is opened and the hand laid immediately upon the heart." The following remarks may perhaps serve to ex- plain this theory of Kiwisch. The heart cannot recede from the walls of the thorax and the diaphragm unless some foreign body intervene, because the formation of a vacuum is pre- IMPULSE OF THE HEART. 199 vented by the pressure of the atmosphere; this pres- sure acts upon the position of the heart only through the medium of the lungs; and the heart cannot re- cede from the thoracic walls and the diaphragm, un- less the lungs are distended with air. The lungs possess elasticity and organic contractility, by which a continual opposition is offered to their distention by the air; their contractile power is the measure of the force, by which the soft parts of the thorax are drawn inwards. When the abdomen is opened, the diaphragm is found to be arched upwards, and the intercostal spaces—provided the individual ex- amined be not unusually fat—are seen to be fur- rowed externally, and elevated within the thorax. This drawing-in of the intercostal spaces is not con- fined to those parts of the thoracic walls beneath which the lungs lie; the pressure of necessity acts upon every part of the thoracic walls, and equally well, therefore, whether through the heart, through pleuritic effusions, or through an infiltrated portion of lung. The pressure is constant, but it is increased by inspiration. Since the heart is retained in con- tact with the thoracic walls and the diaphragm, solely by the distended lungs, and since the con- tractility of the lungs produces a constant drawing- in of the soft parts of the thoracic walls, it follows, that whatever form the heart may take, it can never cause a projection of the intercostal spaces, or of the diaphragm, in a direction outwards or down- wards; if no other influence affected the heart's po- sition, a slight drawing-in of the intercostal spaces, and the diaphragm, would be more likely to hap- pen at each systole. 200 IMPULSE OF THE HEART. The theory of Professor von Kiwisch presup- poses that the lung both contracts inwardly, and presses outwardly. If the explanation above given does not make the matter clear to any one, let him recollect, that at times the impulse of the heart not only forces forward the intercostal spaces, but also raises the sternum and the ribs; a fact which has been quite overlooked by Kiwisch. THE FORCE AND EXTENT OF THE HEART'S IMPULSE. A consideration of the causes which produce the heart's impulse enables us, in some cases, to pre- mise certain facts respecting its force and extent. The different causes referred to in the preceding account are not always found associated together in the production of the heart's impulse; one only may be in operation, or there may be several; the force of the impulse is necessarily connected with the rapidity and completeness of the contractions, and with the size of the organ itself. If, for the moment, we admit that the pressure of the blood on the walls of the ventricles, and the lengthening of the arterial columns, are the only causes of the heart's impulse, it follows that this impulse will be stronger, in proportion to the quan- tity of blood and the velocity with which it is forced from the heart into the arteries. An hyper- trophied and dilated ventricle is therefore pecu- liarly well fitted for the production of a strong im- pulse. In simple hypertrophy, without dilatation, as well as in dilatation of the ventricles, without the thinning of their walls, the impulse is weaker than in hypertrophy with dilatation, but stronger than in IMPULSE OF THE HEART. 201 the normal condition of the heart; on the other hand, when its cavities are dilated, and its walls thin, it is weaker than in the last case, because a simply dilated ventricle cannot completely expel the blood within it. An hypertrophied and con- tracted ventricle produces a diminished impulse. The more contracted the ventricle, the weaker is the impulse. But we must not conclude, that in hypertrophy with dilatation the impulse is always stronger than in hypertrophy without dilatation; for rapidity and completeness in the heart's contractions are indis- pensably required for the production of a strong impulse, and these, as experience teaches us, de- pend upon other causes than merely the thickness of the heart's walls. An hypertrophied heart, when excited, may pro- duce strong concussion of the thorax; and yet, at another time beat so calmly that its impulse is almost imperceptible. If the hypertrophy and dilatation is confined to the left ventricle, and the right ventricle is either of normal size, or smaller than natural, the left ven- tricle will be unable to throw its full quantity of blood into the aorta, on account of its receiving a deficient supply from the right ventricle, which does not contract more frequently than the left. Hence, no distinct and constant increase of the heart's impulse will attend hypertrophy and dila- tation confined to the left ventricle, provided the aortic valves are not defective; for when they are, a portion of the blood which is driven into the aorta during the systole, regurgitates into the ven- 202 IMPULSE OF THE HEART. tricle during the diastole: from time to time, how- ever, a beat more violent than ordinary will be observed. The same is true of hypertrophy and dilatation of the right ventricle, accompanied by normal or diminished size, with thinning of the walls of the left ventricle, provided there be no defect of the tricuspid valves; the greater the dis- proportion in size between the two cavities, the less will be the force of the impulse. The force of the impulse is also affected by the size of the arterial opening, and the quantity of blood contained in the ventricle. If the arterial opening be narrow, and the ventricle large, the impulse of the heart is less than it would be if the ventricle and arterial opening were both enlarged; when the arterial opening is narrow, the impulse is prolonged, if the contraction of the ventricle bo complete. If the disproportion between the size of the arterial opening and the ventricle be considerable, the heart cannot contract thoroughly, its impulse is shortened, and may be scarcely per- ceptible, although the organ be hypertrophied and dilated. But it has been shown that the impulse of the heart may be caused by mere change of its form, independent of any expulsion of blood from its ven- tricles; consequently, what has been here said re- specting the effect which the condition of the arte- rial openings and the ventricles has upon the im- pulse, must be taken in a modified sense. Change of form does not produce any increased impulse, unless the heart be much enlarged and its action violent. IMPULSE OF THE HEART. 