SHAKjMIRE'S medical knowledge. BY CHARLES W. STEARNS, M.D. NEWYORK: D. APPLETON AND COMPANY, 448 & 445 BROADWAY. 1865. Knteurd According to Act of Congress, in the year 1864, by D. APPLETON & COMPANY, In the Clerk's Office of the District Court of the United States for the Southern District of New York. INDEX. Anatomy, 18, 73. Hygiene and Dietetics, 20, 24, 25, 26, 27, 33, 41, 45, 49, 50, 55, 57, 58. Insanity, 21, 23, 30, 32, 33, 34, 35, 36,. 65, 66, 67, 68, 74. Medical Jurisprudence, 32, 48. Medical Etiiics and Empiricism, 16, 17, 29, 40, 61, 64, 65. Obstetrics, 20, 81, 35, G2, 67, 69. Pathology and Mokbid Anatomy, 24, 30, 38, 40, 42, 51, 52, 59, 66, 70, 75, 76. Pharmacy and Materia Medica, 38, 45, 60, 62, 69, 70, 71, 72, 73, 76, 77, 78. Physiology, 26, 27, 32, 33, 35, 40, 43, 55, 57, 69, 74, 77. 1 4 INDEX, Practical Medicine, 15, 16, 17, 21, 24, 25, 28, 31, 32, 33, 34, 35, 36, 37, 38, 39, 40, 41, 42, 44, 45, 46, 51, 52, 53, 54, 55, 56, 57, 59, 61, 64, 65, 66, 67, 69, 74, 77. Surgery, 15, 21, 22, 25, 28, 37, 38, 44, 48, 50, 51, 54, 55, 59, 65, 70, 74, 75, 76. SHAKESPEARE'S MEDICAL KNOWLEDGE. Why should not we of the Healing Art claim our share in Glorious Will ? Lord Chancellor Campbell has written a book, in which he claims that Shakespeare in his youth must have been at least an attorney's clerk, if not something more, for such is the familiarity with legal matters carelessly betrayed in the poet's writings. It may sound presumptuous to say that the Lord Chancellor, in his law argument, might easily " mend his instances;" but literature is a republic in which there are no privileged orders. The obscurity of Shakespeare's youth, taken in connection with the universal knowl- 2 6 Shakespeare's medical knowledge. edge displayed in the productions of his mature years, have afforded scope for endless conjecture and argument, until all " Is smothered in surmise, and nothing is But what is not." Dryden said, "In him we find all arts and sciences—all moral and natural philosophy, without knowing that he ever studied them." Not only are there allusions, more or less frequent, to every craft, business, and pursuit, but those following them have the thoughts and language proper to their station. Before Shakespeare's " day of success," in which, as the actor-poet, he became the companion of gentlemen, the teacher of a court, the delight of his sovereign, and "the darling of the nation," what was he ? Was he a butcher's, a wool-dealer's, or a glover's boy ? was he ever a 'prentice, operative, farm-laborer, poacher, or horse-boy ? or was he a sailor or a soldier ? or did he, perchance, " teach the young idea," " engross" or " cull simples "? We prefer to believe that he was born in a pleasant English home, and that he was Shakespeare's medical knowledge. 7 well taught at school. "With a heart that had once been warmed by " sitting at good men's feasts," and an intellect once lighted by the Promethean flame of knowledge, he could then go forth into the world, and meet the ups and downs of life in no sullen spirit. No matter what his struggles may have been while yet a young man; if he got through with honor and health untouched, his early trials would but add to the enjoyment of life in after years. But if at setting out he chanced to be a little wild, he would all the more likely be made acquainted with a great variety of strange people, and get a near view of their characters and habits. If a young man has strength to keep himself erect until the lapse of time brings prosperity, will in his mature years show something very different and opposite to that insipidity so often seen in those who are born to wealth and hedged about with exclusiveness. All men who achieve their own greatness have, in the outset of their career, spent a few j r ears in threading the lanes and by-ways of life, before Shakespeare's medical knowledge. 