Surgeon General's Office jij > : C/ectton..................... No.5...^:/....:...:.....* ;c '»'.""??' r^s HEALTH AND BEAUTY. EXPLANATION OF THE LAWS GROWTH AND EXERCISE; THROUGH WHICH A PLEASING CONTOUR, SYMMETRY OF FORM, AND GRACEFUL CARRIAQB^RTfflKp-H^^ BODY ARE ACQUIMI^jJM™ gj^ \;-?tozrl / THE COMMON DEFORMITIES OF THIS'./ / k SPINE AND CHEST PREVENTED. ■VY. BY JOHN BELL, M. D. ' LECTURER ON THE INSTITDTES OF MEDICINE AND MEDICAL JURISPRUDENCE, &C., &.C. PHILADELPHIA: E. L. CAREY & A. HART. 1838. Entered according to the act of congress, in the year 1838, by E» L. Carey &. A. Hart, in the clerk's office of the district court of the eastern district of Pennsylvania. T. K. & P. G. COLLINS, PRINTERS. CONTENTS. CHAPTER I. THE STUDY OF BEAUTY--THE SKIN. Admiration of Beauty by the Ancients, 15.—Advan- tages of studying Beauty, 17-19.—Obedience to vital laws, 21.—The skin, 23.—Color of the skin, 25.— Perspiration, 27.—Perspiration and evaporation, 29.— Respiration, 31.—Changes in the air breathed, 33.— Changes in the blood, 35.—Tight lacing, 37.—Death from impure air, 39.—Injury from compressed chests, 41.—Infraction of natural laws, 43.—Education of the body, 45.—Cleanliness, 47.—Bathing, 49.—Vapor bath, 51.—Regimen, 53.—Exercise, 55.—The hair, 57-64.— The nails, 65. IV CONTENTS. CHAPTER II. OF THE ROUNDED OUTLINE AND DISTINCT CONTOUR OF THE TRUNK AND LIMBS OF THE HUMAN BODV. Contour of the body, 67-69.—Contour of the female form, 71.—Delicacy of skin, 73.—Digestion, 75.—Signs of languid heallh, 77.—Appropriate food, 79.—Strength from nutriment, 81.—Pastries, &c, unwholesome, 83.— Impeded movements, 85.—Fears from obesity, 87.— Diminution of fatness, 89.—Cure of leanness, 91.— Elasticity of the skin, 93.—Evils of pressure, 95.—Dis- ease by pressure, 97.—Development of the bust, 99.— Female contour, 101.—Styles of beauty, 103.—Hands and feet, 105.—Assimilation of food, 107.—Poor or de- ficient blood, 109.—Regular digestion important, 111. CHAPTER III. OF ATTITUDES AND MOVEMENTS—EXERCISE AS A MEANS OF HEALTH AND OF GRACE. Locomotive apparatus, 113.—The spine or back bone, 115.—Midriff or diaphragm, 117.—Shoulder bones, 119. CONTENTS. T —The spine or vertebral column, 121.—Flexibility of the spine, 123.—Elastic intervertebral cartilage, 125.— Curved figure of the spine, 127.—The joints, 129.— Shoulder and hip joints, 131.—Cartilage between bones, 133.—Muscular structure, 135.—Course of a muscle, 137.—Muscles and their tendons, 139.—Muscles shrink by inaction, 141.—Growth of the leg, 143.—Law of muscular action, 145.—Muscles of the chest, 147.— Muscles of the shoulder, 149.—Muscles of the shoulder blade, 151.—Muscles enlarged by exercise, 153.—Un- equal exercise of muscles, 155.—Standing, 157-159.— Muscles of the back, 161.—Extensor muscles, 163.— Flexor muscles, 165.—Sitting posture, 167.—Natural bend of the spine, 169.—Posterior spinal curvature, 171. —Lateral spinal curvature, 173.—Causes of curvature, 175.—One sided attitudes, 177.—Balance by the mus- cles, 179.—Tendency to lateral curvation, 181.—Corsets enfeeble the muscles, 183.—Prevention of deformities, 185.—Infantile movements, 187.—Early weakness and deformity, 189.—Effectsof a bad regimen, 191.—Inaction of the spinal muscles, 193.—Education chairs injurious, 195.—Recumbent posture useful, 197.—Friction and the spout bath, 199.—Pastimes of the young, 201.— Strength by gymnastic exercises, 203.—Various exer- cises, 205.—Walking, 207.—Easy fitting clothes in VI CONTENTS. walking, 209.—Spine free for walking, 211.—Mixed exercises, 213.—Dancing, 215.—Enlargement of the chest, 217.—Obstructed respiration, 219.—Various dis- eases from tight lacing, 221.—Indian exercises—bath- ing, 223.—Proportion of cases of distortion, 225. CHAPTER IV. OF EXPRESSION—THE MUSCLES GOVERNED BIT THE BRAIN ARE THE INSTRUMENTS OF EXPRESSION—ITS ADVAN- TAGEOUS DISPLAY DEPENDENT ON A CULTIVATED MIND AND FREE EXERCISE OF THE MUSCLES. Of expression, 226.—Expression.—Dress, 251. HEALTH AND BEAUTY. CHAPTER I. THE STUDY OF BEAUTY--THE SKIN. That beauty of person is synonymous with health and perfect organisation, is an opinion to which, with some qualifications, we must give our assent. Shall we not go farther, and admit, " that ideas of goodness, of suitableness, of sympathy, of progressive perfection, and of mutual happiness, are, by an intimate and inevitable association, connect- ed with the first impression made by the sight of beauty." The importance of an inquiry into, and of a full examination of, this subject is obvious. Man was created after the image of his Maker: and, surely, it is the dilty of his descendants in all after times to strive to preserve the type free from disfigura- tion. The study of Beauty, in its causes and sup- ports, is not only a fit, but, also, an elevating and purifying one. The Grecian artist studied the hu- 2 14 HEALTH AND BEAUTY. man shape for his conceptions of the divine. Intent upon the natural, he ascended to the ideal. This same intentness, this admiration of beauty inspired the Italian artists with their finest conceptions, as we see in those images of loveliness and grace, the inimitable productions of a Rafael and a Guido. Hence, it has been observed, that the great models of ideal beauty please us, not merely because their forms are disposed and combined so as to affect agreeably the organ of sight; but because their ex- terior appears to correspond with admirable quali- ties, and to announce an elevation in the condition of humanity. We need not wonder, then, that the Greeks should have made beauty an object of worship, and placed it immediately after virtue, in the order of their affections.^Refined and spiritualised in the discourses of Plato, described with all its moving attitudes to charm and enliven in the verses of Homer and his successors, beauty, when embodied in marble, by the skill of Phidias, still retained its poetical grace with perfect purity of expression.—The philosopher could calmly con- template the work of the artist, as representing his own abstractions; the poet gaze on it as a realisa- tion of his imaginative musings; and the moralist admire the combination of bodily grace and harmo- nious proportion with the image of mildness of dis- position and maiden purity of thought. That thi3 is no fanciful speculation, each of us can prove, by THE ANCIENTS' ADMIRATION OF BEAUTY. 15 looking at that statue of the goddess of Love and Beauty which enchants the world; and in whose presence we inhale the ambrosial respect, which, beheld, instils " Part of its immortality; the veil Of Heaven is half undrawn; within the pale We stand, and in that form anody quite upright, and menaces of punish- ment if they stoop or bend in the least. But the »muscles must sometimes obey divine, instead of human laws, and when fatigued or weary in the erect posture, must gradually follow the Creator's law, and seek repose by allowing the body to sink into an inclination to one side or the other, and by laying the basis of lateral curvature, produce the reverse of what human wisdom intended." The remedies for these evils are thus indicated by the same author. " Without digressing farther I would observe, instead of stiff stays, back boards, reclining boards, education chairs without backs, military marching, &c, let the boys and girls have no clothes or apparatus to limit their movements, 17 194 HEALTH AND BEAUTY. and when weary, let them sit down on chairs with proper backs, to support the spine, or lay down for rest, or, in fact, seek repose as they find most agreeable, when they are fatigued or can no longer maintain an erect attitude conveniently. Let the girls have a large field or play ground. Let the boys, also, have the range of the country within the sound of the school bell. Let the girls engage in the games of battle-door and shuttlecock, skip- ping, dancing, and all that they can play at." Preliminary to a( consideration of any other means of obtaining a fine shape and graceful car- riage, and, short of these, of preventing deformity, the question of suitable dress must first be settled. If a young girl at school wear stays and corsets, she is at once in the most unfavorable situation for her health, beauty, and even mental improvement., The evils of long sitting and confinement in the school room are increased, and any benefit that would otherwise be derived from even limited exercise is rendered of no avail. The first and in- dispensable condition, the sine qua non for physical comfort and well being of the scholar is loose habiliments; such as will allow, 1. Of the most complete expansion of the chest in the fullest in- halation or long drawn sigh; 2. Of the movements of the limbs in every direction of which they are by their structure and articulation capable; 3. Of the flexion of the body forwards and on either 6ide, EDUCATION CHAIRS INJURIOUS 195 and the semirotation both of the vertebrae of the neck above and of those of the loins below. During the period of school hours, and these, especially for girls, should be shorter than they generally are, the scholar is to avoid either the awk- ward stoop in which the head is sunk between the shoulders, and the latter excessively raised, or an attempt to keep in a continuedly erect posture. A slight flexion of the spine at the loins is natural and diminishes the fatigue from long sitting, whilst part of the weight of the upper portion of the body is to be taken from the spine and pelvis, by resting the middle region of the back or that of the shoul- ders against the gently curved back of a chair. The seat must be broad and deep, and not so high as to prevent the feet from resting easily on the floor, but allow of the legs and thighs forming a right angle. It will be proper, also, to have the seat either cushioned or made of elastic cane. The fashion of chairs with high narrow seats and perpendicular backs, called Cooper's education chairs, displays ignorance of animal mechanics and of the movements of the body. Stooping is almost necessary to a person thus seated, and yet the attempt to take this posture would throw her off her balance, as her feet do not reach the floor. The lower limbs being pendent drag the body and increase the feeling of fatigue at the loins. The 196 HEALTH AND BEAUTY. muscles of the back, both those in common use and the accessory ones, are, kept in excessive ac- tion and the tendency to spinal curvature is greatly increased. When the legs hang down during a long continued sitting, and the thighs have not a sufficient support, the latter acquire a crooked form. A celebrated German physician alleges that he has seen this kind of deformity of the limbs produced in the children of several families from a similar cause. If the young person is of a weakly frame, she should, so far from being compelled to sit on straight back chairs or on forms or stools without backs, be allowed to sit on a chair made with a reclin- ing back and stuffed tolerably hard with horse hair. '• When there is an evident tendency to deformity, the back of the chair may be stuffed so as to fit the natural curves of the spine, but it does not require to be formed with this accuracy when used as a means of prevention." By the aid of a hinge or spring in the seat, the back takes any degree of de- clination that may be thought desirable; so that the girl, after the fatigue during school hours, may be allowed to assume a reclining posture without altering much the relative position of the spinal column, and thus to relieve the muscles which poise the body, without, at the same time, hazarding the symmetry of the form by allowing RECUMBENT POSTURE USEFUL. 