203 The heart's movements may be considerable, and yet produce no concussion in the walls of the tho- rax; and the more distensible the aorta and pul- monary artery are, the greater is the movement produced by the ventricular systole. The greatest displacement of the heart occurs (as we have al- ready said) when the ascending aorta is lengthened without being widened. As a general rule, length- ening of the aorta is only observed in old persons. Little or no lengthening of the aorta takes place, when blood is forced into it during the ventricular systole, provided it be not widened. In such case, there is either very slight, or no downward move- ment of the heart at all. A rapid contraction of the organ is not absolutely indispensable to the lengthening of the aorta; but the lengthening is always greater, the greater the quantity of blood driven out of the ventricle. THE DIRECTION IN WHICH THE HEART MOVES DURING ITS SYSTOLE, AND THE PART WHERE THE IMPULSE IS FELT. Both the ventricles must contract synchronously, for we find that, with very rare exceptions, one beat of the pulse takes place at every impulse of the heart; if this were not the case, a double impulse of the heart would accompany a single pulse. It is not a very easy matter to determine the direction which the heart takes during the contraction of its ventri- cles; the contraction of the right ventricle forces it in a direction different to that which the left ven- tricle would give it; their simultaneous contraction consequently produces a movement in the diagonal of the forces. When the heart is in its normal posi- 204 IMPULSE OF THE HEART. tion, its impulse may be felt between the cartilages of the fifth and sixth ribs of the left side; if it lie in a vertical position behind the sternum, it is forced downwards at each systole, and consequently strikes against the lower part of the sternum, or at the scrobiculus cordis; in the latter case, the parts are seen to rise during the systole, and to return to their former state during the diastole. When the position of the heart is horizontal, from right to left, its impulse will be felt in the intercostal spaces of the lower true ribs on the left side. Its vertical position is not observed, except in cases of extensive pleuritic effusions, or in pneumo- thorax of the left side, or of vesicular emphysema affecting the lower part of the left lung, or the whole of the left lung, or both the right and left lungs together. The horizontal position is given to the heart, either from the diaphragm being forced upwards on the left side by abdominal effusions, or by gaseous distention of the bowels; or through enlargement of the left lobe of the liver; or through extensive pleuritic effu- sions, or pneumothorax of the right side, by which the right lobe of the liver is depressed and forced towards the left, the left lobe being thereby driven upwards. This position of the heart may be also produced by its own enlargement (the diaphragm retaining its normal condition,) by lengthening of the ascending aorta, or by large aneurisms on the right side of the ascending aorta; the further the apex of the heart is pressed towards the left, the more extensive must the abnormal conditions be which cause the pressure. IMPULSE OF THE HEART. 205 Laennec, and other writers after him, tell us, that when the left ventricle is hypertrophied, the impulse of the heart is felt in the left side, but when the right ventricle is hypertrophied, behind the sternum. This statement is by no means cor- rect. If the heart occupies the vertical position, its impulse is felt behind the sternum, whether its right or its left ventricle be hypertrophied; but if it be placed horizontally, the impulse is felt in the left side, even though the right ventricle be hyper- trophied. When the heart is considerably enlarged, its impulse may be felt behind the sternum, at the pit of the stomach, and in the left side. DIFFERENT DEGREES OF FORCE IN THE HEART'S IMPULSE. Three several degrees may be noted in the force of the heart's impulse, each, however, passing gra- dually into the other. 1. An impulse which does not raise the thoracic walls, nor shake the head of the auscultator; or which is imperceptible. The heart producing such an impulse may be perfectly normal, or it may be more or less hypertrophied and dilated, or dilated only; the hypertrophy and dilatation may be con- fined to one ventricle, the opposite state of things obtaining in the other: the impulse, lastly, is af- fected by the various degrees of pericardial effu- sions. From all which it results, that a weak or imperceptible impulse is in itself a very indefinite sign. 2. An impulse which does not raise up the tho- racic walls, but imparts a strong concussion to the 18 206 IMPULSE OF THE HEART. head of the auscultator. Such an impulse indicates hypertrophy of one or both sides of the heart, its cavities either remaining of normal capacity, or being slightly dilated; or it may be the result of increased action in a healthy heart. We can only determine upon which of these causes it depends, by ascertaining the size of the heart. If the heart be of normal size, its walls are not hypertrophied, and the strong impulse is the result of increased action: but if it be enlarged, and communicate a concussion to the head of the observer, there can be no doubt that its walls are hypertrophied. 3. An impulse which raises the thoracic walls during the heart's systole, the walls sinking again during its diastole. The head of the auscultator necessarily follows these movements. The heav- ing of the thoracic Avails takes place either sud- denly, producing a concussion, or the movement is gradual, and unaccompanied by concussion; in the latter case, the heaving may be scarcely remarked by the auscultator, but the collapse, from its sud- denness, becomes the more striking. In conse- quence of a concussion being communicated to the head when the heart sinks back, it is not impossible that a person little versed in auscultation might confound the sinking back with the impulse, and thus mistake the diastole for the systole. An impulse strong enough to raise the thoracic walls and the head of the auscultator, requires for its production hypertrophy and dilatation of both ventricles. Hypertrophy and dilatation of the left ventricle only, will not produce such an impulse, unless there be considerable defect of the aortic IMPULSE OF THE HEART. 