8 emerging upon the broad and stately avenues where rank and wealth are congregated. The author of "Shakespeare's Legal Acquirements," like his brothers in Shakespearian lore, makes too much question of that gap of six or eight years in the poet's life. There was also a gap of several years in Doctor Johnson's life, which even Boswell could not account for; and full twenty years of Rousseau's life would remain a blank to us, had he not chosen to fill it up by the most humiliating confessions. Such young men, while for a time hanging loose upon society, are sure to see and learn a great deal, but they do not ordinarily keep a diary of their experiences. At some period of their roving8 they are probably but little better than real Bohemians; and of the many that thus go forth, like Jean Jacques and Goldsmith, a few return again bringing their sheaves with them. During such a period of obscuration Shakespeare might spend a few weeks or months in different vocations, one after the other; and if domiciled with an attorney, an apothecary, shakespeake's medical knowledge. 9 or one of any other calling, he would learn more of those arts in six months, than he ever found occasion in after years to put into his dramas. Let us, therefore, intelligently admire Shakespeare's varied knowledge of the common affairs of life, by considering his vast capacity in connection with the fact, that this knowledge of his, at which we are so much astonished, is of that kind and degree that comes from observation, and not by special study or daily practice. Hence, though we are able to make up small volumes of extracts and quotations referring to law or to medicine, we are not, therefore, to conclude that he ever studied those professions, or had skill enough to practice them ; more than we are bound to believe that he ever turned brass candlesticks, tempered " hair and lime " into " rough-cast," or that he " rough-hewed," and after "shaped the ends" of wooden skewers. Volumes may likewise be filled, severally, with husbandry, farming, gardening, and domestic economy ; military and nautical affairs; 2* 10 bhakespeare's medical knowledge. the fine arts; trade, politics, and government; divinity, philosophy, and ethics ; handicraft, horses, and field-sports; and even the language and arts of thieves and rogues. And after all these have been extracted from his writings, there yet will remain the vast and durable edifice of his poetry. Unless Shakespeare's hard fortune at some early period of his life had forced him to a close contact with the lower orders of society, he could never have given ns with his pen those instantaneous views which convey to our minds more than canvas or colors can to the eye. For what painter would undertake to represent a gossiping tailor, " standing on slippers thrust upon contrary feet," telling his news to a smith, who in the hearing " lets his iron on the anvil cool" ? ' His servants and clowns are a compound of ignorance and wit, of dulness and sense, of kindness and selfishness, suet as only nature ever formed, and only Shakespeare ever copied. He had found real wit under "plain statute caps," and his "true laborer" knew how to be bhakespeake's medical knowledge. 11 happy without the aid of philosophy or courtly arts. Health and disease are questions of such importance, that it would be strange indeed if their phenomena had found no place in Shakespeare's world. Doctor Johnson said that the "practice of physic was a mean attendance on human misery." He also said some things just about as much worth minding, of " patriotism," " pensions," " oats," &c. So we can afford to forgive the noble old " hater " for his sounding libel on Medicine ; as we find that in Shakespeare's plays physicians and their art are always spoken of with kindly consideration and respect —greater sometimes than, for ourselves, we should dare lay claim to. The number of passages going to show the poet's acquaintance with medicine and its collaterals which we are able to present, is probably much greater than most persons would have guessed could be found. And yet, as I did the work of hunting for them while cooped up in rail-cars and summer 12 Shakespeare's medical knowledge. hotels, I cannot have been very thorough; often forgetting my task of " culling of simples," " amidst the seducing beauty of sentiment and language through which I had to pick my way." * I found it impracticable (as did also the author of " Shakespeare's Legal Acquirements") to classify the extracts, and so concluded to set them down in the order they occur in the plays. It was thought best not to disfigure the poet's lines with italics, which are not necessary for the medical reader, and but rarely for others. Most of the passages are, not comments on the condition of an actual patient, but are expressions drawn from medicine, and used figuratively to illustrate the ideas of the speaker. It may be objected that the compiler has been somewhat too jprqfusus sui, and that " striving to do better than well" he has made many observations that medical readers might better be left to make for themselves. But he is content to rest under this censure, if he can be cleared from the suspicion of irrever- * Lord Campbell. Shakespeare's medical knowledge. 