197 it to fall into an injurious or ungraceful attitude. When by such means rest has been obtained, the erect posture may be resumed. A mistaken notion prevails and is too rigidly acted on in seminaries of learning, and indeed, at home, by indulgent parents, that a reclining pos- ture or lying down in the day, in the intervals be- tween study or after active bodily exercise, is a sign of indolence and ought to be discountenanced and prohibited. We have shown that this posture is the one in which all the muscles of the body in- cluding those of the spine are at rest; and it is that which after fatigue from protracted sports or labor we most readily, one might say, instinctively seek. The laborer in town or country will be seen, after having taken his simple meal, to stretch himself out at full length during the noon-tide hour, and perhaps sleep the while, and rise again refreshed and enabled to go through his toil with readiness and ease for the remainder of the day. But other examples readily occur, which will be regarded as more to the point, by their showing that frequent reclining, in alternation with exercise, is neither unfavorable to symmetry nor to a ready as- sumption and easy preservation of the erect atti- tude. The Indian will spend most of his time not taken up with war or the chase, in a reclining or at least lounging posture; and yet we all know that when once up and in motion his figure seems to be 17* 198 HEALTH AND BEAUTY. as straight as one of the arrows in his quiver. The people of the eastern world sit, not on straight backed chairs, but on their hams, on mats and commonly cushions of some kind or other, and often recline on their divans, slightly supporting themselves on their elbows and on cushions; and yet, as we see in the Turks, they are remarkable for their erect standing and gait. Among the ancients, even at their repasts, the reclining posture was the most common, and that too by men, who, in their gymnastic games, could display an agility and grace of movements, and, in war, a strength in bearing up under their heavy armor and in the use of their weapons, which would shame the most practised martinet of the present day, who con- siders the slightest stoop at any time to be a mark of indolence, if not of childish weakness. Having indicated the preventive measures of a negative nature against the loss of symmetry of form, I shall next specify those of a more positive, and at the same time in a measure curative, kind. It may have been inferred from the tenor and actual Eubstance of preceding remarks and admonitions, that I regard machines of every description for the prevention of deformity or for the cure of bad habits as not merely useless for obtaining the de- sired end, but as positively injurious and to be avoided accordingly. In every case of weakness of the nmscles of the FRICTION AND THE SPOUT BATH. 199 back, and inability to maintain without discomfort the erect posture, assiduous friction, as a kind of passive exercise, should be practised over and on each side of the spine, in its entire course; first with the hand of an assistant, and then with a flesh brush or coarse flannel. A momentary impression from a spout bath of cold or, in very weak persons, of tepid water may advantageously precede recourse to friction. The hints and advice which follow, are given under the supposition that we have to treat young persons with frames merely feeble, or in whom there may be evidences of incipient curvature of the spine without fixed pain or decided constitu- tional disturbance. If a particular spot corres- ponding with the distortion of the spine be per- manently painful, and, still more so to the touch, and there be fever, then the cure demands a regu- lar and connected medical treatment which it does not comport with my present plan to introduce at this time. I refer to this state of things now in order to caution against any active exercise during its continuance. Then rest in a recumbent posture will be an appropriate precursor to the use of curative means, among which, however, we must not in- clude any of the various machines and mechanical contrivances which have been at different times extolled for the purpose. The various attitudes and movements demanded 200 HEALTH AND BEAUTY. for health, agility and grace may be classed under the heads of, 1. Exercise taken in the common sports, spontaneously engaged in by children and youth. 2. Methodical exercise by gymnastics or callisthenics, and by dancing. The first class of exercises should be not only allowed but encouraged, by adequate space and time being furnished for its indulgence. Boys, in their different games of running, wrestling, play- ing ball, and hoop, &c, whilst they amuse them- selves, call at the same time the several muscles of the trunk and limbs into successive and alter- nate action; a condition this which should be ob- served in, every system of bodily exercise. Insi- pidity if possible is to be avoided; for unless, the mind be attentive to and interested in the body's movements, these latter will be productive of com- paratively little good. Girls at school unhappily realise in their own case the truth of this maxim. Certain false notions of grace and feminine reserve prevent their engaging in more than the most formal and limited exercise, which is, therefore, monotonous and heartless. The intervals of study are not recreations to them, where every movement must be graduated by a particular scale of a school supervisor. They are in continued exhibition, unless they be allowed to engage freely and without a feeling of restraint in various bodily exercises for amusement. PASTIMES OF THE YOUNG. 201 Whilst thus recommending freedom from con- tinuedly oppressive and needless restraints, it does not come within the scope of the most liberal in these matters to advocate, even by implication, any vulgarity in sports, any more than in language. It has- been properly said, that vulgar exercises lead to vulgar associations; but let it be added that un- graceful are in reality vulgar motions; and that the true nature of these is not altered by fashion nor by fashionable constraint. The gambols of child- hood can never be called vulgar by the most fastidious; nor should the various sports of adoles- cence in which every movement of the body is practised be more liable to the imputation. They cannot be if yielded to under the influence of in- genuous feelings and properly regulated minds. Superintendence on the part of the teacher is so far necessary as to prevent continued or excessive exercise beyond the strength of the scholar, and, also, to induce the latter to take the requisite variety. Precautions in this respect and the want of space for play grounds in towns for young per- sons at school, especially for girls, render a me- thodical exercise both proper and necessary. By these, also, a tendency to deviations from sym- metry of form and weakness of any part of the locomotive apparatus are more certainly prevented than when exercise is irregularly taken, according to the varying impulse and feeling of the scholar. 203 HEALTH AND BEAUTY. Of late years, in various parts of Europe and in the United States, greater attention has been given to these methodical exercises, which have received the name of Gymnastics; and when modified to suit the greater delicacy of frame and less extensive and active movements of the other sex, that of Callis- thenics. Details of the mode in which these exercises are taken cannot be expected here. The reader should be aware, however, of the fact, and it is an import- ant one, that they can be directed in such a way as to give strength and muscular development to any particular part, whether it be the chest or the back, the upper or the lower limbs, according to the series of movements and attitudes regularly made. The following account of the beneficial effects of regulated gymnastic exercises in imparting vigor, strength, and vivacity of movement to a body, early, and as it would have seemed, incurably feeble, will serve for illustration and encourage- ment. When three years of age, the subject of this brief history could scarcely stand; at five, he walked badly, and supported by leading strings; and it was only after dentition, at seven years old, that he could walk without assistance; but even then he fell frequently and could not rise again. Given up by the physicians, he continued in this state till the age of seventeen, when the loins and STRENGTH BY GYMNASTIC EXERCISES. 203 lower extremities could scarcely support the upper part of his body. The arms were extremely weak and contracted, the approximation of the shoulders diminished the capacity of the chest and impeded respiration; the moral faculties were quite torpid, and, " in short, nature was at a stand-still." In the month of November, 1815, this unfortunate youth was presented to Mr. Clias, the celebrated superintendent of a gymnasium, then at Berne in Switzerland, as he afterwards was of others in Paris and in London. On being admitted, his strength was tried, and his pressure on the dynamo- meter was only equal to that of children seven or eight years of age. In ability to pull, ascend the ladder, and jump, he was utterly deficient. He ran over the space of a hundred feet, with great difficulty, in a minute and two seconds, and could not stand when he had finished. Carrying a weight of fifteen pounds made him totter, and a child of seven years old threw him with the great- est facility. A person of the other sex, thus enfeebled, would be thought by a committee of crones and mantua-makers, to whom probably she would be consigned, to require, of absolute necessity, the support and comfort of corsets and busks. Her physician would prescribe tonics and sea bath- ing, and a generous regimen; no bad things in their place, and with suitable hygienic aids; but 204 HEALTH AND BEAUTY. quite unfitted to prevent the increasing debility and superadded deformity from the use of tight lacing, and the want of exercise. But to return to the poor feeble youth. Was any effort made to strengthen his back by compression of its muscles or to take off from the weight of his head and chest by various mechanical contrivances'? Captain Clias did not put faith in the doctrine, that to give muscles strength, they must not be used at all; but he believed that the feeble and imperfectly de- veloped ones of this young invalid might be made to grow and acquire strength on the same principle as that by which the legs of a dancer and a porter, and the arms of bakers and boatmen be- come full, muscular, and strong. His scholar was subjected to the gymnastic regimen for five months; after which period he could press fifty degrees on the dynamometer: by the strength of his arms he raised himself three inches from the ground, and remained thus suspended for three seconds; he leaped a distance of three feet, ran a hundred and sixty-three yards in a minute, and carried on his shoulders, in the same space of time, a weight of thirty-five pounds. Finally, in 1817, in the pre- sence of several thousand spectators, he climbed to the top of a single rope, twenty-five feet high; he did the same exercise on the climbing pole, jumped, with a run, six feet, and ran over five hundred feet in two minutes and a half. Subse- VARIOUS EXERCISES. 