207 valves co-existing: the same remark will apply to the impulse which raises the thoracic walls without imparting concussion to the head of the observer. A slow contraction of the heart is the consequence, either of a narrowing of its orifices, or of the area of its cavities preponderating over the thickness of their walls, or of a general deficiency of the blood, etc. The second, as well as the third degree of im- pulse, does not preclude the idea of pericardial effusion, or of union between the free and attached pericardial surfaces. It is only when the effusion is considerable in relation to the hypertrophy of the heart, that the increased impulse is lost; when the heart is attached to the free pericardium, and the layers of matters forming the union are thick, the thoracic walls may be raised by an impulse similar to that produced by an hypertrophied and dilated heart: the simply hypertrophied heart never produces a concussion. The impulse moreover varies, both as to the ex- tent of surface and the parts over which it is felt. These points can be much more readily determined by palpation, than by auscultation. The impulse of a normal heart cannot be felt in more than one, or at most in two, of the intercostal spaces; if it be perceptible in several, or through more than an inch and a half of one, at the same moment, we may conclude that the heart is enlarged. The cause and the signification of the heart's impulse, as felt at different parts of the thorax, and at the pit of the stomach, have been already pointed out. 208 PULSATION OF THE ARTERIES. II. THE PULSATION OF THE ARTERIES. We shall only speak here of the pulsation of the aorta and pulmonary artery. If the ascending aorta, or its arch, be so enlarged, as to come in contact with the thoracic walls, or if any tumour be present in the anterior mediastinum, an impulse will be observed, at each systole of the heart, over those parts of the thorax which correspond to the course of the aorta—an impulse as strong, or even stronger, than that of the heart itself. But we cannot be certain that the impulse is pro- duced by pulsation of the aorta, unless it is accom- panied by a perceptible heaving of the thoracic walls; for the concussion produced by the impulse of the heart is often distributed over a considerable extent of surface, particularly over the sternum. When we are thus in doubt as to the cause of the beat felt at the upper part of the sternum,—whe- ther it be produced by the pulsation of the aorta, or by the heart's impulse,—we must carefully ex- amine the parts, proceeding from above downwards to the heart's apex, and compare the force of the per- cussion as felt at different points; if it be stronger towards the upper part of the sternum, than at any point nearer the heart's apex, then it is evident that the beat is caused by pulsation of the aorta. It is however advisable in all cases to aid the diao nosis by percussion. The pulsation of the pulmonary artery may be observed over the thorax, if a consolidated portion of lung, or any solid body, intervene between its SOUNDS OF THE HEART. 209 root, or one of its large branches, and the thoracic walls. Hepatization, or tubercular infiltration of the upper lobe of the lung, are the most frequent causes of this phenomenon, which Laennec attri- buted to transmission of the heart's impulse. I have never felt the pulsations of the descend- ing thoracic aorta. The pulsations of the abdominal aorta are readily felt in thin persons, when the abdomen is retracted; in such cases there is no difficulty in discovering any existing enlargement of this vessel. III. THE SOUNDS AND MURMURS HEARD IN THE REGION OF THE HEART, AND OVER DIFFERENT ARTERIES, CONSEQUENT UPON THE HEART'S MOVEMENTS. The normal sounds of the heart are generally indicated by the expression " tic-tac;" its abnormal sounds being comprised under the terms of bellows, sawing, rasping, filing murmurs, etc. The tic-tac may be stronger or weaker than natural, or altered in its timbre; we are therefore obliged to speak of over-strong, or over-weak, or too ringing— and consequently abnormal—normal heart sounds. This tic-tac I call the sounds (Tone) of the heart, and speak of normal and abnormal sounds. By murmurs (Gerausche) I understand the abnormal sounds of the heart indicated above, blowing, saw- ing, rasping, etc. Gendrin gave the name of bruit de choc, and bruit de percussion to the tic-tac, to distinguish it from the blowing, sawing, etc., murmurs. I believe that the term chosen by myself is preferable. 18* 210 SOUNDS OF THE HEART. THE SOUNDS OF THE HEART. CAUSE OF THE SOUNDS. Observers are by no means agreed as to the in- terpretation of the origin of the two sounds which are heard over the region of the heart, and are synchronous with its systole and diastole. Laennec attributed the first prolonged sound to contraction of the ventricles, and the second to contraction of the auricles, but did not enter into any particular explanation of their mode of origin; doubts were afterwards thrown upon this opinion, through the researches of Haller, who showed that a short and rapid contraction of the auricles preceded—wie ein Vorshlag—the systole of the ventricles. Majendie attributed the first sound to the im- pulse of the heart's apex, and the second to the impulse of the anterior surface of the right ventri- cle, against the walls of the thorax. At each systole, some part of the heart, if not in every case its apex, beats against the thoracic walls, the impulse frequently giving rise to a ring- ing metallic sound, which may be imitated by tap- ping upon the back of the hand laid flat over the ear. But the beat of the heart against the tho- racic walls is not the only cause of the first sound, for the sound may be quite distinct when the im- pulse is scarcely perceptible, and on the other hand it may be barely audible when the impulse is vio- lent. Moreover, it is shown by vivisections, that the sounds of the heart continue, although the or- gan be prevented from striking against the sternum, SOUNDS OF THE HEART. 