13 ently making the Divine Poet " a stalkinghorse, under the presentation of which he shoots his " — own common-places. Shakespeare has been, is, and ever will be fully appreciated, but by no one man; for no single mind has the capacity to comprehend all the truth he has uttered. New York, September, 1864. Gonzalo. ; you rub the sore When you should bring the plaster. Antonio. And most chirurgeonly. (Act n. Sc. 1.) Caliban. All the infections that the sun sucks up From bogs, fens, flats, on Prosper fall, and make him By inch-meal a disease! (Act n. Sc. 2.) " By inch-meal a disease " well expresses the gradual absorption of malarious poison, of which the patient is generally unconscious until cachsemia is fully established. Stephano. He shall taste of my bottle: if he hath never drunk wine afore, it will go near to remove his fit. (Act ii. Sc. 2.) Many popular remedies give relief in mere functional disorders, the first time they are applied, simply because they make an impression on the system to which it is unused. 16 Shakespeare's medical knowledge. Gonzalo. Like poison given to work a great time after. (Act in. Sc. 3.) This conveys a popular error that exists to some extent, even at the present day, among well-informed people outside the medical profession ; that certain poisonous substances can be so administered as not immediately to affect the health, but which will operate with sudden and fatal force at some given time after; like a slow-match to a mine, or a candle in a box. Arsenic or Antimony in small doses must impair the functions of the stomach at the outset; nor could the cumulative effects of Digitalis be controlled so as to be depended upon. (See Barclay's Diagnosis.) Slow poisoning is also spoken of at length in Cymbeline. lUrrg SBte at WMsiax. "Doctor Caius, a French Physician" is an example of the universality of Shakespeare's genius, that medical men can especially appreciate. Here is the successful quack, just as we see him at the present day, pompous, vain, and bold, as only ignorance dares 17 MERRY WIVES OF WINDSOR. to be. But he is overmatched by that irrepressible joker, mine Host of the Garter Inn, who, with a penetration peculiar to his class, could see through the "Doctor," and yokes him with the fighting parson, Sir Hugh Evans. Host. What says my Esculapius? my Galen? my heart of elder ? ha! is he dead, bully Stale ? is he dead ? Dr. Caius. : by gar, I love you; and I shall procure—a you de good guest, de earl, de knight, de lords, de gentlemen, my patients. (Act n. Sc. 3.) Evans. master Caius, that calls himself Doctor 0/Physic ! (Act in. Sc. 2.) Page. And youthful still, in your doublet and hose, this raw rheumatic day ? (Act m. Sc. 2.) Host. Peace, I say ; —soul-curer and body-curer. Shall I lose my doctor ? no, he gives me the potions and the motions. Shall I lose my parson, my priest, my Sir Hugh ? no, he gives me the proverbs and the no-verbs. (Act in. Sc. 2.) Mrs. Quickly. Nay, said I, will you cast away your child on a fool and a physician ? (Act ra. Sc. 3.) " That foolish carrion ' mistress Quickly " humbugged her patron the quack, much after the same fashion he did his patrons. I chanced, while at Fortress Monroe as Surgeon of —th, New York Volunteers, to encounter one of these advertising Doctor Caiuses, and who 3 18 shakespeaee's medical knowledge. usually, I believe, keeps his state here in New- York ; but he was then permitted by our politico-military authorities to range about at will on both sides, Union and Kebel. He came to me saying that he required the exclusive use of one of the hospital tents, and that the men should be called up to undergo his manipulations. I simply told him to go to the devil. With some threatening exclamations, he steered straight for the " Department Head Quarters." I was told, a day or two