205 quently when he became a clergyman, in a village near Berne, he could walk twenty-four miles on foot, without incommoding himself; and the exercises, which he always continued, have given him, in place of his valetudinary state, a vigorous consti- tution. The annals of Fellenberg's school, at Hofwyl, abound with examples to the same purport as the above. The reader of ancient biography need hardly be reminded of the steps successfully pur- sued, by both Cicero and Caesar, who were each of them, in early life, of delicate constitution and feeble body; but who were restored to vigorous health by gymnastic and other exercises persever- ingly employed. Various Exercises.—Gymnastics, or exercises methodically employed, must be proportioned in their duration and extent to the age, the sex, the constitution, and the actual state of the perse n who is to become the subject of them. The great ends proposed by their use are to increase the free- dom of the joints, to favor the play and develop- ment of the muscles, to strengthen the body, and to facilitate standing and moving in any attitude without a loss of equilibrium. These exercises teach, also, at the same time to brave danger and to overcome obstacles which would deter the feeble and induce timidity, because of feebleness. They 18 206 HEALTH AND BEAUTY. have been divided into three; 1. Of the Lower Limbs; 2. Of the Upper Limbs; 3. Into Mixed Exercises, in which both the trunk or body pro- per and the limbs are all brought into active play. This division, of course, conveys the idea of certain parts of the body being chiefly but not ex- clusively exercised. Any active movements of either the upper or the lower limbs will exert an effect on the trunk, both by means of the muscles which connect them severally with this latter, and also, by the jar and motion communicated to all the internal organs. Walking, running and jumping, and balancing on the feet, come under the first division. To some it might appear as if walking "comes by nature," and would not require the aid of the gymnic teacher. The differences pointed out in a preceding page between the Irish and the English peasant, both of them walkers, will show that there is a healthy and graceful, as well as an awkward, fashion in this kind of exercise. To walk well is, in fact, a great art, which deserves- the attention of parents for their children, at an early age of these latter. If any person will try the different modes of walking, by putting the heel first to the ground and then letting the sole down, or by placing the whole surface of the sole at once, or, by a tripping step, resting mainly on the ball and great toe, he will be sensible of the great dif- WALKING. 207 ferences in the degree of exercise given to the muscles of the leg and of their development, and also of the relative ease and gracefulness of carriage. In the first manner, the head and chest are thrown back; in the last, the body inclines forwards .and the shoulders are slightly stooped. Compatibly with grace and ease, the foot, in walking, should be entirely raised from the ground at each step, whilst the knees are straight and the toes slightly inclined downwards: the fore part of the sole will then touch the ground first, but the whole sole must immediately afterwards rest on it, so as to give the requisite support to the body, whilst the other foot is being raised and advanced in a similar manner. The walk should be firm and forward, but not crawling, jumping, waddling, nor staggering; the knees and the ankles respectively must not touch each other. The length of the steps will be regulated by the size of the body, and particularly of the lower limbs; so that the body may not lose its balance.. Some of the movements of which walking is compounded, should be practised by young per- sons. Of these, standing on the heels and step- ping at first forwards and afterwards backwards, are a good means of exercising the muscles in the outer and fore part of the leg. The backward movement has, also, the additional recommenda- tion of throwing the head and shoulders backwards 208 HEALTH AND BEAUTY. and of expanding the chest; and thus of correcting a tendency to a stoop or anterior curvature of the spine. The other and antagonist movement, to which we tend in the act of walking just before we raise the foot from the ground, is to stand nearly on the points of the toes, and then step either forwards or backwards, or laterally; an exer- cise which greatly strengthens the muscles of the calf of the leg and the joints of the toes, and is preparatory to that of running and of jumping. It also habituates one to preserve an equilibrium on the narrowest basis. In the familiar and excellent exercise with the skipping rope, the body chiefly rests on the toes and fore part of the sole of the feet. The double step and the triple step are movements of progression made with greater rapidity than in the ordinary wTalk. The cross step, which is performed by alternate steps to the right and to the left, sometimes one leg going before and sometimes behind the other, serves to render the joints of the knees and of the lower limbs generally flexible, to fix the position of the body at any moment, and to give some grace to the shoulders. Confirming what has been said of the advantage, in exercise, of alternate motions of the different orders of muscles, the broken step may be added. It consists of three quick paces and three in a slow EASY FITTING CLOTHES IN WALKING. 209 trot. After being a little accustomed to it, one may travel, as a soldier does on a forced march, six miles an hour, and continue at this rate for several hours successively, without being much fatigued. After the stress so repeatedly laid on the neces- sity of freedom from any restraint of dress, which can interfere with the contraction of the muscles and the motion of the joints, it may seem superflu- ous to say, that, for walking to produce its good and pleasurable effects, and for the movements above described la be made with ease and utility, well fitting shoes of soft and flexible leather, and soles not too thick, should be worn. It may not seem equally evident to all, that walking cannot be performed gracefully, nor without risk even of awkward carriage, if not deformity, being induced, unless both the trunk of the body and the upper limbs be exempt from any band or ligature, either separate or forming a component part of the dress, which might prevent, ever so little, the free play of the muscles. In walking, the arms should swing lightly, and without any visible effort, so as to allow of their balancing as it were the body. It is only when by any mischance one is deprived of their aid, that their importance in this way becomes fully evident. A walk in slow and measured pace may for a short time be taken, with the arms folded on the chest, but if prolongad or changed into quicker step, the 18* 210 HEALTH AND BEAUTY. feeling of awkwardness in movement and of fatigue will soon be experienced. Still more irksome and even painful would be the rapid progression, and if rapid it must be compulsory, of a person whose arms were tied down to the sides. A man thus situated and compelled to walk far and at a brisk gait, could not but excite our compassion, even though we knew that he was a criminal. What must we think then of the penalty of a like nature, which fashion imposes on her female votaries, who, by the compression exerted on the muscles of the chest, which pass on each side to the arms, and by the ligatures of shoulder straps and of the sleeve at the arm pit and just below the joints, as effectu- ally prevent the free exercise of the upper limbs as if they were tied to the body by cords similar to those which bind the culprit. It is, also, necessary for easy and graceful move- ment and, indeed, for health and bodily comfort, that the back and loins should not be pressed and their muscles either prevented from contracting at all or allowed to contract partially and unequally. The spine, we have seen, is not a rigid and im- moveable column; but a pliant and elastic chain of bones, which at each step must be allowed to un- dergo some slight deviation from the perpendicular, the more especially when a person is walking on uneven ground. The jar is likewise much greater in walking, when the spine is kept by the mechan- SPINE FREE FOR WALKING. 211 »sm of dress in a measure immoveable, and the vibration from the impulse of the feet striking the ground is communicated too readily along the bones to the head, which suffers accordingly. If the fingers, or more properly the thumb, of each hand be applied to any part of the spine, from be- tween the shoulders down to the pelvis, this column will be felt to undergo some motion from side to side, in a kind of semi-rotation correspond- ing with every step made in walking. If the spine be not allowed to be thus moved by the muscles which pass from it downwards to the haunches, progression takes place by the motion of the hip joints alone, and walking is both more wearisome and awkward. The gait is a rolling or rocking one; and the body moves like a mechanism, the parts of which are badly hinged, in place of its characteristic light and springy step. To the most unpractised and uncultivated eye, the difference between the stiff and mincing gait of a fashionable lady, whose body is incased in stays, and the light agile step, and graceful and expressive movements of a girl, who is untrammelled in this way, and whose muscles have been freely exercised, is at once manifest and greatly to the advantage of the latter. Running and Jumping, though exercises more especially calculated to strengthen the lower ex- tremities, call the muscles of the trunk of the body 212 HEALTH AND BEAUTY. into active contraction and increase the activity of the circulation and of respiration. Exercises of the Upper Extremities___These are, also, numerous and diversified; viz. the dumb bells, which should not be of such a weight as to cause any strain upon the shoulders or wrists when they are held in the hand and swung to and fro; pushing, pulling, lifting.- the two latter should be practised with great caution and under experi- enced guidance; battle-door and shuttlecock; throw* ing quoits.- the left and right arm should be used alternately in these games. The use of the tri- angle is one of the best exercises for the arms, be- cause both are equally and simultaneously called into action at the time: it is, also, one of the best preventives against lateral curvature of the spine, because it calls into vigorous contraction the spinal muscles of each side. The triangle is made of a piece of firm wood, three or four feet in length, and an inch or two in diameter; to each end of which a rope is tied, the latter being secured to the ceiling of a room on a hook or staple. The height of this simple apparatus from the floor will be at first just enough to require the person to stand on tip-toe, so as to be able to take hold with both hands, and with a firm grasp of the stick, and drag or pull on it. Afterwards, it may be raised to such a height as to require its being caught at by MIXED EXERCISES. 