211 or any other body. The right ventricle again does not strike against the thorax during the diastole, at least in the normal state of things. Rouanet attributed the first sound to a stretch- ing of the auriculo-ventricular valves, during the ventricular systole; and the second to the disten- tion of the semilunar valves, produced by the back- ward pressure of the blood in the arteries during the heart's diastole. Rouanet considered his views supported by the fact, that membranes and chords produce a sound when suddenly rendered tense; this fact he applied to the valves of the heart, which are rapidly brought into a state of tension during the alternate systole and diastole of that organ; and he endeavoured ex- perimentally to demonstrate the correctness of his theory. For this purpose he tied a glass tube four feet long into the aorta above the semilunar valves, and beneath the valves he fixed a short tube, having a bladder filled with water attached to it; he then compressed the bladder, so as to force the water into the tube fixed above the valves, and suddenly re- laxed the pressure; at each descent of the fluid he noticed a stroke or sound which bore a certain de- gree of resemblance to the second sound of the heart. Professor Bouillaud concurred in Rouanet's the- ory, giving the name of valvular sounds to the ordi- nary heart sounds. In addition to the arguments used by Rouanet in support of his views, Bouillaud brought forward this important one, viz.: that the sounds of the heart are but very little affected by change in its structure, so long as the valves duly 212 SOUNDS OF THE HEART. perform their functions; but that they undergo con- stant and remarkable changes, and are converted into sounds of a totally different character, when- ever the valves were altered in structure. He was not, however, of opinion, that the first sound de- pended entirely upon the distention of the auricular valves during the systole, but attributed it in part to the sudden flapping back of the semilunar valves against the walls of the arteries; nor did he consi- der that the second sound was produced solely by distention of the semilunar valves, but also in part by the simultaneous stroke of the auricular valves against the walls of the heart, at the time the blood rushes from the auricles into the ventricles. Dr. C. J. B. Williams at first concluded from the results afforded by vivisections, that the first sound was a muscular sound; but he subsequently attri- buted it to the vibrations excited in the ventricular walls and the auricular valves during the heart's contractions; the second sound he explained by the impulse of the blood against the semilunar valves. The following are the conclusions drawn by the Dublin Committee from their vivisections:— 1. The sounds are not caused by contact between the ventricles and the sternum, but by movements in the heart and its vessels. 2. The distinctness of the sounds is increased by contact of the ventricles with the sternum and an- terior part of the thoracic walls. 3. The first sound is connected with the systole of the ventricles, and is of equal duration with it. 4. The cause of the first sound comes into action SOUNDS OF THE HEART. 213 and ceases with the systole of the ventricles, and is constantly in action during the continuance of the systole. 5. The first sound does not depend upon the closing of the mitral and tricuspid valves, their act of closure being effected at the commencement of the systole, and being of much shorter duration than it. 6. The first sound is not produced by friction between the internal surfaces of the ventricles, for friction can only take place when the ventricles are empty, whereas the first sound commences with the systole. 7. The first sound is caused either by the sudden rush of blood over the irregular internal surfaces of the ventricle during its passage towards the arterial openings, or by the muscular sound of the ventri- cles, or probably it is the result of a combination of these two causes. 8. The second sound commences immediately on cessation of the systole, and the integrity of the semilunar valves is necessary for its continuance; it seems to be caused by the sudden stoppage, through the action of these valves, of those movements of the blood which are occasioned by the elasticity of the arterial trunks, and occur after each contraction of the ventricles. The Committee close their report by observing that, notwithstanding the numerous researches which had been made, the subject was not yet ex- hausted, and that many doubtful points still re- quired explanation. According to Gendrin, the contraction of the 214 SOUNDS OF THE HEART. ventricles produces undulations in the blood within them, which undulations converge towards the heart's apex, and are communicated to its walls; and hence the origin of the first sound. It is loud- est at the spot where the apex strikes the thoracic walls, partly because the undulatory vibrations con- verge towards this point, and partly because the sound passes most readily from the apex to the walls of the thorax, in consequence of the apex coming in contact with the walls. At each diastole the blood rushes into the ven- tricles, first flowing down towards the heart's apex, then upwards, striking at last against the walls of the heart, about its base. This impulse gives rise to the second sound, which consequently is heard loud- est at the heart's base; the semilunar valves have no part in its production, being already closed before the ventricle is filled, and thus before the second sound commences. Neither do the auricular valves assist in the formation of the first sound, for their vibrations must be mixed up with the vibrations of the blood; the first sound, moreover, is heard loud- est towards the heart's apex, and not in the neigh- bourhood of the auricular valves; were it depend- ent upon the tension of these valves, it ought to be absent in cases where they are thickened or par- tially destroyed, but it is often heard loudest in such cases. And so again, destruction of the semi- lunar valves should put an end to the second sound, if the sound depended upon them; but the sound is always present, though masked by abnormal mur- murs, which prevent its being recognised by the auscultator. Any one may convince himself of the SOUNDS OF THE HEART. 215 presence of the sounds, by listening for them, when the ear is removed to a little distance from the thorax. Cruveilhier considers that both sounds originate about the roots of the aorta and pulmonary artery; the first being caused by the flapping back of the semilunar valves, the second by their closure. His views were formed from observations made on an imperfectly formed infant. The heart of the child (which was in other respects well developed and full of life) lay outside the thorax, passing through a round opening in the upper part of the sternum. It was uncovered by pericardium, and completely bare, its colour pale, and surface dry. Its position changed when the child's posture was altered: when the child was placed vertically the heart sunk considerably, and its great vessels be- came visible. The axis of the heart was vertical. Its action was not disturbed either by touching or by gentle pressure, nor did the manipulation give rise to pain. Both its sounds were heard when the ear was laid immediately on its surface, the first sound much weaker than as ordinarily heard through the thoracic