after, that I had done wrong in not complying with this man's demands, for he was, &c, &c. But I had not then got rid of some notions of military propriety that I had acquired nearly twenty years before, when short hair, clean faces, tight leather stocks, and many other things, both good and bad, existed in military life, but which are now rarely seen. Clown. , one of thy kin hath a most weak piamater. (Act i. Sc. 5.) The pia-mater may as well stand for the intellect as any other part of the Encephalon: 19 TWELFTH NIGHT. for our positive knowledge as to the true seat of the reasoning faculties is no better than Shakespeare's. Viola. : She never told her love, But let concealment, like a worm i' the bud, Feed on her damask cheek: she pin'd in thought; And with a green and yellow melancholy, She sat like Patience on a monument Smiling at grief. Was not this love, indeed ? (Act ii. Sc. 4.) " Was not this love ?" A plain matter-offact country doctor would say to himself, that it was commencing chlorosis. And, in truth, are there not many degrees from discontented maid-hood to combined amenorrhea and anaemia? Gil Bias, in his more gross way, terms it "fatigue" du celibat." In this connection I must be permitted to transcribe one other well-known passage of our poet, from Midsummer-Bight's Dream: " Therefore, fair Hermia, question your desires, Know of your youth, examine well your hlood, Whether, if you yield not to your father's choice, You can endure the livery of a nun; y For aye to be in shady cloister mew'd, To live a barren sister all your life, Chanting faint hymns to the cold fruitless moon. Thrice blessed they, that master so their blood, To undergo such maiden Dilgrimasre: 20 Shakespeare's medical knowledge. But earthlier happy is the rose distill'd, Than that which withering on the virgin thorn, Grows, lives and dies, in single blessedness. Shakespeare, everywhere, recognizes the physical necessity of marriage to the wellbeing of woman. For the desire of maternity is just as natural, and therefore reasonable in woman, as is the impulse in man to make his way in the world—to get gain, credit, honor, or something else that may do him good. Hence, though our poet wrote in a gross age, yet neither his Viola, Olivia, Ophelia, Rosalind, or Juliet, who were all constant to one only object of attachment, should be thought of, as wanting in that degree of maidenly reserve which belongs to the manners of our present state of society. Virtuous sentiments are ever the same; but superstition in past ages, and calculation in ' this, has " helped to mar that which God has made." Sir Toby. Like aqua-vita? with a midwife. (Act ii. Sc. 5.) The exhausting duties of this class of practitioners are yet supposed to require the aid of stimulants to keep them up to their work. Malvolio. This cross-gartering does make some obstruction in the blood. (Act in. Sc. 4.) 21 TWELFTH NIGHT. There seems to be an eternal war between fashion and physiology. Sir Toby. We must deal gently with him; this is not the way; do you not see you move him ? let me alone with him. Fabian. Carry his water to the wise woman. Maria. It shall be done to-morrow morning, if I live. (Act in. Sc. 4.) Malvolio. I am no more mad than you are; make the trial of it in any constant question. Clown. Nay, I'll ne'er believe a madman 'till I see his brains. I will fetch you light, and paper and ink. (Act iv. Sc. 2.) Is there any other way to see a living man's brains than the one this clown proposes to try ? Duke. Or else the lady's mad; yet, if 'twere so, She could not sway her house, command her followers, Take, and give back affairs, and their dispatch, With such a smooth, discreet and stable bearing, As, I perceive, she does: (Act iv. Sc. 2.) Sir Toby. ; he's hurt me, and there's an end on't.