213 a slight jump or spring, and then to allow of the body, thus suspended, swinging by the hands. Another exercise, well calculated to give strength to the muscles of the arms and shoulders, and back and chest, is that on the parallel bars. Where there is already an elevation of one shoulder and slight tendency to curvature, it is not, however, equal to the triangle in the beginning of a course of gymnastic training. Of the Mixed Exercises, we may mention wrestling, fencing, swimming, skating, the skip- ping rope, when held by the person skipping; climbing, on the ladder, rope, mast, &c, carrying, dancing, &c. In Paris, there are swimming schools for young persons of both sexes, which happily, also, are the fashion. A girl, by learning to swim, not only takes a wholesome exercise, both calculated to give freedom of motion to the limbs and to correct tendency to spinal deformity, but she also acquires an accomplishment which may enable her to save her own life from danger under circumstances which no human foresight can always guard against. Dancing, as a means of exercising to advantage the body and limbs, and of giving to a certain degree, an easy movement and carriage of the body, is properly a part of good physical educa- 214 HEALTH AND BEAUTY. tion. Learned with the aid of music, it contributes to a general perception and feeling of harmony, and is an aid to domestic sociability, by bringing all the younger members of the family into a pleased and joyous group. But, dancing, to be use- ful to the full extent of which it is susceptible, ought to be taught on a more extended plan than that which makes it to consist of formal move- ments and strained and unnatural attitudes. Under the guidance of a cultivated classical taste, and with the examples of ancient art, in groups of bas- reliefs, and the paintings on Etruscan and Grecian vases, young persons might acquire an ease and flexibility of movement, the utmost facility at as- suming every variety of posture and attitude ex- pressive of the different emotions of the mind, and a readiness in combining a number of individual figures so as to form the most picturesque groups. A knowledge of this kind of exercise and grace- ful movements does not imply, nor need it lead to those exhibitions at balls or parties, against which so many estimable, and some by no means ascetically disposed persons have a strong repugnance. Child- ren may, and should learn to dance, as they would learn correct elocution and vocal music, without its being supposed for a moment, that they must after- wards lose their health and their freshness in danc- ing at balls, any more than they would become professional declaimers and actors, or public singers. DANCING. 215 In fine, I would say, that without attaching any special importance to the mere art of dancing, it is highly desirable that the young of both sexes should be induced to learn with pleasure the vari- ous exercises by which they can walk and move with ease and grace, spring if need be from crag to crag; cross on a narrow plank over a deep ravine or rapid stream with steadiness, and jump with the promptness of instinct out of the way of any sudden impelling power which would in an instant more have crushed them to death. What is called presence of mind, in the hour of danger, can never be expected, unless from those who have the ready consciousness of the complete subservi- ence of their bodily movements to their mental determination; and this must have been the result of long and variously practised exercises. DEFORMITIES OF THE CHEST. The walls, as they have been called, or bound- aries of the chest, which is technically called thorax, were described at page 117. In order that the lungs contained in this cavity should be allow- ed the requisite expansion in breathing, full liberty must be given to the thorax to be dilated at each inspiration or drawing in of air. The spine be- hind, the ribs on each side, and the breast bone in front, must be in suitable proportion and connection 216 HEALTH AND BEAUTY. to each other, and all of healthy firmness. of struc- ture and shape. Of the muscles of the spine I have already spoken; also, of those expanded over the chest. In addition to these last, there are muscles which connect the ribs together and pass in two layers; one layer from above downwards, the other from behind forwards, from edge to edge of the ribs. They are called intercostal muscles, whose function consists in either elevating or depressing the ribs, according as the movement is of inspira- tion or of expiration. The shape of the chest is conical, each rib from the first to the seventh constituting an arch, and each in the order downwards as far as the seventh, being longer than those above it. The chest is flat before, at the breast bone, and behind at the spine; and it is curved on its sides owing to the convexity of the ribs. On a horizontal section of this cone the largest portion would fall in the region of the seventh or eighth rib; and conse- quently the compression or expansion of this part would produce the most remarkable changes in the decrease or increase of its contents. The change in the size of the cavity of the chest from behind forwards, is by the rise of the ribs and their protrusion, together with that of the breast bone, forwards. The alternate widening and nar- rowing of the chest has been compared to the opening and closing of a pair of bellows. But. the ENLARGEMENT OF THE CHEST. 217 most important change in the capacity of the chest in breathing, is accomplished in the direction of its long diameter, from above downwards, by the agency of the great muscular partition, the midriff or diaphragm, between the thorax and the abdo- men, already described, (p. 117.) When not in action it forms an arch the convexity of which is at its upper surface and far up in the cavity of the chest. But during its contraction, in inspiration or drawing in air, it loses its arched form, and pre- sents the appearance of an oblique plane. By this change it descends from a line even with the fourth to that of the seventh rib; the lungs follow it, and by their greater capacity and enlargement allow of the introduction of more air; whilst the contents of the abdomen below, as the stomach, liver, &c, are pushed downwards. At the moment of the in- spiration of air, by the elevation and projection of the ribs and breast bone, and the descent of. the diaphragm, if the hands be placed over the region of the stomach, the organs beneath and the mus- cles covering them and arranged under the skin, will be felt to protrude. A full and regular healthy inspiration is impossible, unless there be this movement of parts; descent of the diaphragm and a change and some protrusion in the position of the stomach, liver, and other contiguous organs of the digestive apparatus, by which they are forced outwards and somewhat downwards. Dur- 19 218 HEALTH AND BEAUTY. ing expiration, again, or breathing out of the air, the great flat muscles in the front of the body contract and push back the organs behind them, which rise upwards, whilst the diaphragm also retires and ascends into the cavity of the chest? The more laborious breathing and the oppression from speak- ing aloud or singing, after a meal, can now be readily understood. These are effects of the diffi- culty of enlarging the dimensions of the thorax and the capacity of the lungs, owing to the resist- ance which a full stomach offers to the descent of the diaphragm or midriff. In what respects does tight lacing, with corsets and busks, alter the shape and diminish the capa- city of the chest? The figure of the" chest is, we have seen, that of an irregular cone with a convex projection on each side, and flattened before and behind. By compressing the chest with corsets, the figure is changed to a cylinder; the lower and projecting part being forced in, so as to make its transverse diameter no greater below than above. This compression being permanent, at least during the day time, the ribs cannot be raised upwards and brought outwards, as in the common and na- tural course of things they ought to be when air is taken into the lungs during inspiration. But the lateral compression acts injuriously, also, by re- ducing the convexity on each side in such a way that the figure of the chest is that of a remilar OBSTRUCTED RESPIRATION. 219 circle; and its capacity in this direction from side to side is diminished, without any compensating augmentation in the diameter from front to back, that is, from the breast bone to the spine. If the restraints imposed were restricted entirely to the bony sides and muscles proper of the chest, respiration could still be performed with tolerable ease by the motion of the diaphragm in the man- ner just detailed. But, as the compressing and binding apparatus extends down over the loins behind, and in front over all the soft parts, or the organs below the chest, it becomes like a solid and unyielding wall, which, by its resistance to the protrusion of these organs, prevents them from yielding to the diaphragm above in its at- tempt to descend and to enlarge the cavity of the chest. If an additional resistance, by eating a meal and filling the stomach, be now offered to the descent of the diaphragm, the oppression be- comes intolerable and alarming consequences oc- casionally supervene. Females, generally, if they have been tightly laced, are glad to procure for themselves relief after a full meal, by loosening their corsets and the outer dress, which is some- times equally tight. A person, then, who is subjected to this kind of torture, more prejuducial to health than the Chi- nese fashion of small and cramped feet, must ne- cessarily breathe with difficulty, since the chest 220 HEALTH AND BEAUTV. can neither be enlarged in its diameter horizon- tally by the elevation and protrusion of the ribs, nor longitudinally by the descent of the diaphragm. The blood cannot be freely circulated nor suitably changed in the lungs; and hence a train of evils which have been distinctly' mentioned in former parts of this work. The chest becomes deformed: it is flat- tened at the sides in place of being convex; it is a cylinder, as small below as above, in place of being greatly enlarged at the very part where the pres- sure of the corsets is greatest. The ends of the ribs which are connected with the spine between its vertebrae are unduly driven inwards; and as the force can hardly be precisely equal on both sides, the spot at which the pressure from the end of a rib on the spine is greatest will be that at which this latter will yield, and a slight curvature will be begun, which the whole process of tight lacing will singularly tend to increase, in the manner specified in preceding pages. The muscles of the chest being partially para- lysed by the prolonged pressure of corsets, the arms cannot be moved nor exercised with freedom, nor the chest itself expanded and strengthened as it is by the exercise of the muscles common to it and the arms. The spine, owing to the inaction of its muscles by pressure, becomes weak and unable to be maintained in the erect and straight position; and it readily yields to any cause of curvature and distortion. VARIOUS DISEASES FROM TIGHT LACING. 