walls. Both sounds were loudest at the base of the heart, and weakest at its apex. To as- certain the cause of the first sound, Cruveilhier ex- amined every part of the surface of the ventricles, but could discover there neither vibration nor sound, which could be looked upon as other than the con- sequence of conduction. From this he concluded that the auricular valves yield no sound, and that the first sound is caused by the flapping back of the 216 SOUNDS OF THE HEART. semilunar valves, being heard loudest at the same spot as the second sound. He considered his views supported by clinical observations; the sounds of the heart, according to him, being altered under every diseased condition of the semilunar valves, when the auricular valves are healthy. The im- pulse of the heart against the thoracic walls assists in the production of the first sound, and this is the reason why the first sound is loudest at the heart's apex.1 THE AUTHOR'S VIEWS RESPECTING THE CAUSE OF THE SOUNDS OF THE HEART. The ventricles, the aorta, and pulmonary artery, severally contribute in the production both of the first and of the second sound of the heart. The question, as to the origin of the heart's sounds, cannot, in my opinion, be solved by vivi- sections alone; observations must also be made upon individuals both in health and in disease, and a careful comparison be instituted of facts observed during life, with the results found after death. A person practised in auscultation, with sufficient opportunities for investigation at his command, will find the'following statements correct: the sounds which depend upon the movements of the heart differ in healthy individuals in their degree both of strength and of clearness; in one person they are indistinct, or barely perceptible, in another remark- ably clear, having even a ringing character; at one time the sounds are scarcely audible in the region of 1 Gazette Medicate de Paris, 1841, No. SOUNDS OF THE HEART. 217 the heart, at another distinctly so over the whole an- terior surface of the thorax, and even reach to the back; again,in some persons they are particularly clear at those parts of the thoracic walls against which the heart beats, whilst in others they are indistinctly heard there, but are very clear over the pulmonary artery and aorta. By comparing the sounds heard over those parts of the thorax against which the heart beats, with the sounds heard above the base of the heart, where the pulmonary artery and aorta lie, we frequently observe that the first sound—the sound synchronous with the beat of the heart—is more prolonged over the heart than the second sound, but that above the base of the heart the accent falls on the second sound. The sounds heard over the apex of the heart— and consequently over the left ventricle—also fre- quently differ, in strength and clearness, from the sounds heard at the same level, to the right and over the sternum—that is, over the right ventricle; I have also occasionally observed a difference in their pitch. The sounds heard above the base of the heart— about the middle of the sternum, and towards its right border, beneath which parts the aorta passes —also occasionally differ in strength and clearness, and in some particular cases in pitch also, from the sounds heard at the same level, but about an inch to the left of the sternum. These differences of sound are much more dis- tinctly marked in individuals suffering from diseases 19 218 SOUNDS OF THE HEART. of the heart than in the healthy; it will be well, therefore, for observers to commence their investi- gation of them in persons suffering from disease, and afterwards study them in healthy subjects. Whoever has extensive opportunities for observa- tion of diseases of the heart, will meet with cases where neither the first nor the second sound can be heard atthatpartof the thoracic walls against which the apex of the heart beats—that is, over the left ventricle—but in their place he will find a single or a double murmur, blowing, sawing, rasping, etc.; while, at the same time, to the right of this,—over the right ventricle, and above the base of the heart, i. e. over the pulmonary artery and aorta—both sounds are distinctly audible; the sounds, moreover, heard at the three points indicated, generally differ from each other in strength, clearness, etc. In other cases again, both sounds, which in most cases differ from each other, will be heard over the left ventricle, the aorta, and the pulmonary artery, a murmur, synchronous with the ventricular systole, being au- dible over the right ventricle, but no sound. Still more frequent are the cases in which a single or double murmur, but no sound, is perceptible along the course of the aorta, whilst over the right and left ventricles, and over the pulmonary artery, both sounds are distinctly audible. A single or a double murmur may also be heard over the left ventricle and the aorta, the normal sounds still existing over the right ventricle and pulmonary artery; or mur- murs may be heard over the left and right ventri- cles, or over the right ventricle and aorta, or over SOUNDS OF THE HEART. 219 the left and right ventricles and the aorta—whilst at those parts where no murmur is heard, the sounds are either distinct, or indistinct, or altogether in- audible. If these remarks are correct, and I believe them to be so, inasmuch as they are the results of a vast number of observations made by myself and others, it appears to me tolerably clear that the ventricles, the pulmonary artery, and the aorta, severally assist in producing the sounds of the heart. Variations in the sounds are generally associated with changes in the condition of the valves of the heart; we must, therefore, in our interpretation of these sounds, take into consideration the state of the valves during the heart's movements. From obser- vations made on the living, and compared with post- mortem appearances, we are forced to the con- clusion that variations in the sounds and murmurs of the heart are generally associated with changes in the condition of its valves; for when we observe during life that the sounds are replaced by murmurs, as a rule, we find an abnormal state of the valves after death; they are thickened, or contracted, or covered by excrescences, or the opening they enclose is constricted, etc. It must, nevertheless, be ad- mitted that we occasionally remark during life no change of sound, or only such as is consistent with the healthy condition of the valves, in cases where an abnormal state of the valves is found after death. From which it follows, that not every abnormal con- dition of the valves gives rise to well marked