—Sot, did'st see Dick surgeon, sot ? Clown. O he's drunk, Sir Toby, an hour agone; his eyes were set at eight i' the morning. • Sir Toby. ; I hate a drunken rogue. (Act v. Sc, h) 3* 22 Shakespeare's medical knowledge. Sir Toby, though possessing other qualities and instincts, which in time would have made him perfect Falstaff, yet lacked some of his " discretion." He had, therefore, pitched into a fight where he was suddenly counted out, and in his distress calls for a surgeon. There was only one, a drunken one, to be had r and for that cause he objects to him. This reminds me of the deal of scrimble-scramble stuff we saw in the newspapers at the outset of our present war about drunken surgeons; as though the event depended not on the generals but on the surgeons. The volunteer medical officers whom I chanced to fall in with were much better prepared to perform their duties than the improvised majors, colonels, and brigadiers. For more about intemperate surgeons, see the latter part of Mr. Jeaffreson's entertaining " Book about Doctors." Utour* fat jjjUaatEtt, Clown. ; that such a one, and such a one, were past cure of the things you wot of, unless they keep very good diet. (Act n. Sc. 1.) Isabel. Hath yet a kind of medicine in itself, That skins the vice o' the top: (Act tf. Sc. 2.) 23 MUCH ADO ABOUT NOTHING. Duke. If she be mad (as I believe no other), Her madness hath the oddest frame of sense, Such dependency of thing on thing, As ever I heard in madness. (Act v. Sc. I.) Friar. I have marked A thousand blushing apparitions start Into her face; a thousand innocent shames In angel whiteness bear away those blushes; And in her eye there hath appeared a fire, To burn the errors that these princes hold Against her maiden truth. (Act iv. Sc. 1.) I have cited this, and some other similar passages, to show the poet's skill in noting objective symptoms. Titania , have sucked up from the sea, Contagious fogs. * * * . an( i the green corn Hath rotted ere his youth attain'd a beard: 24 Shakespeare's medical knowledge. The fold stands empty in the drowned field, And crows are fatted with the murrain flock: The nine men's morris is filled up with mud; And the quaint mazes in the wanton green, For lack of tread, are undistinguishable: The human mortals want their winter here; That rheumatic diseases do abound : And thorough this distemperature, we see The seasons alter; hoary-headed frosts Fall in the fresh lap of the crimson rose; And on old Hyems' chin and icy crown, An odorous chaplet of sweet summer buds, Is, as in mockery, set: the spring, the summer, The childing autumn, angry winter, change Their wonted liveries. (Act n. Sc. 2.) Here the accessaries of a sickly season are poetically stated. Demetrius. But, like in sickness, I did loathe this food: But, as in health, come to my natural taste, Now do I wish it, love it, long for it. ' . (Act iv. Sc. L) Oberon. And the blots of nature's hand Shall not in their issue stand; Nor mole, hare-lip, nor scar, Nor mark prodigious, such as are Despised in nativity, Shall upon their children be. (Act v. Sc. 2.) love's labour's lost. 25 King. (Beads.) ; I did commend the black oppressing humour to the most wholesome physic of thy health-giving air; (Act i. Sc. 1.) Costard. , no salve, sir, but a plain plantain! (Act in. Sc. 1.) Costard's hurt was a slight one, and he objects to any formidable surgical dressing; as only a domestic remedy, like the plantain, was required for his case. It is in these slight ailments that domestic remedies, and those who apply them, gain the credit of bringing about a cure: —the difference between post hoc and propter hoc not being marked; —as must likewise happens sometimes to the best practitioners. Biron. A fever in your blood, why then, incision Would let her out in saucers; Biron. Say, can you fast? your stomachs are too young; And abstinence engenders maladies. Why universal plodding prisons up The nimble spirits in the arteries. {Act iv. So. 3.) See, Brutus to Portia, in Julius Caesar, and also a passage in Hamlet, in connection with this. 26 Shakespeare's medical knowledge, Armado. ; and with his royal finger, thus, dally with my excrement, with my mustachio : (Act v. Sc. 1.) Shakspeare uses the word excrement, for the hair in some four or five other places, which will be quoted in their order. There must be many well-informed persons outside of the profession who do not know that the hair is reckoned an excrementitious substance. ISMljjattt Of IBttXUL Oratiano. ? and creep into the jaundice By being peevish ? (Act i. Sc. 1.) An attack of jaundice is perhaps oftener brought on by mental anxiety and labor, than by any other cause. Bm than good. Shakspeare's commonsense as far transcends that of ordinary men, as his poetry excels that of other poets. This often appears in his medical observations. So that