02 i Nor are these all the grievous consequences of a permanent and wide spread fashion. In the space formed by the concavity of the diaphragm above and the lower ribs on each side are situated the liver, chiefly to the right, and the spleen and a part of the stomach on the left. By the diminu- tion of the transverse diameter of the chest below from the pressure of corsets, the ribs of the two sides are drawn towards each other, and necessa- rily compress with great force the liver, stomach, and spleen, causing pain in those parts, and dis- turbance of function. From this fruitful source come indigestion 'with discoloration of the skin, and not unfrequently jaundice. The blood not allowed its free course nor to flow in suitable sup- ply to some of the organs just mentioned, is ac- cumulated in the head, and gives rise to a sensation of fulness, violent pain, and sometimes convulsions. This fluid determined in other and different direc- tions, there follow disorders of a serious and even alarming nature, to which one can here but barely allude; but which a young person, who has any regard to her usefulness in subsequent situations in life, should, from a sense of duty, certainly en- deavor to avoid. Another variety of lateral deformity of the chest, in which the sides are flattened, is accompanied by an anterior projection of the breast bone, which is narrow and sharp, and resembles this part in a 222 HEALTH AND BEAUTY. bird; hence a person thus mis-shapen is said to be chicken or pigeon breasted. The spine at the same time is more or less deformed, cither by lateral curvature, which is the most common, or by a pro- jection backwards. The anterior compression in which the breast bone is sunk in or hollow, as it is termed, origi- nates from a continued bent posture; and henco it is common in tailors, milliners, and seamstresses generally, and shoemakers. The pressure of the last against the breast contributes not a little to this deformity in shoemakers. In declaiming, as we are prone to do, against the excessive cruelty of keeping children, from six to ten and twelve years of age, at work all day in factories, on their feet and stooping whilst thus engaged, we forget the scarcely less reprehensible practice of fixing children at school in a particular posture for hours together. In addition to the de- formities of the spinal column, before described, those of the chest are no uncommon results of this tyranny. Students, clerks, and all those whose occupa- tions require them to stoop, and who do not coun- teract the effect of this habit by proper exercise, are subject more or less to the hollow breast bone (sternum.) The pressure of busks added to the general pres- sure of stays or corsets, appears to be a great cause INDIAN EXERCISES—BATHING. 223 of this deformity among women. "It is much more common than is usually supposed." The prevention and cure of these deformities are the same as of spinal distortion. Regular and varied exercise in the open air and that systematic kind by gymnastics, and good nourishing food, are the chief means for the accomplishment of this end. A perseverance in these for a length of time has been followed by a cure of cases of the most discouraging nature. The Indian exercises, by the use of what is called the Indian sceptre or Indian club, have been found very serviceable. Reference has been made to the exercise of the voice as a means of expanding the chest and strengthening the lungs. Among the means for ac- complishing this object are the shouts of children in their favorite sports, which ought to be en- couraged rather than prohibited, during their allotted and admitted period of amusement and re- creation. Reading aloud and singing are useful on this score, independently of the pleasure which a well trained voice is capable of affording to others and of ministering to one's own comfort and advancement. These ought not to be left, as they generally are, to the whim or choice of the young person. Reading aloud and measured de- clamation and singing should be as essential a part of the daily school exercises as writing and recitations in grammar. It may be asked, whether 20 224 HEALTH AND BEAUTY. a boy or a girl, who has not a musical ear, should be required to sing. For the sake of exercising the lungs and improving the intonations of the voice they certainly ought to learn to sing. Subsequent displays and practising.-*, after they leave school, will depend on the degree of talent or taste with which nature has endowed them for musical attain- ments. In all the cases in which active exercise is had recourse to, either for the prevention and removal of deformity, or with a view to augment the strength of the body at large, methodical friction and shampooing and bathing are useful if not abso- lutely necessary adjuncts. On these subjects I have had occasion to dilate in another work, pub- lished a few years ago; and to that I would refer the reader who may be curious to learn the value of the different kinds of Baths, used as well for the purposes of hygiene as for the cure of diseases. In the preceding pages I have not given any statistical returns, which would show the number of young persons of the other sex, who suffer from curvature of the spine, in consequence of a neglect of the laws of growth and exercise. On this point the evidence is unhappily too conclusive. Not only physicians but persons of common observa- tion and experience are aware of the magi.ilude and extent of the evil. It will be sufficient, in conclusion, for me to cite the experience of three PROPORTION OF CASES OF DISTORTION. 225 writers in different countries on the prevalence of spinal deformities. Dr. Warren, of Boston, a gen- tleman of enlarged experience and known surgical skill, says: "I feel warranted in the assertion, already intimated, that, of the well educated fe- males within my sphere of experience, about one- half are affected with some degree of distortion of the spine." Lachaise, in his work, on Curvatures of the Vertebral Column, when speaking of the lateral curvature, expresses his belief; that, " out of twenty young girls who have reached their fifteenth year, there are not two who do not exhibit very manifest traces of it." Dr. Forbes, a learned and distin- guished English physician and writer, says; " We lately visited, in a large town, a boarding school containing forty girls; and we learned, on close and accurate inquiry, that there was not one of the girls who had been at the school two years (and the majority had been as long) that was not more or less crooked!" 226 HEALTH AND BEAUTY. CHAPTER IV. OF EXPRESSION—THE MUSCLES GOVERNED BY THE BRAIN ARE THE INSTRUMENTS OF EXPRESSION — ITS ADVANTAGEOUS DISPLAY DEPENDENT ON A CULTI- VATED MIND AND FREE EXERCISE OF THE MUSCLES. In the last chapter I have spoken of the physical impediments to a proper exercise of the locomo- tive apparatus, and of the consequent injury to health and beauty. In the present one, it will be my endeavor briefly to point out the animating in- fluence of mind over the organs of motion, and to show how far expression depends on health and is itself a cause of, and a necessary support to beauty. Vain will be the finest proportions of form and face, and rounded and symmetrical limbs, unless there be a harmonious combination of move- ment in all the voluntary muscles concerned in attitudes and gestures, and in the play of the features. Living beauty, even in repose, can never be entirely divested of the irradiation of mind through the corporeal frame; it speaks by this out- ward expression a natural language, which is un- EXPRESSION. 227 derstood by all, and to copy which though imper- fectly is the constant aim of the painter and the sculptor. The material centre and origin of these beauti- fying impulses is the brain enclosed in its bony case the skull. The cords for conducting these impulses are the nerves; one series of which trans- mits the orders of the mind from the brain to the muscles, as in all the voluntary movements: an- other series transmits impressions made on the surface and at the several senses to the brain, where they are converted into sensations, percep- tions, and ideas, and constitute materials for thought and motives to future action. Continuous with the great nervous mass constituting the brain is a long cord of a similar structure, and called the spinal marrow, which fills up the canal made by the cavity in each of the bones that form the spine, from the first vertebra above, articulated with the skull, down to the last, which is joined to the sacrum. Nerves like so many whitish cords pass out through different orifices at the basis of the brain to the senses, as of sight, hearing, &c, and to the muscles of the face; others from openings between the vertebrae com- posing the spine, mentioned in the last chapter, both to the skin and to the muscles of the trunk and limbs. Illustrative of the governing influence of the 20* 228 HEALTH AND BEAUTY. brain over the voluntary muscles are the facts of abolition of movement in consequence, 1. of com- pression on the brain by a depressed portion of the skull, after fractu-e of this part; 2. of concus- sion of the brain by a violent blow on the head, or by a fall or even jumping from a great height, although the head may not have struck the ground; 3. of effused fluid, blood or serum, as in apo- plexy, pressing on a portion of the brain. Con- trasted with this state of the brain, but still con- firmatory of the influence which it exerts over the muscles, are the strong and violent convulsive movements witnessed in various diseases, in which this organ is greatly irritated, either by an undue determination of blood to it, or by its being the recipient of irritation from another part, as from the gums in teething, the stomach from unripe fruits, &c. Again, what a difference is exhibited between the firm and quick step and varied mus- cular movements and play of the features in a person of intelligence and lively feelings, that is, of one whose brain is healthy and in active exer- cise at the time, and the uncertain walk, vacant look, and almost paralysed muscles of an idiot, whose brain is originally defective and incapable at any time of healthy mental manifestations! Of the necessity of the connecting chain of nervous matter between the brain and the muscles, for the performance of voluntary muscular move- EXPRESSION. 