varia- tions in the sounds, but that certain'particular ab- 220 SOUNDS OF THE HEART. normal states are necessary for their production; or else, that other circumstances, besides these abnor- mal states of the valves, assist in producing them. By endeavouring to obtain a clear idea of the manner in which the valves conduct themselves during the movements of the heart, both in their nor- mal and abnormal states, we may perhaps obtain an insight into the conditions under which the valvular sounds, and their changes and their conversion into murmurs, are produced. Such a survey of the pos- sible conditions under which these changes may be brought about, would afford us guidance in our in- quiries, and thus, by aid of observations and direct experiments, wc may be able to separate facts from mere conjectures. STATE OF TnE MITRAL AND THE TRICUSPID VALVES DURING THE MOVEMENTS OF THE HEART. Laennec asserted that the papillary muscles were so connected with the valves that their contraction necessarily caused the valves to open; he must, there- fore, have supposed that the papillary muscles do not contract synchronously with the substance of the heart, but during its diastole, i. e. when the blood enters into the ventricles. Bouillaud, on the con- trary, maintains that the valves are closed by the contraction of the papillary muscles. Now it will be found that the valves do not close however forcibly the papillary muscles and the ten- dons attached to them are stretched in the direction which they hold in the heart, and that whether the force used be great or small, the valvular opening is not diminished. The closure of the valves is there- SOUNDS OF THE HEART. 221 fore not produced by shortening of the papillary muscles during their contraction: neither do we ob- serve that the blood meets with any obstruction in flowing from the auricles into the ventricles when these muscles are relaxed; hence their functions do not seem to be such as either Laennec or Bouillaud attributed to them. But since the contraction of these muscles cannot close the valves, their closure must necessarily be effected by the pressure of the blood against them. The office of the tendons, which pass from the muscles into the valves, is evi- dently to prevent their eversion; for if the free bor- ders of the mitral and tricuspid valves were not firmly held by the tendons which are inserted into them, these valves, during the ventricular systole, would be driven by the stream of blood partly into the auricles and partly against the arterial openings, and anything like closure of them would be quite impossible. The tendons are affixed to the valves in a manner which is of the highest importance to the correct performance of their functions; without such adjust- ment, indeed, the mitral and tricuspid valves could not prevent the reflux of the blood from the ventri- cles into the auricles during the heart's systole. Several strong tendinous cords pass from each papillary muscle, towards the middle of that surface of the valve which is turned towards the ventricle, and are there inserted; some of them run on towards the base of the valve, and are inserted near the point of union of the valve with the walls of the heart. Now from these strong tendinous cords, 19* 222 SOUNDS OF THE HEART. somewhere about their middle, and in part also from the papillary muscles themselves, smaller cords arise, and are inserted somewhat nearer to the free border of the valve. Still finer cords again spring from these last, and are inserted yet nearer to the free border of the valve, and into the border itself. No tendinous cord is attached to that surface of the valve which is turned towards the auricle. If the papillary muscles be stretched in the same direction as that which they take in the heart, it will be seen that merely the stronger tendinous cords,—those which spring from the muscles them- selves,—are rendered tense; the finer, which take their origin from the stronger tendinous cords, and are inserted nearer to the free border, or into the border itself of the valve, remain lax, however strongly the muscles may contract. Consequently, the free border of the valve is never rendered tense, by contraction of the papillary muscles, but only that portion of the valve included between its fixed border and the part where the tendinous cords springing from the papillary muscles' are inserted; the remainder of the valve, the part included be- tweenitsfreeborder and its middle, remains relaxed. When any point of this relaxed surface of the valve is pressed in the direction of the auricle, so that the tendinous cords inserted into it are made tense, it will be seen that a number of pouches are thereby formed; and if the same experiment be tried over the whole of the valve, the ventricular surface will lose its smoothness, and be thrown into a series of folds, which commence at the free border SOUNDS OF THE HEART. 223 of the valve, and reach as far as, or even farther than, the middle of the valve; these folds are evi- dently formed by the peculiar insertion of the ten- dinous cords. Again, by blowing against the re- laxed portion of the valve, in a direction towards the auricle, the valve will be made to swell out like a sail, and to exhibit the folds around its free border. And the same thing happens, when water is poured against it.* Now, since the blood during the ventricular sys- tole, has a tendency to flow back towards the au- ricle, it must necessarily be caught in these pouches, or semilunar-like swellings of the mitral and tricus- pid valves, and thus cause the lax portions of the valves—the portions unaffected by the contraction of the papillary muscles_to project towards the auricle, so far, at least, as the tendons inserted into them will permit. Through the formation of these projections in the valves, the blood itself becomes the cause of * Dr. Kiirschner imagined that, in my experiments, the border of the valve had not been completely unfolded, and that false folds had thus been formed in it. In their normal state, the tendinous cords—and particularly those of the mitral valves —do not end as such, but spread out into a kind of membrane, and are inserted into the valves in such manner as to form crescentic membranous folds. Now, if blood or water be forced between the membranous folds formed by the insertion of the tendinous cords and the valve, a bladder-like projection will be observed on that surface of the valve which looks towards the auricle: it is to this projection that I apply the term pouch (Tasche.) These pouches are smaller in the tricuspid, than in the mitral valves, but they are always present under normal cir- cumstances. 