if he himself had been obliged to do something in a case of sudden emergency, where 32 Shakespeare's medical knowledge. no professional aid was at hand, it is probable he would not have made matters worse than he found them. Paulina. I say, she's dead; I'll swear 't, if word nor oath Prevail not, go and see: if you can bring Tincture, or lustre, in her lip, her eye, Heat outwardly, or breath within, (Act m. Sc. 3.) We are to understand from this passage, taken in connection with what occurs in the after progress of the play, that the queen had fallen into a cataleptic state, brought on by combined physical and mental suffering. Catalepsy is one of the rarest of all diseases. Polixenes. Is not your father grown incapable Of reasonable affairs ? is he not stupid With age and altering rheums ? Can he speak ? hear ? Know man from man ? dispute his own estate ? Lies he not bed-rid ? and again does nothing, But what he did being childish ? (Act iv. Sc. 3.) Here are stated the points of a medicolegal case, de lunatico inquirendo. Was not this passage worth Lord Campbell's comments ? Autolycus. Let me pocket up my pedler's excrement. [Takes off his false beard.] (Act iv. Sc. 8.) 33 MACBETH. C0ttteb|r of (&xtat&. Antipholw of 8. hair being, as it is, so plentiful an excrement. (Act n. Sc. 2.) Abbm. It seems his sleeps were hinder'd by thy railing; And therefore comes it that his head is light; Thou say'st his meat was sauced by thy upbraidings: Unquiet meals make ill digestions, Thereof the raging fire of fever bred; And what's a fever, but a fit of madness ? Thou say'st his sports were hinder'd by thy brawls; Sweet recreation barr'd, what doth ensue But moody and dull melancholy, (Kinsman to grief and comfortless despair.) And at her heels a huge infectious troop Of pale distemperatures and foes to life? In food, in sport, and life preserving rest, To be disturbed would mad or man or beast. (Act v. Sc. 1.) Malcolm. . Comes the king forth, I pray you ? Doctor. Ay, sir: there are a crew of wretched souls, That stay his cure: their malady convinces 4* 34 Shakespeare's medical knowledge. The great assay of art; but at his touch, Such sanctity hath heaven given his han And drink it off; and if you had the strength Of twenty men, it would despatch you straight. Romeo. There is thy gold, worse poison to men's souls, Doing more murders in this loathsome world, Than these poor compounds that thou may'st not sell. I sell thee poison, thou hast sold me none. Farewell; buy food, and get thyself in flesh. Come, cordial, and not poison; go with me To Juliet's grave; for there I must use thee. (Act v. Sc. 1.) I could not be expected to omit this famed scene of the Apothecary, because it happens to be in the school-books; and I have given the whole of it—for I was unwilling to mar it by abbreviation. But the apothecary of to-day is wiser than he of Romeo's time ; for plate-glass and gilded 73 HAMLET, cornices come more from selling cosmetics, hair-brushes, and the like, than from " culling of simples." • Romeo [Drinks.] O, true apothecary! Thy drugs are quick.—Thus with a kiss I die. [dies.] (Act v. Sc. 3.) There is but one substance, which, in a highly concentrated form, may act thus instantaneously in most cases; and that is the one Mr. Oily Gammon chose for his exit. Jpomlet. Hamlet. My fate cries out And makes each petty artery in this body— As hardy as the Nemean lion's nerve. (Act i. Sc. 4.) Ghost. With juice of cursed hebenon, : whose effect Holds such an enmity with the blood of man, That, swift as quicksilver, it courses through The natural gates and alleys of the body; And, with a sudden vigour, it doth posset And curd, like eager [acid] droppings into milk, The thin and wholesome blood :— (Act i. Sc. 5.) 