229 ments, even the uninitiated in anatomy and physi- ology must be readily aware. Injury of the spinal marrow, from a violent blow on, or fracture of, the spine, is followed by palsy of the limbs and of the voluntary muscles of other parts which are supplied by nerves below the spot injured. Paralysis of one side of the face is sometimes the consequence of a tumor pressing on the nerve which is distributed to the muscles of this side. An awkward posture, even, by which protracted pressure has been exerted on the chief nerve of a limb will cause a temporary numbness and inability to move this latter. The conditions, therefore, for the requisite irra- diations from the brain on the muscles, in order that they should be excited into motion, in other words, for the mind to call into exercise the limbs and body generally according to the determinations of the will, are a well formed and healthy brain, and an uninterrupted continuity of nervous cords from it to the muscles. From the first step made by a child, in its at- tempts to walk, on to the rapid movements in the foot race and the varied and complex ones in the dance and the exhibitions on the tight rope, we find proofs of the dominion of the brain over the muscles, of bodily movements being the result of mental exercise. The concentration of muscular power under strong volition and mental excitement 230 HEALTH AND BEAUTY. at times surprises us; as when we see men of a rather puny frame display strength in a given effort, prompted thereto by violent emotion, of which, in common, they are utterly incompetent. The continued attention, which implies con- tinued exercise of the mind, necessary for a person to go through a series of complex movements of any kind is felt and admitted by all who perform them. Let the attention be diverted, or confidence in their own powers diminished, so that the irradia- tions from the brain on the muscles are interrupted or rendered irregular, confusion follows; whether it be in the master of legerdemain, the performer on the tight rope, or the graceful follower of Terpsichore. The fingers of a practised player may still travel over the piano; but if the mind be diverted ever so little from its present purpose, the government and direction of these fingers, they will not give the assured though delicate touch, nor procure that quick succession and alternation of notes requisite for a finished execution of the piece. Bodily movements are imperfect either by want of exercise of the moving powers, the muscles and joint3, or by positive impediment and injury to these parts. The first is owing to deficient mental activity; there is no volition displayed, no irradiation from the brain on the muscles. The indolent and lazy, and they who spend their days at the desk or in study and their evenings in list- EXPRESSION. 231 less lounging, suffer from this cause. Others, and they are a large class, although they will muscular action, yet they do it unequally, as where they bend over work in their hands, which, together with their arms, are fully perhaps fatiguingly exer- cised, whilst the trunk and lower limbs are en- tirely quiescent, and it may be twisted into a con- strained and unnatural posture. Under this head come a majority of those engaged in manufac- tures and the arts. A third and all important class are they whose bodies are so compressed that the muscles cannot contract with freedom, and consequently cannot obey the commands of the will, even at a time, as when walking, running, or dancing, in which it is intended there should be an entire subservience of these muscles to volition. The persons thus suffering are a vast majority of the weaker sex from before the time in which they enter their teens until fifty years of age. It follows from the premises briefly sketched, that there can be no regular and methodical bodily movements without the mind having been first and continuing to be during the period, exercised in guiding and urging the instruments under its direc- tion; viz: the muscles and through them the bones at their joints. But not only are the muscles all over the body, those of the trunk, limbs, and face, the servitors of the brain in its state of common functional exercise, that is, for locomotion and 232 HEALTH AND BEAUTY. movements dictated by the intellect merely; but they are, also, the exponents of the varying condi- tions of its other different faculties, as of its senti- ments, emotions, and passions. It follows, that if the mind be exercised through its faculties—intel- lectual and moral, it will of necessity, during the entire circle of such exercise call into play, in suc- cession and alternation, all the moving instruments, or the muscles of the body; and that the natural language or expression evinced in the tones of the voice, and in gesture and locomotion, can never be fully given unless all the various powers of the mind be developed and brought into play. Every feeling or emotion, every propensity when it seeks for its gratification, gives its peculiar and charac- teristic expression to the individual under its in- fluence: nor is it possible to simulate this outward expression without a temporary imitation of the frame of mind which originally begot it. The actor and the orator are never successful, unless by this double imitation. Without it they become buffoons. The artist cannot embody the expres- sion of character, whether of loveliness, of intense passion, or high resolve, in marble, nor transfer it to canvass, unless he have studied the subject, and for the time being transmuted himself, at least his mind, into the frame and mood similar to that which he is desirous of copying for the pleasure and admiration of others. EXPRESSION. 233 If we entertain any doubt on this point, we have but to watch the movements of a child whose body is not trammeled by tasteless dress, nor whose mind is weakened by fear. We shall see it, not only in its looks, that is, in the expres- sion of its eye, and in the contraction of the vari- ous muscles of the face, by which it frowns, smiles, laughs, sorrows, and doubts, but also in its gestures and attitudes, indicate every passing emo- tion and active state of mind. This necessary, natural, and obvious connection and co-relation between mind and motion or ex- pression, which it ought to be one of the great purposes of education to preserve and to extend and strengthen, is by a series of strange and per- verse efforts enfeebled and in a measure broken, to the detriment of the health and beauty both of the mind and of the body. These two are made sub- jects of different and often opposite culture and influences, in place of their acting in constant and pleasing harmony. Slight cognisance is taken of the strong instinctive mental wants and impulses of childhood, so clearly manifested in vocal utterance and active and varied locomotions and gestures. The only standard admitted is a purely conventional and arbitrary one; and to this the tones, language, and whole deportment of the little being are sub- jected. Mental gymnastics are overlooked in the training which is begun; the mind is forbidden its 234 HEALTH AND BEAUTY. customary manifestations: it is not addressed, is not cared for, provided the eye and ear of the parent be not offended by loud noises and boisterous movements. It is left to chafe and fret; and it does chafe and fret the more, because it is pre- vented from sending forth its wonted irradiations, its effluences, through the body. These take a different direction, and, in place of going to the limbs and voluntary muscles generally, they are pent in on the brain itself, or are directed to the heart and other internal organs, which become dis- ordered in consequence. For, we may remark here incidentally, that unless there be a certain degree of exhaustion of the nervous power of the brain on the muscles, by the exercise of these latter, the indi- vidual suffers from what is vaguely called nervous- ness, a general agitation, unhappinoss, a feeling of danger without known or admitted cause, wake- fulness, &c. The movements and exercises of the body, few in number and limited in range, which are substi- tuted for the more decided and active manifesta- tions of intellect and feeling of the child and youth, are performed imperfectly and with distaste, because they are not the direct result of full and energetic volition; but only of that weakened kind which comes from mere imitativeness. How far this faculty alone, or even a cold sense of duty will carry a person forward in the various accomplish- EXPRESSION. 235 ments, without other motives and faculties, is seen in the indifferent progress in music and drawing, for example, of thousands of young persons, who have not primarily a genius or even taste for these arts. Not less evident, if we direct our attention to the subject, are the failures in the acquisition of bodily strength, and of a display of a graceful and easy carriage, if the exercises of the mind and body be severed, and the former not allowed to call into play the mobile instruments of the latter. Were beauty alone the subject of our study we should have to inquire into what is its standard, what the proportions of the several parts of the human body which constitute a beautiful form. We might, in advance, show the great differences both in the development and consequent proportion of the fixed or bony parts of the animal frame in the different races of mankind, as evinced in the con- figuration of the skull, of the cheek bones and chin, and of the actual and relative size of the chest and shoulders, and of the pelvis, and the straight- ness or gibbousness of the legs. For the most part, the color of the skin is that characteristic of race which most fixes the attention of the casual observer: but though marked, it is far from being so conclusive as the peculiarities just mentioned of the bony structure. Next to this are differences in the development of the brain and of the propor- 21 236 HEALTH AND BEAUTY. tion between this organ and the organs of the several senses. But as my aim is to give practical instruction, and to exhibit evils and the means of their prevention and to a certain extent removal, it is not neces- sary that I should point out primary and natural peculiarities of form and feature, which cannot be altered or removed. There is undoubtedly, if not an absolute standard, in this respect, to which we would all gladly conform, certain general propor- tions, which, as they imply health and vigor, or ready and varied movements and adaptation of structure to function, are looked upon with satisfac- tion by nearly all mankind. We find, it is true, both amongst the savage and civilised nations, notable exceptions to the doctrine of unity, start- ling by their extravagance and irreconcilable with the commonest principles of taste and utility. Such, for instance, are the flat heads, or depressed foreheads among certain tribes on the north-west coast and among the Caribs of the West Indies; flat noses among some of the African tribes; small and deformed feet among the Chinese; black teeth amongst the Malays and others; and last and worst of all, if we consider the extent of the evils grow- ing out of the fashion and the presumed know- ledge, intelligence, and refinement of the people among whom it is practised; compression and EXPRESSION. 