224 SOUNDS OF THE HEART. the complete closure of the passage into the auricle, i. e. when the valves are held in such a position, that no opening remains after these projections are formed. It is therefore evident, that the mode of attachment, and the length of the tendinous cords of the mitral and tricuspid valves, cannot be fortuitous. The area of the cavity of the ventricle at the com- mencement, is different from its area at the end of the systole; and the points of origin of the papillary muscles approach continually nearer to the attached borders of the mitral and tricuspid valves, as the systole progresses. Now, the length of the ten- dinous cords always remaining the same, it be- comes evident, that for the perfect closure of the valves, the tendinous cords which retain the valves in their proper position, must of necessity take their origin from the papillary muscles. If, for example, they arose immediately from the walls of the heart, and were of due length for the performance of their functions at the commencement of the systole, they would necessarily be of too great a length during its progress; and on the other hand, would impede the diastole, if their length was suffi- cient merely to retain the valves in their proper position towards the end of the systole. But as the length of these cords is invariable, they must necessarily have some muscular attachment; and the object of the papillary muscles is evidently, by al- ternate extension and contraction, to retain the valves in their proper position. During the pro- gress of the systole, these muscles contract, the dis- tance between their points of origin and the attach- SOUNDS OF THE HEART. 225 ment of the mitral and tricuspid valves continually diminishing; in consequence of this contraction, the tendinous cords arising from the muscles retain the same degree of tension during the progress of sys- tole, which they had at its commencement, and they also retain it during the diastole, the papillary mus- cles being lengthened when the heart expands. The correctness of the views here offered of the function of the papillary muscles, seems to me con- firmed by the fact, that that division of the tricus- pid valves, which lies against the heart's septum, receives its tendinous cords either from very short papillary muscles, or immediately from the walls of the heart. The points of origin of these tendinous cords approach but little, or not at all, during the systole, to the points of attachment of the valve; and recede as little during the diastole. Now here, a simple tendinous cord suffices for the proper re- straint of the valve, because change in the length of the cord is not required.* From what has been said it would appear, that the movements of the mitral and tricuspid valves are as follows. During the systole of the ventri- cles, the papillary muscles contract, and prevent the valves from being forced out of the ventricles, and also restrain their movements in the direction of the arterial openings. At the same time, the papillary muscles, and the tendinous cords arising * The use of the papillary muscles, as here given, has been already pointed out by Professor Weber, in his edition of Hilde- brandt's Anatomic. 226 SOUNDS OF THE HEART. from them, approach each other, and thus the surface of the valves, into which they are inserted, is thrown into folds, and the valvular opening diminished in size. The remainder of the valvular opening is closed by that portion of the valve which is not rendered tense by the shortening of the papillary muscles. The pressure of the blood, in fact, upon this portion of the valve, bellies it out like a sail; and opposite points of the free borders of the valves, thus swollen, come into contact and materially support each other; partly in consequence of this support, but still more through the attachment of the tendinous cords, the eversion of the free borders of the valves is pre- vented. Since the finer cords, which run into the free borders of the valves, spring from the larger ten- dinous cords, which have their origin from the pa- pillary muscles, the pressure of the blood against the distended portion of the valves causes all the ten- dinous cords, arising from the muscles, in conse- quence of the attachment of the finer cords to them, to approach each other, and thus to take a curved direction. At each diastole, the papillary muscles become lengthened, and separate from each other, and the blood, flowing from the auricles, would naturally press the valves against the walls of the heart, and also against the arterial openings, if they were not retained in their proper position by the tendinous cords. These tendinous cords, arising from the pa- pillary muscles, are not relaxed, even during the diastole; for if they were, the valves could not, at the commencement of the ventricular systole, be SOUNDS OF THE HEART. 227 brought into the position requisite for instantaneous closure; and a great part of the blood would conse- quently, at each contraction, flow back from the ven- tricle into the auricle; the valves must indeed be frequently drawn into their proper position, by the contraction of the papillary muscles, in opposition to the current of blood.1 For the perfect performance of their functions, the free borders of the mitral and tricuspid valves must form the pouches above described, and the tendinous cords and papillary muscles must be of a length proportionate to the size of the ventricles. If the valves do not possess their normal conforma- tion, they either permit a reflux of blood from the ventricle into the auricle, during the systole—i.e., the valves are defective, or they present some ob- stacle to the entrance of the blood into the ventri- cle during the diastole. In the first case, the abnormal condition is caused by thickening or shortening of the free borders of the valves, or by the union of their free borders with 1 Dr. Kiirschner thinks that he has discovered certain muscu- lar fibres, which pass from the auricle into the valves, and at- tach themselves, either immediately or by tendinous cords, to the points of insertion of the tendons of the papillary muscles; not, however, to the larger tendinous cords—the tendons of the first order—but to those of the second order, namely, such as are inserted towards the free border of the valves. The object of these muscles is, to increase the distance between the valvular flaps and the tendons of the first order, during the contraction of the auricle, and to bring them into such a relation to the margin of the auricle, as to cause them, when pushed forward and distended, to close the auricular opening. My own opinion is, that such a contraction of the valves would serve no purpose whatever. 