74 Shakespeare's medical knowledge. This may stand for a pretty good description of the effects of an animal poison on the blood, but not for the effects of a vegetable or mineral poison. Polonius. And he, repulsed (a short tale to make), Fell into a sadness; thence into a fast; Thence to a watch; thence into weakness; Thence to a lightness; and, by this declension, Into the madness, wherein now he raves. (Act n. Sc. 2.) Hamlet. I'll tent him to the quick; if he do blench, I know my course. (Act n. Sc. 2.) King. Haply, the seas, and countries different, With variable objects, shall expel This something-settled matter in his heart; Whereon his brains still beating, puts him thus From fashion of himself. (Act in. Sc. 1.) Hamlet. But, sure, that sense Is apoplexed: Queen. Your bedded hair, like life in excrements, Starts up, and stands on end. Hamlet. Ecstacy! My pulse, as yours, doth temperately keep time, And makes as healthful music: It is not madness, I have uttered : bring me to the test, And I the matter will reword; which madness Would gambol from. Mother, for love of grace— 75 HAMLET, Lay not that flattering unction to your soul That not your trespass, hut my madness speaks; It will hut skin and film th& ulcerous place, Whil'st rank corruption, mining all within, Infects unseen. (Act nr. Sc. 4.) Shakespeare knew that wounds and ulcers should begin to heal from the deepest part, and that the discharge should have a free outlet, to keep it from burrowing. There is one other passage expressing the same thought. King. But like the owner of a foul disease, To keep it from divulging, let it feed Even on the pith of life. (Act iv. Sc. I.) King. Since yet thy cicatrice looks raw and red, For, like the hectic in my blood he rages, And thou must cure me. (Act iv. Sc. 3.) Hamlet. This is the imposthume of much wealth and peace; That inward breaks, and shows no cause without, Why the man dies. (Act iv. Sc. 4.) How Shakespeare may have acquired his medical knowledge it is, of course, impossible to conjecture. But it is likely that he never received a regular medical education. Since, if he had, and, being a gentleman and the 76 shakespeaee's medical knowledge. " creator of polished gentlemen like Hamlet," his instinctive good taste in composition would have rarely permitted him to make use of terms and comparisons borrowed from the shop; —though such a convenience may be allowable enough in a " lay gent." Laertes. no cataplasm so rare Collected from all simples that have virtue— (Act iv. Sc. 7.) Iago. Yet again your fingers to your lips ? "Would they were clyster-pipes for your sake! (Act H. Sc. 1.) Iago. This broken joint between you and her husband, entreat her to splinter; this crack of your love shall grow stronger than it was before. Iago. "What wound did ever heal but by degrees ? (Act ii. Sc. 3.) Clown. Why, masters, have your instruments been at Naples, that they speak i' the nose thus ? (Act in. Sc. 1.) 77 OTHELLO. In the streets of Naples, even at this day, the effects of syphilis are both more audible and visible, than in other cities. Iago. The Moor already changes with my poison : Dangerous conceits are, in their nature, poisons: Which, at the first, are scarce found to distaste; But, with a little act upon the blood, Burn like the mines of sulphur. (Act m. Sc. 3.) Iago. Not poppy, nor mandragora, Nor all the drowsy syrups of the world, Shall ever medicine thee to that sweet sleep Which thou owd'st yesterday. (Act in. Sc. 3.) Othello. Give me your hand: This hand is moist my lady. Desdemona. It yet has felt no age, nor known no sorrow. Othello. It argues fruitfulness, and liberal heart: Hot, hot and moist; this hand of yours requires A sequester from liberty, fasting and prayer, Much castigation, exercise devout; For here's a young and sweating devil here, That commonly rebels. (Act ni. Sc. 4.) For this same idea, see also Antony and Cleopatra. Iago. My lord has fallen into an epilepsy. Cassio. Bub him about the temples. 8 78 Shakespeare's medical knowledge, Iago. No, forbear: The lethargy must have his quiet course: If not, he foams at mouth;- (Act iv. Sc. 1.) Othello. Drop tears as fast as the Arabian trees Their medicinal gum. (Act-v. Sc. 2.) This ends the task I proposed to myself, of inquiring into the amount of Medical Knowledge incidentally displayed by Shakespeare in the thirty-two plays, in which the foregoing passages are to be found. If it should be thought that I have given some passages that might better have been omitted, I can only say :—I am confident, if I had extracted every line or part of a sentence in which a medical term is used, a medical subject referred to, or a medical thought expressed, the number would amount to threefold that presented in this collection. THE END. SHAKE SPE ARE'S MEDICAL KNOWLEDGE. BY CHARLES W. STEARNS, M.D. NEWYORK: D. APPLE TO N AND COMPANY, 448 & 445 BROADWAY. 1865.