237 flattening of the chests in a majority of the women of Europe and North America, in civilised and Christianised Europe and North America! In general, however, it will be conceded that the size and relative proportions and prominence of the several parts of the bony structure, viz: of the skull and face, the length of the limbs, and the size of their extremities, the hands and feet, and the stature of the individual, are innate and hereditary, though in part dependent on the attention subse- quently paid to the laws of growth and exercise. They are nearly fixed and but little moulded by art or education. The extent of covering which the bones shall receive is, also, in part, fixed and deter- minate, as far as respects the number of the mus- cles which envelop them. In size, there are great modifications resulting from the activity of nutrition and from exercise, points to which I have already adverted. In the proportion of fatty and cellular tissues interposed between the muscles and dis- tributed under the skin, the differences are also most manifest. Of this I have also taken notice in a former chapter. The color of the skin both in a particular race, and the shades of it in individuals of the white race are fixed from birth. The white, yellow, and black, are terms applied to designate the three great varieties of mankind, the Cauca- sian, the Mongolic, and the African. In our own race, there are, from birth, individual differences of J.18 HEALTH AND BEAUTY. hue; as of fair and brown, on which together with the corresponding color of the hair and eyes, and a favorable style of features, is founded the division into blonde and brunette beauties. Although we might see before us a being, who in stature, symmetry, and roundness of form, un- dulating lines in the trunk and limbs, and in the proportion of all the parts, and in the polish and clearness of skin, should be a model of beauty; and near this one, another with disproportioned features and limbs, and whose skin was more of the hue of the olive than of alabaster; yet, it may so happen that the first shall weary, and the second win attention and insure general favor. That which gives attraction to the latter, and the absence of which deprives the other of abiding interest, is expression, itself the evidence of a sentient and thinking being, and which impresses the spectator and raises his admiration, as a sentient and think- ing being. Men may and do differ in their esti- mate of what shall constitute beauty. The fair ample forehead will be lauded by all; but the low and retreating one will not prevent admiration, any more than the short and upturned nose, the large mouth, and long chin, or too protuberant lip: the eye of hazel is that of the idolatry of one; the blue of another; the black of a third. In fine, whether the face be long or round or oval, the skin fair or brown, the stature high or low, of EXPRESSION. 239 Juno's or of Venus' height, there will be many to extol it; an evidence this of contrariety of opinion in the fixed and stable character of face and form. But in regard to expression there is no such difference. An easy and graceful carriage, a countenance beaming with intelligence and benignity are recog- nised and admired by all. The signals furnished by expression are appreciated by children and ani- mals both wild and domestic. They indicate the disposition, the habitual feelings of the individual with more force and distinctness than the conven- tional language of vocal utterance; for they are the direct result of the operation of the mind on the body by means of the brain and nerves on the muscles, which last are at once the organs of mo- tion and of expression. The absence of all ex- pression implies, and is proof of the want of mind. But there is a composed state of the features indi- cative of tranquillity and of quiet thought and subdued emotions, which is a necessary accompa- niment of beauty, and which will often be received as a substitute for the harmonious proportions deemed requisite to this latter. Just as there is, also, a play of the features which constitute the expression of benignant cheerfulness, short of animated good nature, which borders on grace and makes us forget the previous ugliness of their pos- sessor. 21* 210 HEALTH \ND BEAUTY. The instruments of expression, in the face, are of the same class with those of expression in the rest of the body. They are voluntary muscles which, by their contraction under the stimulation of the mind, in a manner already explained, alter the size and figure of the apertures of the eyelids, nostrils, and mouth, and by their alternate and succes- sive action give endless variety to the human countenance. They are less evident in woman from their being more covered and imbedded in cellular and fatty tissue than in man, and hence a softer expression in the former. These muscles are, with few exceptions, con- nected to the bones by one extremity and to the softer and moveable parts by the other. By their contractions, frowning, scowling, smiling, are per- formed; and scorn, contempt, sorrow, pity, pride, humility, and a crowd of emotions and passions are indicated. But although always put in motion by the stimulant from the brain conducted to them along the nerves, they contract at times in states of the system in which the mind is, to a certain ex- tent, passive; as when the individual suffers from violent bodily pain. Even here, we often see the controlling power of the mind, in its refusing to pass, as it were, to the muscles the painful im- pressions which the brain received from the suffer- ing organ. Still, pain or any irritation of the body, EXPRESSION. 241 whether external or internal, by disturbing the mind will, also, more or less disturb tiie harmony of expression of the face. The most expressive parts of the face, those to which the greatest number of its muscles tend, are between the eyebrows, at the external wings of the nostrils, and at the angles of the mouth. There is scarcely an emotion experienced, a change of expression however slight, which will not be evinced by some change caused by contraction of the muscles, or a slight tremor even, at one or other of these parts. As yet, the absurd and cruel in- trusiveness of false fashion has not attempted to control or rather to destroy the movements of these muscles, as it has those of the chest and back and of many of the limbs; although there would be just as much wisdom, as respects grace displayed, in putting a piece of adhesive plaster across one angle of the mouth, or between the eyebrows, with a view of giving an improved appearance to these parts and adding to the expression of the features as there have been in corsets, girds, &c, to the back and breast. They take a very limited and imperfect view of expression who regard it as confined to, and evinc- ed in the face alone. The mind, the source of ex- pression, sends, as I have repeatedly stated, its ir- radiations through all the voluntary muscles, which, by their movements become exponents of its inten- 242 HEALTH AND BEAUTY. tions and feelings. Consentaneous with the con- traction of the muscles of the face, and consequent change of the features, under mental emotion, is that of the muscles of the trunk and limbs, by which attitudes and gestures are assumed, and of those at the opening of the windpipe, by which the modifications of voice, or intonations, are formed. To the mind, then, and its proper cultivation should we look for for the source of appropriate, varied, and correct expression. But it must be a healthy mind by which we can obtain this desired result. Intel- lect alone will not give it; nor will all the aids of science and letters. In fact, the imprint on the face of nearly every individual, and the carriage and manner are made by the disposition, and the moral character. There is no look, nor walk, nor gestures, indicative of genius; but all these may become clear signs of pride and self confidence, firm resolve and ardor in pursuit of a favored object, or of diffidence, humility, and deference to the opinions of others. Under the genial influence of a well disposed and well trained mind, which implies of necessity a healthy brain, the blood courses freely under the skin and imparts to its texture the desired color, fulness, and softness; the eye is lustrous; the features animated, and the muscles in that state of readiness, or mid-tension, which makes them fit EXPRESSION. 243 instruments for expressing the emotions of the speaker and for enabling her to persuade, charm, and sway by this natural language. Under this influence, the voluntary muscles concerned in speech are brought into action, with a distinctness and impressiveness which give weight to the opin- ions of the speaker; and from the same source comes the final and irresistible charm of the in- tonations of the voice, which seem at times to be the very vibrations of the feelings. Commonly, the education of the mind is as un- favorable as that of the body to beauty. The laws of hygiene are perverted or entirely neglected in their application to ethical, as they are to physical training; and the consequence has been weakness and often deformity in both. " Do not frown so, my dear!" exclaims a fond mother to her daugh- ter. The wrinkles are smoothed for a moment; but no attention being paid to the cause, they soon return. If the question had been asked, " what makes you frown, my"dear?" or if the parent had asked herself, whence this look of discomfort, or of discontent in my child, which mars her good looks and may, if continued, become a fixed trait; she might set about detecting and perhaps remove the causes. There may be such a compression of the chest as prevents free breathing; or a fit of indi- gestion brought on by the same cause, or tight shoes, or some band, or ligature which interferes 244 HEALTH AND BEAUTY. with freedom of movement. Or the frowning look may be the effect of languor, from a want of exercise and fresh air, and of proper mental occupation. Composure and placidity are necessary condi- tions for beauty of expression, even of the highest order, the intellectual. Their display presumes, of necessity, a mind at ease—a brain free from irrita- tion either directly in itself by perturbing emo- tions, or indirectly by pain or disorder in any other organ. The brain, as the recipient of impressions made on any part of the body, promptly transmits the result of the sensations which follow to the voluntary muscles. If the sensation be unpleasant or painful, its nature is evinced in the language of complaint; or, this being restrained, in the play of the voluntary muscles, both of the face and of the body at large. By a strong mental effort ot from habits of endurance, a very startling external manifesta- tion may be prevented; but it will be impossible to assume the appearance of entire ease and tran- quillity, and to give the face an expression corres- pondent with or indicative of this state, so long as the brain is irritated by pain or disturbance in any part of the body. How little, therefore, can we expect to see the full charm or even quiet ease of expression, and frank and yet placid air in a young person of the other sex who is exposed to a torture enjoined by fashion, which, under other circumstances, would EXPRESSION. 