228 SOUNDS OF THE HEART. the tendinous cords attached to the middle of the valves, so as to prevent the formation of the pouches; or by shortening, lengthening, or rupture of the tendinous cords; or by excrescences, or deposition of blood-coagula, etc., upon the edges of the valves; or by union of the surfaces of the valves with the walls of the ventricle. In the second case, the abnormal condition is produced by extensive deposition of foreign mat- ters, blood-coagula, or chalky concretions, etc., upon those surfaces of the valves which are turned to- wards the auricle; or by union of the tendinous cords among themselves, or with the free border of flie valves, by which their perfect contact is prevented. ACTION OF THE SEMILUNAR VALVES. The semilunar valves of the aorta and pulmonary artery are, as is well known, driven against the sides of their respective vessels by the blood which is forced from the ventricles during the heart's systole, and expanded towards the ventricles, during the diastole, by the backward pressure of the blood, produced by the elasticity of the arteries. The aortic valves occasionally lose their flexibi- lity, in consequence of the development of excre- scences, chalky concretions, etc., upon them, or of their abnormal union with each other, and thus be- come incapable of being pressed back against the walls of the aorta, and obstruct the entrance of the blood into the aorta. If the free borders of the valves are shortened or averted, or have foreign bodies attached to them, or if they be in part torn from their attachments, they are no longer in a con- SOUNDS OF THE HEART. 229 dition to prevent the reflux of the blood from the aorta into the left ventricle, during the heart's diastole. We may readily ascertain, after death, whether the aortic valves duly performed their functions during life, by pouring water into the aorta; if the valves are healthy, the water does not flow back into the left ventricle, its reflux being prevented by closure of the aortic valves; but if the valves be de- fective, the water passes into the ventricle. We cannot, however; apply this test to the mitral and tricuspid valves. If the apex of the left ven- tricle be opened, the aorta tied, and water then poured into the ventricle through the artificial opening, we shall find that the flow of the water through the mitral valves is occasionally prevented; but this does not invariably happen, and by repeti- tion of the experiment, we shall soon discover that no conclusions as to the actual condition of the valves can be drawn from it. If, again, one of the ventricles be filled with water, and its arterial opening closed, and pressure be then applied to the ventricle, the mitral or tricuspid valves (as the case may be) will be distended, but will not entirely prevent the reflux of blood, though in a perfectly normal condition. And the reason of this must evidently be sought for in the fact, that we are not able, after death, to imitate the contraction of the papillary muscles, and the general contraction of the heart's cavities. Whether, therefore, the mitral or tricuspid valves fully performed their functions during life, or not, is a question which we can only 20 230 SOUNDS OF THE HEART. judge of, after death, from the conformation of the valves, of the tendinous cords, and of the papillary muscles, and from the changes which the defect of these valves is wont to produce in the auricles. EXPLANATION OF THE SOUNDS HEARD IN THE VENTRICLES OF THE HEAET. By comparison of clinical observations with the facts revealed by post-mortem examinations, we find that a distinct first sound is very rarely heard over the left ventricle, when the mitral valves are inca- pable of preventing the reflux of the blood into the left auricle, during the heart's systole—i. e. when the mitral valves are defective. In such case, a murmur, synchronous with the systole, is generally heard over those parts of the thoracic walls against which the heart's apex beats; the first sound being distinctly audible over other parts of the precordial region. The same is true of the right ventricle, when the tricuspid valves are defective; no distinct first sound is then heard over the right ventricle, but may still be recognised over the left ventricle, the aorta, and the pulmonary artery; in the right ventricle, it is generally replaced by a murmur. The first sound in the ventricles, therefore, is for the most part produced by the sudden stoppage of the flow of blood towards the auricles, consequent upon the distention of the mitral and tricuspid valves, and thus, through the impulse of the blood, against these valves. Every blow creates a sound' and the sound is duller, the more yielding the na- ture of the body striking, or struck. The state of tension into which the valves are suddenly thrown SOUNDS OF THE HEART. 231 by the pressure of the blood, undoubtedly contri- butes to the production of the first sound, for cords and membranes always yield a sound when sudden- ly stretched, not solely in the air, as Gendrin and others have supposed, but also in water. The cir- cumstance, moreover, that the first sound is often heard clear, with a clap, and at times even ringing, tends evidently to show, that the tension of the valves contributes to its formation. The first sound is also produced by the impulse of the heart against the walls of the thorax. A blow struck with the finger, or with the apex of the heart firmly compressed, against the inner surface of the thoracic walls, produces a chinking (klirrend) sound, which differs in no particular from the ordinary first sound of the heart. If a part of the walls of the heart be somewhat separated from the thoracic walls during the ventricular diastole, but strike against them during the systole; or even if the heart beat against some other part of the thoracic walls during its systole than that beneath which it lay during the diastole, still, in either case, a chinking sound, or one. exactly resembling the ordinary first sound of the heart, will be produced ; for the heart's substance becomes firm during its systole. If the heart beat against that partofthe thoracic walls, beneath which it lay during its diastole, the impulse will give rise to either a very dull sound, or none at all. The muscular sound of the heart is always heard as a dull and prolonged sound, never as a clap; for no muscles ever yield a defined, clapping, or chink- ing sound; according to the division of sounds which 232 SOUNDS OF THE HEART. I have adopted, this muscular sound cannot be pro- perly classed among the sounds of the h