245 be called the extreme of barbarity. We will sup- pose that her toilette is complete, and that she is arrayed agreeably to the requirements of fashion, and the implied sanction of her affectionate mother, her considerate teacher, and her pious pastor. Her hair, in place of falling in ringlets and curls, is parted on the middle of the head and drawn tight on either side and secured by combs; whilst the larger portion is twisted, also, tight, and secured on the top and back of her head. The skin covering the skull is stretched by these contrivances, and that of the face is prevented from following with freedom the movements of the muscles, in the different changes of features. These latter cannot be natural and pleasing under the feeling of the con- tinued tension of the scalp by the overstretched hair. But this is only a small part of the sacrifice made at the shrine of folly. In order to exhibit a genteel if not a very thin waist, the chest, which, naturally, is more expanded below than it is above, is drawn in and compressed by corsets so as to convert this cavity from a conical to a cylindrical shape, with the effect of compressing the lungs and rendering it utterly impossible for the respira- tion to be free and easy. The process of breath- ing, which would be scarcely perceptible to another person, if all the organs concerned in it were al- lowed to perform their parts conjointly, is now labored and panting under the least exercise; and 246 HEALTH AND BEAUTY. not only are the heavings of the chest at the upper portion painfully manifest, but there is a spasmodic raising of the shoulders, in order to compensate as much as possible by a forced, unnatural, and un- seemly expansion above for the compression and stricture of the lower part of the chest. The breathing of a young woman thus corseted and a little excited, either by exercise or emotion, is, in fact similar to that of a person suffering from pleurisy or from inflammation of the lungs. The appearance of the countenance is nearly the same in the two cases: the cheeks are preternaturally flushed and of dark red hue, which is not confined to them but is more or less diffused over the whole of the face. The lips and nostrils undergo occa- sional twitches, in consequence of the instinctive sympathy between the beginning of the respira- tory tube at the mouth and nose and the lungs themselves. There is, also, perceptible to even a casual observer a contraction between the eye- brows, approaching to a frown, and which is, also, an instinctive movement of the muscles after any disorder or disturbance by which the brain is un- pleasantly impressed, as it must be from the causes now in action. Receiving blood imperfectly elabo- rated, owing to the impeded respiration, the brain cannot perform its functions with readiness, even were it not disturbed by the painful causes just described; and the mind is in consequence crippled; EXPRESSION. 247 and its manifestations are constrained and artificial. The affected smile and forced laugh but illy con- ceal this discord of the features. To one who is not aware of the cause of the constrained air and carriage of a candidate, in full dress, for fashion- able fame, the transformation, on the following morning, into a plainly attired personage, whose movements are natural and graceful, and the expres- sion of whose countenance is cheerful and pleasant, must appear to be miraculous. The difference is explained by the removal in the latter period of the instruments of torture to which she had been subjected the evening before. An enumeration of the causes would be incomplete were we to omit tight shoes, which so often compel their wearer to fidgetiness and changes of place of her feet, even when she is seated, and greatly interfere with, if they do not entirely prevent, a free and graceful step and carriage when she is walking or dancing. As ranking among the causes of painful sensations, tight shoes, also, contribute their full share to disturb the quiet expression of the features, so essential to a character for beauty as well as for good nature. No candidate for admiration of her beauty, or for charm of expression or witchery of manner, would hope to be successful, she would forego indeed the attempt, if she were suffering from the irritation of tooth ache or of a whitlow; and yet, by a strange inconsistency, she will habitually, day after day, 22 248 HEALTH AND BEAUTY. and evening after evening, exhibit herself with compressed and of course deformed chest, hair twisted and stretched, and shoes pinching her feet; circumstances more disturbing to the desired expression of beauty and grace than a diseased nerve in her tooth or a pained finger. It is hardly necessary to be more explicit by ad- ducing more numerous facts to prove the position already advanced, viz: that deviation from health, in a disorder of any organ or tissue of the body, by disturbing the brain deranges more or less the harmony of expression, besides the impediments which it offers to nutrition, the formation, elabora- tion, and distribution of the blood; and the conse- quent injury to the color, fulness, and roundness of the forms in the different regions of the body and limbs. Poor is the substitute offered by the professed teacher of the graces for the expression of face and carriage of a person whose mind is pleasingly and healthfully occupied. The affected smile, the measured step, the stiff and erect attitude when seated, are so many positive and violent inroads upon beauty, because they are destructive of grace. No proportional differences in the size of the body and limbs of individuals are admitted any more than in the character of their minds. The waist must be made small at all hazards; the feet pinch- ed into a shoe half the proper size, and the arms EXPRESSION. 249 tied down to the sides by the shoulder-bands of the frock. Of course, the light and springy step, the gentle flexion of the body, and the easy play of the hands and arms, so essential to, and indicative of true grace, and without which, beauty is cold as a statue, cannot be executed. The muscles of the face sympathise with the suffering muscles of the trunk and limbs, and they act irregularly and un- equally, and either destroy entirely the beauty of countenance or greatly diminish its attractiveness. Not only the hands, but the feet too, should be allowed, without contraction or cramp, to join in action with the head; a thing impossible if they are squeezed, as by a vice, into disproportionately tight shoes. For a person so punished to walk with ease is not to be expected; to walk with light- ness and grace is impossible. The cause of beauty not less than that of health and of sound ethics, requires that the mind and the body should be left to exert, untram- meled, a reciprocal influence; the one aiding and giving vigor to the other. Guidance but not co- ercion, protection but not imprisonment, are the requirements for a suitable education; in which it is not enough to repress what is injurious, but we must also nurture and aid the development of the beautiful, the fair, and the good. One of the first, as it is a continued craving of every animated 250 HEALTH AND BEAUTY. being, is exercise, which, in all the lower orders of animals is safely taken in conformity with the calls of instinct; and which no fiction of reason ought to cause to be withheld in the human spe- cies. In animals, no movements which they make of themselves are awkward; many are absolutely graceful, because free and natural, though with specific purpose and intent. If the members of the human family were allowed the same unre- stricted use of their muscles which the animals below them enjoy, together with the added and peculiar and distinctive advantages of proper mental culture, expression would give dignity to wisdom, and grace and charm to beauty, and render even ugliness a matter of speculation rather than of positive perception and knowledge. In the light and easy step and carriage we would cease to regard with much scrutiny the size of the foot and tum of the ancle. In the movements and attitudes of the body generally when it is covered with a light and flowing drapery, adapted in a degree to its undulations of outline, we would gladly forget slight differences in the size of the waist; certainly would never wish to see it reduced to the shape of a mere cylinder; and the dress made in imitation of certain figures in geometry, in straight lines and angles, to the exclusion of the waving line of beauty. EXPRESSION—DRESS. 251 The advice given to the painter ought to guide woman in the arrangement of her dress. " Free o'er the limbs the flowing vesture cast, The light broad folds with grace majestic plac'd, And as each figure turns a different way, Give the large plaits their corresponding play; Yet devious oft, and swelling from the part, The flowing robe with ease should seem to start, Not on the form in stiff adhesion laid, But well relieved by gentle light and- shade." The necessary harmony between the expression of the face and that of the body generally is incul- cated on the artist who would picture beauty. Is , its observance less necessary in real life ] " Nor can such forms with force or beauty shine, Save when the head and hands in action join. Each air constrained arid forced, each gesture rude, Whate'er contracts or cramps the attitude, With scorn discard." The Romans, it is known, did not allow the manly robe to be put on, until the youth had reached a certain age, and was prepared to per- form the duties required from a useful citizen of the state. With us, a different practice prevails, and we are eager to invest even children with the garments and garnitures of adult folly. Could we not take a hint from the Romans, by refraining to 252 HEALTH AND BEAUTY. impose the bands and badges of fashion on minors and those of tender age, and wait until, of their own accord, at least, they should enrol them- selves in the same list with their fantastically at- tired seniors. Let us, in mercy, not deprive childhood of its gambols nor youth of its sports, by pinioning their bodies with tasteless garments insufficient even to protect them from the inclemencies of the sea- son.* Let us rather allow them to yield to those instinctive calls for exercise, by which their frames grow and are strengthened and their limbs gain that development of form and the free and varied movements which fit them, in after life, for a dis- play of agility and an easy carriage and deport- * Mothers ought to be made aware of an important truth which most physicians are backward to inculcate. It is, that the young of all animals have less bodily heat and require more protection from external cold than adults. The application of this truth should work sun- dry reforms in the dress of children by giving their breasts and shoulders that covering of which they are so often deprived, in order that they may be dressed in the fashion. The mother's vanity is gratified by dressing her child in the latest fashion; and in return the child has catarrh, or croup, or inflammation of the lungs, which often prove fatal; or, escaping these, its l.ealth is under- mined by the progress of scrofula, evinced in glandular swellings on the neck, dry scurfy skin, &c. EXPRESSION—DRESS. 253 ment. The body divested of girths and bands and casements, and clothed in loose vestments, will obey the suggestions of the mind and assume the postures and attitudes conformable with the dic- tates of grace, and indicative, at the same time, of health and well being. The cause of health, of beauty, of education, and of humanity even, requires that we should study the human body, with its proportions, outlines, and inflections, its powers of movement and expres- sion. The remark of the celebrated Canova, when comparing ancient and modern art, respect- ing attention to drapery, is strictly applicable to the antique and modern fashions of attire. The ancient artists, said he, threw all their energies into an endeavor to make the countenance and attitude expressive, with but little regard to the dress; whereas, the moderns place all their skill in the expression and movement as it were of the gar- ments. Hence the different impressions on the mind of the spectator. The figure in the former case is all speaking; the dress is silent. In the latter, the clothes are all eloquent, or arrogant rather; and the figures cold and expressionless as the unquarried marble itself. THE END. tl * #V«:- &Ek <■'*.'••; ' ,,.;, ■,»■>:»*t.^i*Ji-;~ .. *>• .*S ■:■' V- »■•• " ■ -h. •••?-.v//;§•■«-*«)" n?V ., i.